Marriott Blues

I admit I really out of it when it comes to California wines. I just don't drink them as there are so few I enjoy. There are also California wines I love like: Calera, Alma Rosa, Edmunds St. John, Iron Horse, Corison and Spottswoode to name just a few. However as the number of wineries I really enjoy are indeed few, I don't pull many corks from bottles of California wine.

Forced into a hotel restaurant dinner due to the late hour of my arrival, I decided to try to be open minded and give The Golden State another shot and ordered a glass of 2005 Clos du Bois Sonoma Cabernet Sauvignon, which my host for the evening, Marriott, was offering for $15 a glass and $50 a bottle. I mean, at that price it must be pretty good, right?

The first sip was smooth enough, although there was little varietal character. My taste buds now awakened, the second sip revealed much more. This wine tasted, for lack of a better word: cheap. It was like the awful under $10 California Cabernet stacked up at your local grocery store. My righteous indignation meter was off the charts. How could Clos du Bois dare foist such a mediocre wine on consumers at such a price!

Upon returning to my room I checked wine-searcher.com to find the retail price of this rip-off only to find this wine sells for around $13 a bottle. That means Marriott is paying about $7 a bottle (or less). What we have here is rip-off build up. First of all, this weak effort by Clos du Bois would be overpriced at $4 a bottle, but, perhaps, the Marriott has even more to be ashamed of as, instead of offering their guests a decent glass of wine for $15, they offer only wines they can cut a deal on.

How does this happen? Well Clos du Bois is owned by Constellation Brands, which describes itself as " a leading international producer and marketer of beverage alcohol brands" (that's inspiring) and "the largest by volume wine producer in the world" (doesn't that excite your taste buds). Besides wine this massive company sells beer and spirits. Conglomerates like this come in and set up all sorts of cross-brand deals with national chains like Marriott and often incentives that, shall we say, don't meet the letter of the law have been known to change hands. However (ahem), I'm sure this did not happen in this case.

Brands like Clos du Bois are industrial wines at their worst. They are bad wines and bad values that exist and sell only because of the marketing muscle and money behind them. They also exist because national chains like Marriott are too lazy or too cheap to put in place decent wine programs.

You can be sure you'll find the folks from Constellation and Marriott partying down together in Vegas as this year's WSWA convention. After all, what better place is there to cut a deal than in Vegas.

Technorati Tags: wine,California,Constellation,cabernet

Drinkin' Those 88's

Not being a big fan of California wines these days, I did not expect much when I pulled the cork, but the wine soon converted me. It was certainly rich and full-flavored, but there was an underlying structure and a lot more to grab your attention than simple fruit. This was a damn good cabernet as it was very varietal and had personality, but best of all, the second glass was even more interesting and enjoyable to drink than the first. My instincts led me to check out the pointy rankings awarded this wine by the major critics. Sure enough, I was right as the point rankings hovered in the high 80's with the top wines hitting that magic number 88.

The reality is that many (if not most) of the wines that are really wonderful to drink with food are rated in the high eighty point range by The Wine Advocate and The Wine Spectator and other major wine publications. We all owe them a debt of gratitude for this service as their reviews are keeping high alcohol, oaky, over-extracted wines designed for pointy reviewers instead of dinner at the highest prices, while the very best wines are held to more reasonable price points. While those suckers are out there taking out second mortgages to grab the latest Screaming Eagle, we can grab up cases of wonderful wine for what they pay for bottles. The dangers of buying these highly rated wines with scores as high as their pH can be found in this previous post.

Somehow we need to shift our concept that the very first sip of a wine tells you more about its character than the second glass. Considering that's not likely to happen in a Wine Spectator world, we'll just have to save money and enjoy the fact that many of the best wines don't make it into the hallowed 90 point range. The point about these points is clear to anyone who knows anything about statistics. That is while there is statistically no difference between a 90 point wine and a 88 point wine, there almost certainly will be a difference in price.

These particular 88's came from the Dry Creek Estate Vineyards of Michel-Schlumberger, a brand name that must cause their marketing director migraines and proves that naming a winery after yourself is not always a great idea. I first visited this estate years ago when it was simply Domaine Michel, but with the arrival of current owner Jacques Schlumberger, of the famous Alsatian winemaking family, the name morphed into its current hyphenated form. However, this is bonus points for frugal consumers as the combination of a clumsy name with under 90 points reviews is a positive boon when the wines are this good.

