An Opulent Certification

scarecrow.jpgIn the Wizard of Oz, the Scarecrow finally gets his brain by getting a piece of paper he can frame and put on the wall. While the Scarecrow had to prove his intelligence to get his paper, there are other documents that people hang on their walls that prove exactly the opposite. After all, there is that old saying that a fool is born every minute.

Now you too can prove to your friends that you are a bonafide wine expert by getting your very own piece of paper to hang on the wall. For a mere $195 you can get certificates ready for framing from The Parker & Zraly Wine Certification Program, which you can check out at this link: Wine Certification Program.

Having to hang such a document on your wall to prove you’re an expert proves something else. Taking that $195 and investing it in a few books and, most importantly, more wine to taste is a far better investment. There is also the reality that these days there is a vast amount of information available online for free. If you really need something to put on the wall, you also can just print one up on your own.

Next time you wander into someone’s office or house and see one of these certificates, the refrain, “If I only had a brain” should come into your head.

Future Tense

nebiolocappellano2 It's rare these days when you have to write about a wine in the future tense. Most wines are all they can be upon release with their Rubenesque charms right there for any palate to perceive. These wines don't require the encyclopedic knowledge of a Michael Broadbent to be put into perspective: Brittany Spears can handle the description on her way out of the limo. However, there may be some of you who are old enough remember when it was common to have wines that weren't as charming as they were ever going to be on the first day they hit the market. These were wines that excited you because of the riches you knew awaited you if you nurtured them through grouchy adolescence into majestic maturity.

Such a wine is the 2003 Cappellano Nebiolo d'Alba, a wine that will someday surpass many a Barolo in complexity and intellectual pleasure. This wine is no pleasure to drink now, however, in a decade or so it will bring pleasure hard to put into words in a commentary such as this: meaning that you're going to have to take my word for it. If you ever wondered what nebbiolo is all about this taught, tight and bracingly tannic wine is a good place to start. Cappellano wines teach everyone a lesson about tannin. That is that powerful, mouth-drying young tannins don't have to be green or brutally bitter. Tasting these streamlined, intense tannins teases and taunts you to wait for what only time can bring. While Cappellano Barolo itself is otherworldly and more complex than this wine, the Cappellano Nebiolo (yes they spell it with only one "b" at Cappellano) is an outstanding wine at a fraction of the price. Frankly, it's a far better wine than many wines sporting the name Barolo on their label and price tags. This is a buy as much as you can type of wine.

Another revelation for most drinkers will be the 2005 Cappellano Dolcetto d'Alba Gabutti. No purple glop here, but a real wine that will improve and develop for years. I never understood why so many wine guides refer to dolcetto as the Beaujolais of Italy and tasting this wine will make you wonder what the heck they were drinking. The Cappellano Dolcetto has zesty, bright fresh fruit, but it doesn't stop there like so many dolcetto wines these days. The brilliant fruit is layered with bitter tar, black truffle, rich porcini mushroom flavors and aromas that remind you more of nebbiolo than dolcetto. This is dolcetto at its best and most complex. Don't waste this on pizza, but save it for more elevated fare. I would seriously consider aging this wine for at least two more years. That's my plan with my remaining bottle.

The Cappellano wines are some of the finest examples of pure, classic winemaking coming out of Italy today. They are wines of place and variety that radiate purity of character. This means they are not wines for everyone and that you must age them to realize their greatness. You become part of the process that brings these wines to their finest. It's that personal involvement that adds an extra level of complexity to the enjoyment of such wines. As you carefully age them you become an integral part of the winemaking team and part of the process that makes that bottle extraordinary. There is nothing quite like opening a bottle you have kept for many years. The emotion and experience of opening such a wine can never be replaced by the simple hedonistic pleasures of a wine manufactured to be drunk the day the cork goes into the bottle. While there is nothing wrong with easy wines made to be drunk young, (after all, what would we drink while waiting for our best wines to mature or with cheeseburgers on a Tuesday night?) it's a waste when potentially great wines are emasculated by winemakers in the name of making them ready-to-drink beverages instead of reaching for the heights that could be achieved with bottle age.

As it becomes harder-and-harder to find wines designed to improve with age, producers like Cappellano become more-and-more something to be treasured.

Two Bottles, Two Wines, Too Bad

morgon desvignes I was looking forward to the arrival of my 2005 Morgon, Javernièes, Louis Claude Desvignes from Chambers Street Wine Merchants. I knew this was going to be great stuff without even tasting it so I grabbed some of the few bottles they had available. Now I know that this wine won’t even start to be ready to drink until next year and will be better yet in two or three, but, alas, I was weak and as soon as it arrived just had to taste a bottle. After all, I had five more bottles. I pulled the cork and into a big Riedel I poured my little present to myself to serve alongside some fragrant rosemary braised lamb. I lifted the glass in giddy anticipation of the gloriously gamy gamay glamorously gussied up in its beautiful purple robe. With great skill I swirled that swirl that takes years of wine swirling to achieve and put this treasure to my nose and inhaled with practiced precision prepared to experience every aspect of this fabulous wine. All this anticipation came to a grinding halt. The wine was just ordinary. I smelled again and again in disbelief. A few tastes confirmed my nose’s bad news. There seemed to be greatness hidden somewhere, but everything was strangely muted and the wine was more dead than alive. Then I picked it up, hidden in the background was a slight mustiness: the wine was corked. Just barely, but it was corked. With a heavy heart I reached for a corkscrew and pulled the cork on another bottle of my all to limited supply, which was now down to four. This second bottle not only lived up to my expectations, but exceeded them. This is an extraordinary wine with depth and complexity that many a Burgundy only achieves in its dreams. It is a substantial wine with a mouth coating richness and texture. The velvety tannins remind you that you should not be drinking this wine tonight, but in three to five years. Not surprisingly, this gem is imported by Louis/Dressner.