• Cabernet Sauvignon, Deux Terres, Estate Bottled, Dry Creek Valley, 2004 - A lovely structure with great balance and well integrated tannins. While it will improve for years, this wine is approachable now. I found my nose drawn to the glass again and again as I tried to identify each refined nuance. While decidedly a California wine, this is a wine made by someone who loves great Bordeaux.
• Merlot, , Estate Bottled, Dry Creek Valley, 2004 - Here is a wine that reminds how good a merlot can be. Fragrant and soft while maintaining an edge that keeps the wine alive and delivers a long, complex finish.
• Syrah, Estate Bottled, Dry Creek Valley, 2005 - Appropriately big, but not over the top.  You won’t confuse this syrah with grape concentrate. Meaty and oaky with a firm structure and more than enough fruit to carry the alcohol. I liked this wine quite a bit as it’s so hard to find a California wine that knows how to be big with dignity.
• Chardonnay, La Brume, Estate Bottled, Dry Creek Valley, 2005 - Loaded with rich fruit, yeasty lees, mineral and light toasty oak aromas and flavors all tied together in a tight package. You have to wonder why more California chardonnay does not taste like this. Proof that chardonnay can be both rich and structured.

Technorati Tags: California,cabernet,chardonnay,syrah,Dry Creek

Wine Notes

Recent wines I’ve enjoyed:

• Weiβburgunder, pur mineral, Trocken Franken, Fürst, 2006 - Pur mineral indeed.  This is a razor blade of wine with electric acidity and flavors that slap your taste buds awake. Served with fresh Dungeness crab it was an amazing match. It took me three days to finish this bottle and it never changed a bit.
• Riesling, Winninger Uhlen Kabinett, Mosel Saar Ruwer, Freiherr von Heddesdorff, 2005 - Bright and refreshing and a wonderful aperitif. Clean apricot with just a hint of petrol, I enjoyed the first two glasses as an aperitif on two days after work and finished the bottle with some Thai carryout. I think it is better to drink this younger rather than cellaring it as it seems all about the fruit.
• Pinot Noir, Littorai, Sonoma Coast, 2005 - One of the best California pinot noir wines I’ve tasted. Great balance, weight and structure. One of those pinots that deftly blends both bright fruit and funk into a wine of unending interest. The finish lasts longer than you can wait to take another sip.
• Pinot Noir, Walter Hansel, Hansel Family Vineyards, Cahill Lane Vineyard, Russian River Valley, 2005 - An excellent pinot noir that had the unfortunate luck of being served next to the Littorai. However, this is an very good pinot noir that exhibits what could be called the best characteristics of a balanced California style. Rich without being jammy with an lush balance and a lingering finish.
• Syrah, Dry Creek Valley, Michel-Schlumberger, 2005 - Appropriately big, but not over the top.  You won’t confuse this syrah with grape concentrate. Meaty and oaky with a firm structure and more than enough fruit to carry the alcohol. I liked this wine quite a bit as it’s so hard to find a California wine that knows how to be big with dignity.
• Nebbiolo Langhe, Serralunga d’Alba, Germano Ettore, 2005 - A real classic angular nebbiolo with tannin to spare. So many nebbiolo wines these days seem to try do disguise themselves as zinfandels these days, it’s wonderful to taste a wine like this that lets the true character of its variety sing its own song. This wine will be much, much better in two or three years, but I drank my three bottles anyway. Note to self: buy more ASAP.
• Rioja Riserva, Muga, 2003 - What’s the deal with Rioja? The overt oaky character that I would hate in most wines just seem to work in Rioja. Muga is one of the premier estates in Rioja and this wine does not disappoint. Fragrant and elegant with a sweet oaky character that slides silkily across the palate with an underlying acidity that lifts and brightens the rich oaky fruit.
• Brandy, Germain Robin, Anno Domini 2000 - I’m a long time fan of the California brandies produced by Germain Robin, but I had not heard of their 2000 Anno Domini when a bartender friend recommended I give it a try. I was stunned at the quality of this brandy, which literally blows all the big commercial Cognac houses out of the water when it comes to quality. The depth and complexity displayed by this spirit cannot be overstated. Except for a few producers, buying Cognac is a waste of money these days when there are spirits like this outstanding brandy.
Technorati Tags: German wine,pinot noir,syrah,nebbiolo Rioja,brandy

Marvelous Marsannay

After a particularly compelling weekend at this year’s Portland Jazz Festival I could not help but ponder what complexity is all about. On Friday I watched Ornette Coleman in what was one of most moving artistic performances I have ever experienced. This was followed on Sunday by a solo piano performance by Cecil Taylor, whose music is so complex and creative it refuses to be captured by any genre, including jazz. The thing that defines the music of artists like Coleman and Taylor is that it does not request your attention, but demands it. If you don’t focus your attention on their music you will miss the challenging beauty and energy it processes and its elegance becomes cacophony. The contrast to this is music like Led Zeppelin with big clear rhythms impossible for the deadest ear to miss. Such music requires little of the listener except to dance, not that there’s anything wrong with that. As seductive as those 95 point Led Zeppelin wines may be, true complexity can only be found in wines that demand your attention to fully appreciate them. Obvious wines don’t make you dig deeper to understand them. The best wines draw you in slowly, sip-by-sip and glass-by-glass until they finally reveal every aspect of their complexity to you. Eventually they demand your attention.

Having no time after work to grab a bite before the Ornette Coleman concert, I went out to eat afterwards and my over-stimulated brain received another jolt from the excellent Marsannay,  Les Saint Jacques, Domaine de Beauclair, 2002 I had with dinner. The dramatic increases in the knowledge of winemaking and viticulture have transformed Burgundy and appellations like Marsannay ( related posts here and here). Once a place name to be ignored, growers in places like Marsannay are often producing better wines than their more famous neighbors. This is a wonderful pinot noir with a regal richness laced across a firm backbone and bright acidity. What was most exciting about this wine was how it grew and expanded with each sip eventually becoming a wine that demanded your attention. That’s what defines complexity.

Technorati Tags: Burgundy, Marsannay

Worth Waiting For

Just over a year ago on a trip to Walla Walla, I made what I consider an essential stop on any trip to Eastern Washington and Oregon. That is the tasting room of Woodward Canyon, where I picked up a six bottles of their 2005 Columbia Valley Dry White Riesling. It was a wonderful wine fourteen months ago, but an additional year in bottle has elevated it beyond simply wonderful. A year ago it was brightly fruity, refreshing and a pleasure to drink. With the additional months in bottle it moved beyond pleasure into something that went from background to foreground, grabbing your attention and focusing your thoughts on every piece of data arriving from your taste buds. The bright fruit had evolved to a gripping minerality laced with those distinctive petroleum notes of maturing riesling all woven within a ripe white peach and racy Meyer lemon savory tart. We are now in Dungeness Crab season and it was an inspired match with some crabs brought into Newport just the day before.

What struck me the most is how the wine just grabbed my attention. It made me sit up and take notice. The mere tasting of it was not enough and each sip became more-and-more compelling. It is this demanding of your time and attention that defines great wine. I don’t think this is a level of nirvana that can be attained without aging a wine as young wines hide their real complexity under layers more obvious charms. If you can ignore it, it’s not great wine.

Wine Notes

Recent wines I’ve enjoyed:

• Anderson Valley Brut Sparkling Wine, Roederer Estate, 25th Anniversary, NV - I’ve had this very nice sparkling wine many times lately; several bottles at home and then one interesting experience at a wine bar. First for the wine bar experience; my local wine bar was offering both the NV Roederer Champagne Brut and the Anderson Valley Sparkling, but having had the Anderson Valley recently I, against my better judgement, ordered the Roederer Champagne. I say against my better judgment because few wines are more disappointing these days than big name Champagne. However, I took one sip and was blown away by the quality of the Roederer Brut. Not so fast, I soon found out the bartender had poured me a glass of the California Roederer by mistake. She quickly followed up with a glass of the real Champagne, which, as usual, was lackluster. The Anderson Valley Roederer continues to be an outstanding American sparkler and is clearly superior (and less expensive) then their Champagne.
• Champagne, Grand Cru 100%, Blanc de Blancs, Reserve Brut, Guy Charlemagne, Le Mesnil-sur-Oger, NV - High strung and very toasty, this is a delicious and complex Champagne that shows the best of chardonnay in Champagne. The aromatics are delicate, but not a bit shy with a steely froth that races across the palate, stopping just long enough for a compelling finish. Although I prefer the big Bouzy Champagnes, this is an excellent wine and a bargain at $46. This is a one of those Champagnes that can handle caviar.
• Riesling Kabinett, Selback-Oster, Mosel-Saar-Ruwer, 2006 - I enjoyed a bottle of this lovely wine over four days as an aperitif when I arrived home from work. I swear after four days in the refrigerator this wine hardly changed a bit. Such stability is a tribute both to their winemaking and winegrowing. Only perfect grapes can produce such harmony. Beautifully fragrant with honeysuckle and spices, it took effort to pull your nose out of the glass to take a sip. That sip delivered pure charm and seductive white peach and ripe pear flavors laced with tart citrus and a lovely touch of sweetness. No thought required here, just up-front delicious pleasure. Nice screw-cap, I’d drink this up young and fresh.
• Riesling, Alsace, Albert Boxler, 2004 - This is it, riesling right on the money. No-over-the-top, off-dry, high alcohol, quasi-dessert wine from Alsace here, but a big, rich wine that maintains respect for the variety and vineyard from which it came. On the fuller gold side of color with a rich nose touched with hints of figs laced with bright apricot with touches of crisp apple that continue into the complex layered flavors. It is rich and expansive on the pallet without becoming dull as it maintains a racy, crisp essence under its substantial girth. I enjoyed this thoroughly with some of my own crispy fried chicken.
• Monferatto Rosso, Braida IL Banciale’ di Giacomo Bologna, 2004 (60% barbera, 20% pinot nero, 10% cabernet sauvignon, 10% merlot) - Not so long ago I had a bottle of the most expensive wine Bologna produces, which I did not enjoy. Yet here is one of their least expensive wines and it was a delight. Earthy and fragrant with great complexity and balance, it was delicious with a very buttery mushroom risotto at Bice. Oddly enough, the cabernet and merlot hardly show in this wine as the backbone is all barbera and the aromatics and elegance all pinot nero. I really enjoyed this wine, which only really seemed to open with the last glass.
• Dolcetto d’Alba, Pra di Po, Germano Ettore, 2006 - This is simply a wonderful dolcetto that I intend to buy a few cases of as soon as possible. I recommend you do too before it’s gone. This wine is all about hedonistic pleasure over the next two years, although I doubt any bottle I have will make it that far. I salivate thinking about the beautiful bright wild dark cherry and blackberry fruit flavors and aromas intermingled with hints of black truffles, new leather, sage and lavender. All of this is held together by racy acidity and some silky tannins that bring all the fruit intensity into perfect harmony.
• Barbera d’Asti, Roberto Ferraris, 2006 - This is one of those stealth wines. It seems pleasant enough at first, but by the time you finish your second glass it has you hypnotized. What is amazing is no matter how long you leave it open it just seems to get better and better. I finished the last of a bottle that had been open for three days tonight and it was flat out wonderful. This is not a big wine, it is exceptionally balanced and the underlying complexity requires you to pay attention and introduce yourself before revealing everything. I’ve opened three bottles now and I would suggest decanting this wine for an hour before serving if, like me, you can’t resist drinking it. What this wine is not is a jammy, oaky ultra-purple barbera like so many make these days. If you can, give it a few years in the bottle and you’ll have something special.
• Gigondas, Bertrand Stehelin, 2004 - Big and beautiful is not easy to do, but this wine achieves it. The aromas and flavors are richly pungent, bringing to mind an old fashioned butcher shop where the aromas of raw meat mix with sawdust and smoke. Intermingled with all these carnivorous sensations are ripe wild blackberries, an engaging warmth and round tannins that give it a nice backbone. I served this wine with some braised, bone-in pork loin and all three of us enjoyed the experience. While obviously too young to be at its best, this is a wine that just draws you into its sumptuous experience and you find yourself savoring each drop as you finish your glass after the meal is done.

Carbonnieux

I still remember the experience clearly. I walked into the wine shop, armed with my new found expertise provided by Alexis Lichine and Alexis Bespaloff, and purchased my first ” serious wines” to age. The year was 1977 and the wines were 1975 Château Carbonnieux Blanc and 1971 Rouge. They were priced outrageously at about ten bucks a bottle. I bought three bottles of each and placed them with honor in the new, but still empty, racks I had constructed in the unused coal bin in the cellar of the old house I lived in at the time. I had selected these wines because of the lovely stories provided by two famed Alexis’ about the Château and its wines. I kept the reds for many years and the whites for at least two or three years before pulling the corks. The precise tasting notes have long ago left my memory, but I remember them with pleasure and a certain sentimentality.

This warm recollection has led me to order many a bottle of Carbonnieux over the years. More often than not I drank the Blanc as it was widely available and a staple on wine lists. However, those days are long gone and I haven’t seen a Carbonnieux Blanc on a wine list for a long time, but suddenly there it was on the list yesterday at lunch and I could not resist the warm tug of nostalgia and ordered a bottle of the 2004. The Carbonnieux white wine vineyards are planted to 65% sauvignon blanc, 34% semillon and 1% muscadelle and, although the semillon is the junior partner, its smooth creamy oily textures dominate the blend, while the sauvignon blanc provides lift, highlights and zest to the finish. Considering the improvements in winemaking at this estate over the last decades, it’s safe to assume that these are far better wines than I drank in the past. While there are more profound whites from Graves, this is a lovely wine with a character that easily flows across the palate. In addition, the 12.5% alcohol maintains the liveliness of this wine instead of letting the dense oily character of overripe semillon make the wine heavy and dull. This Grand Cru was just labeled Graves when I first drank it, but the wine is now part of the prestigious Pessac-Léognan Appellation, which was first created in 1987.