These slightly corked bottles are an all too common problem. You taste the wine and it seems just not “right”. Often even in a group of experienced tasters, some may miss the corkiness and fault the wine instead of just the bottle before them.  Without a doubt most are consumed with the drinkers either ignoring the problem or just plain not recognizing the problem. When you get a bottle of wine that seems not quite right, give it a close second look. When your instincts tell you something is just not right, you’re probably right.

I’ve been on a bad run over the last couple of weeks getting a corked bottle every few days. Screw caps are looking better and better.

Photography

harvest 07 pressing first pinot noir 042

Over three decades ago, back when I was blind tasting jugs of Almaden Claret and Burgundy to see which was better (yes, points and all), I was a photojournalist before getting into the wine business. Over the years the wine business ate up most of my time and photography fell by the wayside, but recently I have returned to my old profession as an avocation and I have created a web site to share my efforts. I invite you to visit the growing gallery of my photography at http://craigcamp.phanfare.com, where your comments are always welcome, just as they are here at The Wine Camp Blog.

I Give the Gestapo 95 Points

From Decanter:

Parker slams Nossiter with ‘Gestapo’ slur
October 31, 2007

Robert Parker has accused Mondovino director Jonathan Nossiter of ‘bigotry’ and ‘stupidity’. Posting twice on his bulletin board yesterday, the eminent US wine critic savaged the controversial filmaker for his views on the globalisation of taste. ‘Anyone with half a chimp’s brain can see through Nossiter’s transparency easier than a JJ Prum riesling,’ said Parker. ‘It is Nossiter and his ilk (call them scary wine gestapo) chanting the same stupid hymn that demand wines be produced in one narrow style.’ Parker continued, calling Nossiter’s new book Le Goût et le Pouvoir (Taste and Power) ‘propaganda’ and labelling his 2004 film Mondovino ‘migraine-inducing’ and ‘disingenuous’. Nossiter argues that, ‘after Kant, judgements of taste are an expression of human autonomy, symbols of moral liberty’. ‘We live in a strange time, characterised, it seems, by the collective and willing abandonment of this liberty,’ he says. Parker, following up with a second post on the bulletin board said he was doing his part to ‘save the world from appalling stupidity…and the wine bigotry that comes from narrow-minded zealots.’ The publication of Le Goût et le Pouvoir looks set to cement Nossiter’s credentials as one of the most divisive wine commentators, with posters on decanter.com falling on both sides of the fence. ‘Mr Nossiter claims to love wine but, really, he is in love with himself,’ said one poster, calling himself Jack. Others support Nossiter’s stance, with one New Zealand writer saying he ‘applaud[s] Jonathan Nossiter’s sentiments wholeheartedly’. Another comment pulls Decanter itself into the row. ‘Spot on, Jonathan Nossiter,’ said Sarah Hennessy. ‘Decanter Magazine: guilty as charged.’

I guess I’m now the wine gestapo according to Robert Parker. I don’t get it. Why would anyone at the pinnacle of their power like Parker lower himself with such mean spirited diatribes?

The paranoia is running deep these days at eRobertParker.com with forum host Mark Squires regularly banning members of the so called “wine gestapo”. Unfortunately they have banned such thoughtful and highly respected writers as Alice Feiring, who commented on her blog, “Like many other wine folk I’ve been amused by the going ons over at the eBob.com site this week. While the Parkerbeestes*** feasted on Jonathan Nossiter’s book and politics and questioned his palate and wine knowledge, he’s proved to be a champ in France.”

The thoughtful, but not yet banned (I think) Lyle Fass comments. Parker’s attacks on anybody who disagrees with him are becoming more and more filled with hate and vitriol. He is definitely not winning any new fans based on these outbursts. He seems to be increasingly threatened by voices of opposition.

On top of this brouhaha, Decanter reports that, “Hanna Agostini, Robert Parker’s one-time representative in Bordeaux, is publishing an unauthorised – and by all accounts highly inflammatory – biography of the world-famous critic.” This attack once again caused great anguish at the eRobertParker.com forum, much to the pleasure of Ms Agostini as the free publicity will certainly dramatically increase the sales of her book.

I think it’s a shame that anyone who has accomplished as much as Robert Parker should respond to criticism in such a demeaning way. Taking the high road would be a far better strategy. What even he must find strange is the venom spewed by his supporters on his behalf. They act more like an Oprah devotee defending their idol than serious wine aficionados pursuing their avocation. These digressions and paranoid reactions only dilute Mr. Parker’s very real accomplishments and a fantastic forum filled with information that can be found nowhere else.

By using comments like “half a chimps brain” and “scary wine gestapo” , Mr. Parker has done more damage to his own reputation than Jonathan Nossiter did in his movie or book.