This trip down memory lane made for a very pleasant lunch. Like, music, wine can also transport us to a different time and place.

Wine Notes

Recent tastes -

• Champagne, André Clouet, Silver Brut Nature, Grand Cru Bouzy, NV (under $45) - Clouet has rapidly become one of my favorite Champagne producers. Rich, creamy, toasty, complex and intensely dry. This is a wine that would be hard to explain to those used to the more innocuous flavors of industrial Champagne producers. Great bubbly.
• Champagne, Delavenne Père & Fils, Cuvée Rose, Grand Cru Bouzy, NV (under $45) - Lots of flavorful pleasure here, but what impresses me most about fine Champagne are the wonderful textures and the creamy frothiness that coats your palate with complexity and pleasure. Bouzy seems to be the epicenter of complex grower Champagnes. The lovely copper color is a inviting prelude to the bright wild strawberry fruit with a lively frothy texture and a long creamy finish. An excellent wine.
• Semillon, L’Ecole No. 41, Seven Hills Vineyard, Walla Walla Valley, 2006 - Big oily, yet dry and bracing. Too bad the alcohol is a bit over the top. Semillon continues to be one of Washington’s most interesting whites. Lobster and crab come quickly to mind when you take your first sip.
• Rioja, Remelluri, 2001 - Just as you would expect there’s plenty of oak here, but it somehow seems to work in Rioja. Very aromatic and spicy with a great balance and an interesting intertwining of sweet oak, tar and ripe bitter cherry fruit. Though thought of as a modern-style Rioja, it seems almost old fashioned compared to today’s fruit bombs. A very nice wine that is more than interesting to drink.
• Barbera d’Alba, Marcarini, Ciabot Camerano, 2005 - This is a wonderful barbera. A beautiful deep ruby with an expansive nose redolent of wild blackberries it is deeply flavored, yet lively and zesty. The combination of power and depth with an almost electric back bone make this an extraordinary pleasure to drink.
• Barbaresco Riserva, Pora, Produttori del Barbaresco, 1999 - I always feel the worship that surrounds the Produttori wines is a little excessive. While dedication to the traditions of the Langhe are to be respected, some traditions are better left behind. The Produttori wines always seem a little hollow compared to other fine traditionalists who have found ways to stay true to the integrity of their vineyards and nebbiolo while bringing to the forefront more fruit character. That’s not to say I did not like this wine, which I did, but these wines are mostly good bargains as compared to being great wines. That being said, this is a very good nebbiolo, although the fruit has already dried out leaving little to balance the substantial remaining tannins. It certainly will be interesting for many years, but will never attain perfect balance.

Wine Notes

Every time I have a wine I like I put the bottle on my desk so I can write about it. When space runs out you get one of these “Wine Notes” posts. These are all wines that I have consumed with meals and have usually tasted over a period of several days. They are more often than not under $30 as I frequently find more expensive wines not enjoyable with my day-to-day cooking as they are not ready to drink or just too big and woody. These posts are a true picture of the wines that I choose to serve at home with my own meals. All the wines in these posts are recommended. In fact, you’ll rarely find me writing about a wine I don’t like unless I think it’s an incredible rip-off or a pretentious, over-marketed wine of questionable quality like Veuve Cliquot.

• Prosecco, Montello d Colli Ascolani, Loredon Gasparini, NV - I’ve been gulping a glass of this charmer every night while cooking dinner lately and find it refreshing and uplifting after work treat. It is a lovely, creamy fruit-driven bubbly that is just barely off dry. At under $15 this is a pleasure that can be enjoyed often. I’ve been using a stopper and drinking over three or four days and the bubbles hang in there to the last glass.
• Muscadet Sèvre e Maine sur lie, Cuvée Médaillée, Le “L“‘d’Or, Pierre Luneau-Papin, Domaine de la Grange, 2005 - A steely laser of a wine. Very firm and tight with that stony minerality that only Muscadet delivers. I drank this wine over a week and it just kept getting better with air. Muscadet is the clear winner when it comes to the long wine name awards. It was perfect with some pan-fried Oregon oysters. I know it will be better with age, but I just don’t have the willpower not to drink it now.
• Müller Thurgau Dry, Phalz, Weingut Ökonomierat Rebhotz, 2005 - This is one of those wines that have so much acidity you think your glass has a static charge as it touches your lips. Crisp with a zippy lemon-lime fruit, this was a great match to some Thai spring rolls. Wines like this should be used to define the usually misused term “dry” as this one is almost jarringly dry. As you know combining electric acidity with jarring dryness means that both me and my deep fryer love this wine.
• Sangiovese di Romagna Superiore, Torre di Ceparano, Fattoria Zerbina, 2003 - I’ve been a Zerbina fan for a long time. While their top expensive “Super” wines get big points, what I actually love are their least expensive wines like Ceregio and this wine. The Torre di Ceparano is consistently a great value in sangiovese. Structured with authentic, earthy sangiovese fruit and character, there are few Chiantis that can match this wine and those that do all cost a lot more. If you can’t figure out what the big deal with sangiovese is all about try this wine with some braised lamb shanks. In my opinion, Zerbina is the best producer in Romagna.
• Nebbiolo Langhe, Produttori del Barbaresco, 2005 - An very good bargain in Piemonte nebbiolo, which is something that is getting harder and harder to find. Very classic with earthy fruit, drying tannins and distinctive aromatics. You’ll find plenty of the famed “tar and roses”, which are the defining characteristics of classic nebbiolo. It is definitely worth waiting a few years before drinking this fine wine.
• Beaujolais Le Perreon, Nouveau, Domaine de la Madone, Jean Bererd et Fils, 2007 - Served lightly chilled with homemade pizza topped with lots of sweet onions and an egg, which made a perfect match and a very enjoyable dinner. Believe it or not, there are some very good Nouveau Beaujolais wines being produced by small estates. Good luck finding them though.
• Dolcetto d’Alba, Pertinace, Treiso, 2006 - With so many Dolcetto wines on steroids these days (six are named in the Mitchell Report), it’s nice to find a wine that you can actually drink without going to the dentist to have your teeth cleaned. Fresh, brightly fruity, pleasantly zesty and under $15, which makes this a great wine to buy by the case for casual meals. No it’s not profound, but sometimes deliciously easy is more enjoyable than profound.
• Cahors, Clos La Coutale, 2005 - If you ever wondered why people grow malbec after tasting yet another drab commercial grocery store wine from South America, try this rich blend of 80% malbec and 20% merlot. Robust with layers of flavors and a firm backbone that leads to a warm, earthy finish. An excellent choice for this winter’s hearty stews.
• Bourgogne, Cuvée Sylvie, Domaine Sylvie Esmonin, 2005 - A great value in fine French pinot noir. Lately I’ve been having better luck finding good pinot in this price range than with more expensive bottles. As a Burgundy lover living in Oregon, I am always ordering bottles of Burgundy to convince locals of its superior charms. Often these wines do not present convincing arguments in support of my position. However, wines like this do. This is almost picture perfect pinot noir. No, it’s not the most complex pinot you’ll ever taste, but it is delicious and purely varietal. Rich, creamy and velvety from first sniff to the last lingering essence of the finish, this wine is pure pinot pleasure. One note, by the next day the wine had faded quite a bit. Therefore, I’d suggest drinking this wine up young and pretty.
• Côte de Brouilly, Domaine de la Voûte des Crozes, Nicole Chanrion, 2005 - This is one of those rich Cru Beaujolais wines that remind you more of pinot noir than the many insipid wines that carry the name Beaujolais these days. This is a classy gamay with great depth and richness. This wine is still actually a bit closed and needs a year or two more to really strut its stuff. Mixed with the brilliant gamy fruit flavors and aromas are touches of black truffles, herbs and a touch of black pepper. This is a wine that makes you sit up and take notice.
• Château Aney, Haut Medoc, Cru Bourgeois, 2003 - Just a few decades ago Bordeaux was my go-to wine. It dominated my cellar and my table. Those days are long gone and now I taste more Bordeaux than I drink. However, when rack of lamb appears on my table my taste buds yearn for Bordeaux, or what Bordeaux used to be anyway. Now 2003 is not my favorite vintage and I had not tasted wines from the Chateau before, but with Kermit Lynch’s name on the back label I decided to give it a try and I’m glad I did. While like most 2003’s it is not the most structured Bordeaux you’ll ever taste it has enough of a tannic backbone that it reminds you it really came from the Haut Medoc. For me this wine is ready to drink now and over the next year or two and that nothing worthwhile will be gained by extended aging. It went perfectly with my lamb and cost less than $25. Now there’s a Bordeaux you can enjoy. It’s worth pointing out this wine is listed at 12.5% alcohol, that’s nice too.
• Côtes du Rhône, Les Cailloux, Domaine Rabasse Charavin, 2004 - Here’s a big, ripe chewy wine that pulls it off. It took me a glass to adjust to it, but after that I found its ripe earthy warmth comforting and enjoyable. Having a big cheeseburger dripping with extra sharp cheddar tonight? Here’s your wine.