Celine's Kind of Wine

celine dion Americans equate quantity with quality. Big plates of food and big voices like Celine Dion fill seats in restaurants and amphitheaters alike. The same proven concept has overwhelmed the wine industry: (big wine x price)+big points=sales. Everything is about power and we no longer can hear or taste the nuanced pleasures of complexity. In music the artistry of Ella Fitzgerald is replaced by the vocal pyrotechnics of Celine Dion, while in wine the layers of Lafarge have been replaced by the variety-free jammy characteristics of Loring. Can Dion sing and Loring make good wine: sure. However, they leave nothing to the imagination or the individual forcing the drinker/listener down the path they have chosen instead of creating art that awakens their spirit and intellect and invites them to become part of the experience. A Loring wine or a Dion song happens to you like a sit-com with a laugh track that tells you when to laugh.

Michael Foley, an outstanding chef in Chicago, once told me that Americans were so used to flavor overloads that they could not understand simple foods. That palates raised on the dozens of flavors of a Big Mac could not understand the subtle beauty of a simply poached fresh salmon. I think he was right and palates and ears accustomed to Whoppers, Dion and Loring lack the ability to experience anything beyond that first wave of flavor or sound.

To be art, the work should involve you and make you think. The same goes for great wine.

Melange a Notes

Under $20

  • Rosso Conero, Barco, Brunori, 2004  - These Marche wines are great values. This montepluciano/sangiovese blend combines the structure, earthy fruitiness and zesty acidity that is so distinctively Italian. I’m going back and buying a case. Just a great food wine.
  • Menetou-Salon, Cuvee Le Charnay, Jean-Max Roger, 2005 - I have been a fan of Roger Sancerre for several decades. In this Menetou-Salon Roger offers a wine that, while just a notch below their Sancerre, is an outrageously good sauvignon blanc at bargain prices. Lean, clean and with a salivating minerality to balance its pungent fruitiness. No cat piss here, just zest and brilliance. I’m going back for more.
  • Riesling Halbtrocken, Mosel-Saar-Ruwer, Frieherr von Heddesdorff, 2005  - I’m a halbtrocken fan. All to often trocken wines seem just a bit hollow to me, but not so halbtrocken. This riesling has more body and is dryer than most Kabinett wines (which I adore too), while maintaining that bright fruit sweetness that defines riesling to me.
  • Beaujolais, Pierre Chermette, 2005 - Pretty, pretty and pretty again. What a charmer and what a bargain. Drink as much of this lovely flower as you can, as young as you can.

Over $30

  • Cerasuolo di Vittoria, Pithos, Azienda Agricola Cos - 60% nero d’avola, 40% frappatto, 2005 - An Cerasuolo from Sicily that goes for over $40? Yup, and it’s quite a wine. Shimmeringly translucent ruby laced with exotic spices and wild strawberry fruit (wild is important, no simpering grocery store strawberry here) blended with touches of earthy tar and and a firm minerality. I wish it was cheaper, but I could say that about a lot of wines. Lovely stuff.
  • Coteaux du Languedoc, Terrasses du Larzac, Le Grand Pas, Domaine Le Pas de l’Escalette, 2004 - I have become a huge fan of the wines from Domaine de l’Escalette. This is their top of the line and an outstanding wine it is and I would certainly consider this as a fine cellar investment over the next decade. A robust blend of grenache, carignan and syrah that deftly combines power with complexity, this is the type of wine that has inspired many a Rhone Ranger to attempt to recreate these beautiful southern French wines in America. Worth every dime.
  • Barbera d’ Alba, Giacomo Borgono, 2006 - This old estate located in the heart of the village of Barolo constantly improves their wines while staying true to their traditionalist style. This is a brilliant barbera packed with zest, raciness, generous brambly fruit and a perfectly balanced explosion of fruit and character on the palate. An almost perfect food wine that just demands hedonistic gulp after gulp.

Think For Yourself

 

beatlesthinkforyourself A big wine tells you what to think, while a more elegant restrained wine forces you to think for yourself. One happens to you, the other involves you; seduces you.

A perfect example of a wine that invites you into such an experience is the 2005 Bourgogne, Vieilles Vignes, Domaine Joseph Voillot. This is a wine that can only be described as vivaciously alive. The drinking of it releases its spirit and that essence flows into you. Is this a great pinot noir? No, but it is a wonderful one and a great value selling for under $30. It is also the perfect entry point for those wondering what all the angst surrounding the crafting of fine pinot noir is all about. Unfortunately all too many consumers are exposed to pinots that taste more like syrah than pinot and after that palate dulling experience can't appreciate the delicate flower that is pinot noir; that characteristic that no other variety can mimic. This is sad both for pinot noir, which is not very good at being big and for syrah, which is very good at it. With confused consumers using pinot noir as a syrah surrogate all too many fine syrah wines are ignored.

The 05 Voillot Bourgogne is a delicate beauty, shy at first, but soon opening its full radiance to you. At a lilting 12.5% alcohol, today's sandblasted palates may not get it, but those whose taste buds still live will discover a myriad of haunting flavors and aromas that linger in a perfect balancing act that expands with every sip.  This is what pinot noir is all about.