Disbelief

I tasted the wine and could not believe it. Astounded I took another sip, then another and finally a joyous gulp. I still could not believe. I went back to my desk and rummaged through my papers until I finally found it. Even with the proof in front of my very happy nose I could not believe. Yet the truth could not be ignored. There printed on the receipt was the undisputable truth: $18.89. I still don’t believe it. They had even given me a 10% discount. What I got for $18.89 was an astounding pinot noir that I would have thought a value at twice the price.

The Marsannay, Les Saint Jacques, Domaine Bart 2005 may be the finest pinot noir bargain I have ever tasted. At least it’s the best I can remember. You’d be hard pressed to find an equal for under $60. This is what pinot noir is all about. It is stunningly fragrant with layers of exotic spices, black fruits and black truffles all laced into a vinous magnet that attracts your nose to the glass and won’t let it go. The flavors are rich, concentrated and powerfully elegant. This is a wine that deserves respect and that means about five more years of pampered aging to allow the great potential of this wine to show itself.

A wine of this quality at this price is a glaring indictment of all the overripe, variety and terroir-free New World pinot noirs selling for four times the price of this treasure, not to mention the many Burgundy wines with more famous names and prices that have no relationship to what’s actually in the bottle. We are entering a new era in the world of wine where wines with the highest prices and the most famous names are often some of the least interesting wines to actually drink.

Now the only question is do I have the willpower to age my remaining five bottles.

(pictured above: Domaine Bart) 

A Vintage Bargain

As a well seasoned business traveler I have the dining alone thing down. I have my magazine in hand and seek out the best meal I can find. One thing about dining solo is you get to really dig into those massive wine lists. Were you not dining alone the half-hour of study sometimes required, bouncing back and forth between the menu and the list, would not endear you to your dining companion. I am divorced after all. However, this night the magazine would not be required as a far more alluring companion unexpectedly joined me.

As you dig into these big wine lists you get buried under the weight of the prices. Every bottle that catches your eye is both outrageously expensive and way too young. As my attention always drifts to the Burgundies and pinot noirs the shock of the prices of the available new releases is more often than not depressing. These stratospheric prices mean that a restaurant is certainly no place to experiment. One of the main advantages of solo wine list reading is you have time to do your research. Due to the bizarre world of the wine business today, often younger wines are more expensive than older wines and one of the best places to find bargains is older vintages. Obviously this is not always the case, but I have found many relative bargains on some wonderful wines with a few years under their corks that are perfectly ready to drink.

One recent find was the 1998 Pommard, 1er Cru, Les Clos des Boucherottes, Monopole, Domaine Coste-Caumartin, which was selling for some $50 less a bottle than 2005 Big Point California pinot noir. This was a put-your-magazine-away type of wine as no other entertainment was needed. I stashed the magazine away and spent the meal with the scintillating company of the wine alone. It is moments like this that refocus your passion for wine. The Pommard was an otherworldly accompaniment to rich braised pork shank served buried under a small mountain of black winter truffles. As you sip on such a complex wine you can really feel the direct sensory connection of flavors to the pleasure centers of the brain. This is what great wine is all about. While still richly fruity, the black fruits are just giving way to an exotic spicy earthiness that both mirrored and amplified the fragrant truffles on my plate. I spent another half-hour lingering over a last glass and then shared the rest of the bottle with the captain and sommelier, both of whom had been drawn to my table by the bottle I’d ordered.

We finished the last sips and I asked for the check, which arrived with a complimentary dessert and a glass of Kracher Beerenauslese, with which I toasted the late great Alois Kracher who just passed away.

When a meal is perfect, you never dine alone.

Future Tense

It's rare these days when you have to write about a wine in the future tense. Most wines are all they can be upon release with their Rubenesque charms right there for any palate to perceive. These wines don't require the encyclopedic knowledge of a Michael Broadbent to be put into perspective: Brittany Spears can handle the description on her way out of the limo. However, there may be some of you who are old enough remember when it was common to have wines that weren't as charming as they were ever going to be on the first day they hit the market. These were wines that excited you because of the riches you knew awaited you if you nurtured them through grouchy adolescence into majestic maturity.