Coteaux Costco

costco champagne 016 I just tossed almost fifty bucks down the toilet. It’s my fault, I should have known better, but as they say, a sucker is born every minute. Today that sucker was me.

I ventured into Costco to buy big chunks of food to prepare for some events where a lot of very hungry people would be “consuming mass quantities” and, while on my way to the food department, passed the wines. I could not resist taking a spin to see what was what. There it was, their private label French Champagne, under the elegant Kirkland label, going for only $22 a bottle. I mean, how bad could it be? It was real French Brut Champagne and had been selected by a real M.W. named D.C. Flynt. I guess being an M.W. is not what it used to be.

How bad could it be? The answer is pretty bad. First of all there was the ugly brown color, followed by the the insipid taste and oxidized aromas. On top of that, it didn’t even have many bubbles left. In my opinion, this is one of the worst rip-offs I have ever tasted and don’t understand how any reputable merchant can sell such a wine. You would be better off with a bottle of $6 Spanish Cava than this terrible wine. No, that’s not a glass of Fino Sherry pictured here, it’s a glass of Kirkland Champagne about to be poured down the drain.

Perhaps this was a decent wine when our M.W., D.C. Flynt selected it, but somewhere along the way I think this wine has been so abused by bad storage and bad shipping conditions that it’s certainly not worth $22 a bottle or, for that matter, $2 a bottle.

I was a sucker because I let myself be conned into buying a wine from Costco. If you buy wine from a store where not a soul in the store has a clue about the wines their selling you get what you deserve. I got two bottles of undrinkable Champagne and I deserved it. Costco tosses in some famous names to make themselves look like a serious wine merchant and a lot of people get taken in by this ploy. For example they were selling wines like 2004 Ducru Beaucaillou today, but you have to ask yourself how those stacked up bottles were treated before you lay them down for a decade only to find out that, like me, you were a sucker too.

I can’t think of a worse place to buy wine than Costco.

Old Hippies

sumi label I was under the Eiffel Tower drinking some of the best wine I had ever tasted. It had no brand name other than 12%. It was 1974 and I had picked up the jug in the Parisian version of a corner grocery, where the wine was sold by the level of alcohol, not a brand name. I know it didn’t cost very much because I basically had no money. That bottle was my ticket to lunch as my contribution to the myriad communal meals being shared by small groups of traveling hippies like me scattered on the broad green expanse surrounding the tower. It was great, you just showed up with some wine, bread, cheese or salami and joined into a group meal. I still remember those meals with a certain psychedelically enhanced sentimentality.

Recently I was sitting at the bar of a restaurant in Washington D.C. that I had just wandered into as it was close to my hotel, it was late and I was hungry. It turned out to be swankier than I expected and I, still wearing my standard issue Oregon attire, felt quite underdressed. First one gentleman, than another, joined me at the bar. Both were wearing dark suits, white shirts and red ties, which I now believe are the only items stocked by men’s shops in D.C.. I had ordered the excellent 2004 Giacosa Nebbiolo d’Alba, while the other ordered an expensive Super-Tuscan, which to save a few more oak trees, will remain nameless and as boring as almost that entire genre. The other ordered a bottle suggested to him with great Italian accented flair by the chef. At first we were all quiet, but by the second glasses of wine we had become friends and bottles were passed around. One was in the oil business (Cheney must have been busy that night) and the other was, not surprisingly, a lobbyist.We were all a clearly 50+ bunch, so these guys could have been sharing wines with me under the Eiffel Tower some 33 years ago. Not only had the wines we shared gone up a lot in price over the years, but also increased a lot in alcohol. That 12% wine I bought three decades ago had been the top-of-the-line jug wine, but that D.C. evening’s expense account driven meal did not bring a wine under 13.5% to our glasses. Needless to say we were best friends and exchanged cards and hugs as the evening came to a close. You can’t beat a reunion of old hippies.

The chef had recommended the 2001 Braida di Giacomo Bologna Barbera d’Asti ai Suma to my new best friend. This is a wine that combines eccentricity, exoticness, excess, and expensiveness into the perfect wine for Washington D.C. expense accounts. It’s a late-harvest, barrique-aged barbera that instead of a wine flavors, creates kind of a strange, sweet, raisiny grape stew in your mouth. Like Amarone, it may be a great combination with some delicious, stinky, runny cheeses, but the idea of matching this glob of wine with any kind of refined cooking is not very appetizing. Just to give you an idea of how over-the-top this wine is, Parker gave it 94 points, and you know what that means. I’m not saying this is a terrible drink, but it certainly is nothing to match with a meal.

Those few Francs I paid for that simple French wine in 1973 brought me far more pleasure and luck than this big buck Barbera in 2007 as Nixon resigned while I was drinking that little French wine under the Eiffel Tower. Unfortunately, even with the increased price of the Bologna ai Suma, it brought no such luck in 2007.

Bar Mimmo: Finding Puglia in Lombardia

By Craig Camp
Wednesday, September 10, 2003

mimmo's-bar-entrance.jpgROBERTO HAS a mischievous look in his eyes. This is not an unusual occurrence. We’re on our way to dinner at a place he has been raving about.

“What’s the food like in this restaurant,” I ask him.

“This is no restaurant,” he replies with a wink and a smile. “It’s more like a bar.” After a second of thought he adds, “Actually it’s not much of a bar either.”

We twist and turn down a narrow country lane and as we approach a small cluster of houses he begins to slow down. Although I’ve been past here many times before, I’ve never seen a place to eat — or to do anything else for that matter. You couldn’t even call this a wide spot in the road, as the narrow street goes right to the edge of the buildings. There’s barely room to walk if a car is passing, and you better not be there when a truck flies through town.

Roberto pulls the car into a narrow opening between the buildings and suddenly we’re in a courtyard surrounded by a few houses and some rundown work-sheds. There isn’t a sign in sight. In the center of the courtyard, however, is a large and boisterous group with many empty bottles of wine on the table. The table is one of those matching green plastic table-and-chair sets you buy for your patio at K-Mart when you’re on a tight budget — a very tight budget. The table is placed in the gravel of the driveway, tucked in between two parked cars. The group at the table are the only people in sight.

Once we find a narrow spot to park the car we emerge from the air conditioning to be greeted by the sounds and smells of a barnyard. The chickens from the large cage in the back cackle loudly and lend their full odor to the surroundings.

While we stand in the gravel in the center of the courtyard, Roberto disappears for a few minutes behind a fuzzy purple string curtain covering a doorway. On the second floor above us we can see into a kitchen. A woman is busily cooking and she calls out a welcoming “buona sera!” to us as we stand not knowing quite where to go.

“Buona sera,” we all chime back.

Shortly Roberto emerges from the fuzzy purple strings followed by a bald, short, pleasantly rounded man. His face has that look of severity that some people have that instantly disappears when their sly grin lights up their face and their eyes dance with an impish sparkle. This is Mimmo, our host for the evening and proprietor of Bar Mimmo.

Mimmo made the trek north to Lombardia from Puglia — one end of Italy to the other — over thirty years ago. Though he left Puglia decades ago, the smells, flavors, and customs of Puglia still live in Mimmo’s bar, though it’s much closer to Milano than Bari. After a quick tease of Roberto and his wife Cristina’s three year old daughter, and a quick flirt with Cristina and my wife Manuela, Mimmo points to a long table next to a shed and we sit down.

Our table is a long, well-worn picnic table that could hold about twenty. The outdoor table is covered by a kind of lean-to with a metal roof that is in some fashion connected to the shed. The walls are decorated with some weather-beaten travel posters of girls in bikinis, and the fragrant chickens are busily clucking just a few meters away.

When asked what we would like to drink Roberto requests vino rosso and a little something to eat. No need for wine lists here as the only red wine served at Mimmo’s is another piece of Puglia he has brought to the north. Every year he brings grapes north from his home region and makes wine — from malvasia nera and a few other grapes, Mimmo’s wines are dark red, still a bit sweet, and with a touch of gas that makes the juicy fruit flavors refreshing. There are no vintage dates on the bottles, but there is no question about which vintage it is: Cantinino Rosso is always the last vintage. The bottles are brought chilled and poured into stubby, well-used glasses. Although fruity and soft with a flavor that begs for gulps instead of swirling and sniffing, his wine sports 13.5% alcohol. Mimmo has dubbed his wine Cantarino Rosso or “little singer.” I’m sure the combination of sweet, easy drinking-fruit and alcohol has turned many of his guests into happy little singers before the evening is over.

Mimmo’s bar is not licensed to serve meals so in a strict legal sense he does not … but you won’t leave hungry. There are no menus, no pastas, no risottos, and no roasted meats or juicy steaks. At Mimmo’s you feast on antipasti.

Shortly he arrives with the first plate, a bruschetta, which you can tell is something special before it even hits the table. No chopped tomatoes here, but a slice of a luscious ripe flavorful tomato laid on top of a slice of crusty garlic-rubbed bread drizzled with some round, fruity, almost decadent extra virgin olive oil that Mimmo brings here from a special friend in Puglia. All is dusted with tiny specks of fresh oregano and chunks of fresh picked basil. The first bottle of wine and the bruschetta disappear simultaneously.

I’m getting the urge to sing.

Soon Mimmo arrives back at our table with a fresh bottle and another plateful of what has become in my mind the already legendary Bruschetta di Mimmo. Accompanying the bruschetta is a large plate of grilled salsiccia piccante or what we call in the United States pepperoni, but you never had pepperoni like this in the USA. A rich reddish brown color with not a hint of the bizarre bright red tone you see in American versions, these spicy sausages are full of mouth-filling meat flavors. Each lightly grilled slice tops a piece of the same crusty bread used for the bruschetta. The spicy sausages assure that the second cool bottle of red disappears before the last piece of sausage.

By now we’re as boisterous as the other group that was when we arrived. Roberto leans over and seriously confides in me that this is pure wine and will not leave you with a hangover in the morning — although sometimes you still feel a little drunk when you wake up.

Mimmo arrives with another plate filled with small grilled ham sandwiches. Inside is creamy melted Taleggio cheese and an anchovy all smeared with a bit of chopped roasted red peppers marinated in olive oil. The wonderful combination of textures and flavors makes this a dish that I know I should be able to recreate, but will always fall frustratingly and unexplainably short.

Happily I see Mimmo approaching our table once again with two plates in hand and another bottle of red under his arm. Another plate of grilled salsiccia piccante and a plate of sliced hard-boiled eggs on bread and topped with a large anchovy cured in salt instead of oil. Once you have tasted this version, those in the oil just don’t stand up — or lay down as the case may be. As I wolf down the delicious eggs with the reddish yolks I notice the chickens seemed to be clucking a little sadly. I’m also reminded of how different it is to eat in different cultures as I watch our friend’s three year old daughter, Martina, pick the anchovies off of her eggs … and then eat the anchovies and leave the eggs. Just for good measure, another plate of bruschetta arrives at the table and is quickly consumed. With a plate of local cheeses we finish the third bottle. There’s no room for even a bit more.

When he arrives with the espressi, Mimmo stays on to chat with his obviously satisfied and satiated customers. Roberto comments that his wine tastes exactly the same as it did fifteen years ago when he first tasted it and that it tastes the same every year. Mimmo lookes proud at what he rightly interprets as a compliment. He notes a little sadly that when he opened thirty years ago people only drank red wine, which of course at his bar meant his wine. He observes that now white wine accounts for over fifty percent of his sales and that he has to buy bottled white wine to sell to his younger customers.

The Canterino Rosso of Mimmo will never appear in the Gambero Rosso or Robert Parker’s guide, but it’s fun to drink. Drinking country wines like this is like touching a bit of food history. These are the types of wines that established a daily wine culture in Italy and you can’t ignore how good they taste with simple, delicious dishes like spicy sausages and garlicky bruschetta. Dining by the chickens at Mimmo’s bar, an oaky Super Tuscan would have seemed as out of place as James Bond in a tuxedo. The only trouble with wines like Canterino Rosso is you have to drink them there. They never taste as good at home — just like Mimmo’s ham sandwiches.

To finish the evening our host deposits two open bottles of grappa on our table. Obviously the grappa is to be self-service. The one without the label is his own production. In the grand tradition of contadino grappa it burns its way right through all the food you’ve stuffed into your stomach.

As our wives play catch with Martina, Roberto and I stroll into the bar to take care of the bill. The eight heaping plates of food, three bottles of wine, espressi and self-serve grappa come to a meager €42 for the five of us. Once again money well spent — a common experience when it comes to eating in Italy.

Inside of the tiny bar is a stunning site: Mimmo has been collecting some of the great wines of Piemonte for years and there in dusty bottles on his wall are wines from the finest producers of Barolo and Barbaresco from all from great vintages in the fifties and sixties. These great bottles are not for sale, but are a collection made out of respect from one great winemaker to another.

Mimmo’s Bruschetta

-Small, very ripe (preferably homegrown) tomatoes, sliced

-1 or 2 large cloves of fresh garlic, peeled and one small end sliced off.

-The best extra virgin olive oil you can find — preferably a big, rich oil from the south.

-Thin loaves of crusty French bread (you want slices close to bite size)

-Fresh oregano finely chopped

-Fresh basil cut or torn into small pieces

-Freshly ground black pepper

-Sea salt

Cut the bread into thin slices and lightly toast. Rub the toast with the raw garlic to taste (a latex glove makes this process a breeze, and a fresh one at that). Arrange on a large platter and lightly salt and pepper each piece of bread and top with a slice of tomato. Liberally drizzle all with extra virgin olive oil. Lightly sprinkle with oregano and top each with pieces of basil.

 

Bitterness

francesco rinaldi The Italian culture is full of bitterness. It's something they've become accustomed to as it seems to run through much of their daily lives. After all there are apertivi and disgestivi that start and end each meal with a bitterness that stimulates the appetite then aids the digestion of all the food that your over-stimulated palate coaxed you into eating. Bitter flavors run through the Italian day with bitter apertivi like Campari, bitter vegetables,greens and amari like Fernet Branca. This is at direct odds with the American sweet tooth in almost everything: even in their "dry" wines.

The American taste for sweet has created a whole range of wines with overripe flavors and significant amounts of residual sugar in wines that pretend to be dry. I'm not talking about riesling or chenin blanc here, but cabernet sauvignon, merlot, zinfandel, pinot noir, syrah and, famously, chardonnay. This preference for sweet means that many Italian wines will seem bitter to the C&H'd American tongue, but not to an Italian who finds bitterness a enlivening flavor sensation.

That bracing bitterness runs through the 2006 Francesco Rinaldi Grignolino d'Asti and it's certainly a wine that will shatter the sugar coating on the palate of  lovers of California merlot or Australian shiraz. Layered with bitter flavors and aromas like licorice root, tar and bitter wild cherry this excellent wine finishes with an acidity that will leave no lingering fat anywhere in your mouth. No velvet or sweet plum or lushness can be found that will get in the way of the characteristics that makes this an extraordinarily good wine at the table. Each sip of this wine wakes your taste buds and inspire them rather than lulling them to sleep.

Bitterness can be a good thing.

Minimal Understanding

minimalist good While minimalist has become an overused catch-word for many a winemaker, it does mean something. Many wine journalists with minimal understanding of what minimal winemaking means now ridicule winemakers who make such a claim as using a trite phrase with no meaning. However, minimalist does mean something to those who practice it even if the journalists don’t understand and over-romanticize the concept.

I guess there are two types of minimalist winemakers: one group that follows some holistic recipe and the other group that does as little to a wine as nature will allow. Too many wine journalists, with a naive understanding of what it takes to make both great and very good wine think that minimalist winemaking is only the former and that those who practice the second as hypocrites using the phrase for its marketing impact. There is often the view that those that follow their holistic winemaking recipe every year, no matter the vintage, are somehow more natural, but this not the case. The fact of the matter is these “idealists” often make faulted wines that are well reviewed by writers that can’t tell the difference between funk and terroir.

Minimalist winemaking should be defined as those that do as little as possible to a wine, but that will intervene with the most natural, unobtrusive solutions available when a wine is about to become dreck. Any minimalist graywinemaker that lets their wine become undrinkable swill because of vineyard or cellar problems is irresponsible and perhaps even incompetent. Unfortunately there are many famous names that fall into this category and get away with it.

As these two minimalist paintings demonstrate you can be either energetic or monochromatic within the idiom.  A winemaker must make the same choice, but, as in the painting above, to add color and perspective does not mean you are not a minimalist artist. You do not have to paint your canvas in only one color to be a minimalist winemaker. The wine press wants the winemaker who uses only plain gray techniques to be called minimalist, but this is an ignorant position taken by those who have learned about winemaking from books instead of in the cellar.

A winemaker should let wine make itself only when capable of doing so. When that is not the case they have to live up to their name and make the wine.

Rare Bottles

heater allen I’m going to do one of those irritating wine writer things by writing about a bottle you probably can’t get. It’s as rare as can be and put me out four fifty a bottle. Having a bottle of this gem will make your friends jealous.  This rare jewel is the Heater Allen Schwarz Lager Beer. That’s right lager beer and it set me back $4.50 for a 22 ounce bottle, but you’re very unlikely to be able to obtain a bottle of this rarity. The reason you can’t get it is because I intend to get there first and I live just ten minutes from the brewery.

I’m lucky to live in craft beer heaven here in Oregon, a state where small breweries have successfully taken away shelf and cooler space from Budweiser and the other mega-brands. Not only in specialty stores mind you, but in gas stations and 7-11’s too. Even the dumpiest of bars will have a selection of serious local beers on tap. As you travel around the state you’ll never find yourself far from a brew pub and there is even a special brew pub map so you’re never IPA deprived.

I met Heater Allen owner and brewmaster Rick Allen at his booth at the McMinnville Farmer’s Market and was lucky enough to buy his last bottle of Schwarz Lager. Believe me, I would have bought a lot more if I’d had the privilege. Rick has chosen to take the lager route, contrary to the usual variety of ale styles produced by craft brewers. His Schwartz Lager is a rich brown with deep chocolaty flavors that finish decidedly crisper and fresher than any ale. It is exciting to drink a beer that is so flavorful, but is not heavy or filling, instead being refreshing and lively with an extremely long finish.

Just like a hot winery, I was lucky to get on the Heater Allen mailing list so I can grab my allocation of each release. No, I don’t intend to share.

Intense Competition

dahlialounge It started out strong, but soon had no chance as the competition overwhelmed it. The 2006 JM Sauvignon Blanc, Klipsun Vineyard was impressive when I took my first sip, but then the unthinkable happened: the food arrived. I was really enjoying the bight, clean and zesty flavors of this wonderfully varietal wine, but what happened next was not fair to any wine, yet is typical on today's menus.

We were dining at Seattle's excellent Dahlia Lounge and the waiter delivered their Sea Bar Sampler, which included; Hamachi sashimi, Dungeness crab with chili paste and tempura crispies, Dahlia smoked salmon with hot mustard, Alaskan halibut ceviche with red chilies and cucumber and Albacore Tuna with sweet onions lemon and ponzu. Everything was delicious, but the first taste of the citrusy ceviche made the formerly crisp sauvignon blanc taste flat, while the rich smoked salmon made it taste thin and so on.  Some fresh bread and butter returned my palate to normal and the JM was perfect with my main course of sauteéd Alaskan halibut with brown butter potatoes (some of the most wonderful potatoes I've tasted anywhere) Brussels sprouts chanterelle mushroom and bacon.

It's probably impossible to select one wine that would be perfect with each part of the Dahlia Lounge's Sea Food Sampler and not necessary as the JM Sauvignon was delicious with almost everything, but it's good to remember that some foods can make very nice wines not taste very good. The only thing I could think of to better handle such a broad range of flavors would have been a just off-dry riesling or a sparkling wine. Perhaps a more important point is that you can't always get a wine that is perfect with the entire meal and that should not be your goal, you can always revert to the water for the mismatched course and return to the lovely wine you've selected when the next course arrives.

Getting to Know You, Getting to Know All About You

kingandiI was beat. Harvest is upon us and I can’t exactly remember the last day off I’ve had. While few things are more exhilarating than harvest, few things are more tiring. The thought of cooking tonight was just too much so I grabbed some pizza on the way home. With it I popped open a bottle of 2005 Rosso Piceno Brunori, Torquis. Now I’m a big Marche fan and love the montepulciano/sangiovese blend of Rosso Piceno, but this wine did not thrill me and I considered opening something else. I guess I was just too tired to get up, but that appears have been a good thing. Indeed it was a good idea  I waited for, as I took a sip of my second glass, the wine suddenly changed. What had seemed flabby and uninteresting suddenly transformed itself into a firm, enjoyable wine with good character and backbone. What had changed? It was me. The wine was the same, but a bit of food and wine made me relax after a hectic day and my palate finally woke up enough to appreciate this very nice wine.

So the fault was not with the wine, but with me. You have to take time to get to know a wine and take into account that you may not be at your best. Mario and Giorgio Brunori worked hard to make this wine and I was wrong to judge their work so quickly and at a time I was not at my best. Once again, this reality must make anyone question the validity of the 100 point scale where wines are rated based on rapid fire tastings. Not even a tasting machine like Robert Parker can work at the same level of effectiveness every day and under every condition. This is where the king and I have divergent views on how wines should be evaluated.

Every time you taste a wine you should remember that the faults you find may be more yours than the wine’s.

Mamietage: "age" Without the Merit

mamieandglass This being too funny not to share, I post this press release without further comment, as none is needed. The wines from Armida winery must be really great if they choose to participate in projects such as this. Warning: do not attempt to peel away your computer screen. This only works if you buy a bottle.

For Immediate Release:
Sonoma County/ Beverly Hills- Screen legend and notorious blond bombshell Mamie Van Doren, will team with Wine Country Cellars and launch the first limited edition of collectible Mamietage® wine bottles  at a VIP/Press reception on Tuesday, October 23, 2007 at the Fountaingrove Golf & Athletic Club in Santa Rosa. Mamie Van Doren will attend.

Mamie is releasing a new series of wine labels on 1.5 Liter bottles featuring three images of Mamie. Two of the images are of Mamie today, and the third image is from Mamie at age 21. The wine labels are unique in that they all feature nude poses of Mamie covered up by a top, clear "peel away" label that has stars strategically placed. Peel the label away, and there is Mamie nude. The peel away portion is attached, and can be replaced to it's original form. The wine is called Mamietage®, a Bordeaux blend from Sonoma County's Armida Winery, and is a limited production of only 2000 bottles of each image. Each of the 2000 bottles will be individually numbered.
"The delicious Bordeaux blend of Cabernet sauvignon, petite verdot, syrah and malbec was made and bottled by Armida Winery. This is a beautiful, rich wine with flavors of black cherry, vanilla, and a touch of chocolate. The light tannins and medium body give way to a long, fruit filled finish."

Melange a Notes

Some recent under $20 tastes:

  • 2005 Domaine La Garrigue, Cuvée Romaine, Côtes du Rhône - An excellent bargain from importer Eric Solomon. Rich, earthy and structured with bright, but not simple fruit. Very peppery and spicy with a warm, but firm tannic finish.
  • 2005 Dolcetto d’Alba, Lorenzino, Germano Ettore - Brightly rich, fruity and charming, but with an edge you would expect from vineyards in Serralunga d’Alba. Delicious and ready to drink with anything from pizza to a good steak. Very nice.
  • 2006 Barbera d’Alba, Germano Ettore - Zesty, fresh and bright. A wonderfully fruity and refreshing barbera that should be drunk young to enjoy all its youthful charms.
  • 2006 Dolcetto, Walla Walla Valley, Woodward Canyon - A nice effort, deeply purple in appearance, aroma and flavor and enjoyable to drink. However, you can buy much better dolcetto at a lower price than this from top Italian producers. A curiosity, but a pleasant one.
  • 2006 Coteaux du Languedoc, Domaine Le Pas de l’Escalette, Julien Zernott & Delphine Rousseau Vignerons - This wine is just so charming and pleasurable to drink that buying by the case is mandatory. Brilliantly and brightly fruity without simplicity, this is just a great red to have around this house as it’s guaranteed to elevate many a weekday dinner or weekend party.
  • 2004 Pinot Gris, Pfleck de Wettolsheim, Domaine Barmès - Yet another oily, over-the-t0p quasi-late harvest wine from Alsace. Thick, sweet and ultimately boring (to me anyway). At 14.5% alcohol avoid driving after dinner.
  • 2005 Riesling, Winninger Uhlen Kabinett, Mosel-Saar-Ruwer, Freiherr von Heddesdorff - At 9% alcohol, this wine is the polar opposite of the wine above - thank goodness. Light and delicate without missing any complexity. What a great bargain and so, so easy to drink. With just a touch of sweetness to balance the zesty acidity, this wine is so refreshing a second glass always seems to follow the first.

Pinot Syrah

SluttyChick-360w While sipping on an excellent syrah with dinner tonight, I could not help but be struck by the thought: why do producers try to make pinot noir taste like a syrah, when syrah itself is so much better at tasting like, well, itself. This is always confusing to me. It just seems that if you want to make a big, rich jammy wine that you would pick a vine that’s good at it.

The 2005 L’Ecole No. 41 Syrah, Columbia Valley is a wine that combines power and an earthy richness with complexity in a way no pinot noir can (or should). Pinot done in this style seems blowsy, but this L’Ecole is stylish, structured and balanced in its depth and intensity. If you want big and elegant a great syrah, like this L’Ecole, is a better choice (and cheaper) than those strange syrupy pinot noirs running around the market these days.

Big fat pinots seem a bit slutty, but big rich syrah has real class.