Such a wine is the 2003 Cappellano Nebiolo d'Alba, a wine that will someday surpass many a Barolo in complexity and intellectual pleasure. This wine is no pleasure to drink now, however, in a decade or so it will bring pleasure hard to put into words in a commentary such as this: meaning that you're going to have to take my word for it. If you ever wondered what nebbiolo is all about this taught, tight and bracingly tannic wine is a good place to start. Cappellano wines teach everyone a lesson about tannin. That is that powerful, mouth-drying young tannins don't have to be green or brutally bitter. Tasting these streamlined, intense tannins teases and taunts you to wait for what only time can bring. While Cappellano Barolo itself is otherworldly and more complex than this wine, the Cappellano Nebiolo (yes they spell it with only one "b" at Cappellano) is an outstanding wine at a fraction of the price. Frankly, it's a far better wine than many wines sporting the name Barolo on their label and price tags. This is a buy as much as you can type of wine.

Another revelation for most drinkers will be the 2005 Cappellano Dolcetto d'Alba Gabutti. No purple glop here, but a real wine that will improve and develop for years. I never understood why so many wine guides refer to dolcetto as the Beaujolais of Italy and tasting this wine will make you wonder what the heck they were drinking. The Cappellano Dolcetto has zesty, bright fresh fruit, but it doesn't stop there like so many dolcetto wines these days. The brilliant fruit is layered with bitter tar, black truffle, rich porcini mushroom flavors and aromas that remind you more of nebbiolo than dolcetto. This is dolcetto at its best and most complex. Don't waste this on pizza, but save it for more elevated fare. I would seriously consider aging this wine for at least two more years. That's my plan with my remaining bottle.

The Cappellano wines are some of the finest examples of pure, classic winemaking coming out of Italy today. They are wines of place and variety that radiate purity of character. This means they are not wines for everyone and that you must age them to realize their greatness. You become part of the process that brings these wines to their finest. It's that personal involvement that adds an extra level of complexity to the enjoyment of such wines. As you carefully age them you become an integral part of the winemaking team and part of the process that makes that bottle extraordinary. There is nothing quite like opening a bottle you have kept for many years. The emotion and experience of opening such a wine can never be replaced by the simple hedonistic pleasures of a wine manufactured to be drunk the day the cork goes into the bottle. While there is nothing wrong with easy wines made to be drunk young, (after all, what would we drink while waiting for our best wines to mature or with cheeseburgers on a Tuesday night?) it's a waste when potentially great wines are emasculated by winemakers in the name of making them ready-to-drink beverages instead of reaching for the heights that could be achieved with bottle age.

As it becomes harder-and-harder to find wines designed to improve with age, producers like Cappellano become more-and-more something to be treasured.

Two Bottles, Two Wines, Too Bad

I was looking forward to the arrival of my 2005 Morgon, Javernièes, Louis Claude Desvignes from Chambers Street Wine Merchants. I knew this was going to be great stuff without even tasting it so I grabbed some of the few bottles they had available. Now I know that this wine won’t even start to be ready to drink until next year and will be better yet in two or three, but, alas, I was weak and as soon as it arrived just had to taste a bottle. After all, I had five more bottles. I pulled the cork and into a big Riedel I poured my little present to myself to serve alongside some fragrant rosemary braised lamb. I lifted the glass in giddy anticipation of the gloriously gamy gamay glamorously gussied up in its beautiful purple robe. With great skill I swirled that swirl that takes years of wine swirling to achieve and put this treasure to my nose and inhaled with practiced precision prepared to experience every aspect of this fabulous wine. All this anticipation came to a grinding halt. The wine was just ordinary. I smelled again and again in disbelief. A few tastes confirmed my nose’s bad news. There seemed to be greatness hidden somewhere, but everything was strangely muted and the wine was more dead than alive. Then I picked it up, hidden in the background was a slight mustiness: the wine was corked. Just barely, but it was corked. With a heavy heart I reached for a corkscrew and pulled the cork on another bottle of my all to limited supply, which was now down to four. This second bottle not only lived up to my expectations, but exceeded them. This is an extraordinary wine with depth and complexity that many a Burgundy only achieves in its dreams. It is a substantial wine with a mouth coating richness and texture. The velvety tannins remind you that you should not be drinking this wine tonight, but in three to five years. Not surprisingly, this gem is imported by Louis/Dressner.

These slightly corked bottles are an all too common problem. You taste the wine and it seems just not “right”. Often even in a group of experienced tasters, some may miss the corkiness and fault the wine instead of just the bottle before them.  Without a doubt most are consumed with the drinkers either ignoring the problem or just plain not recognizing the problem. When you get a bottle of wine that seems not quite right, give it a close second look. When your instincts tell you something is just not right, you’re probably right.

I’ve been on a bad run over the last couple of weeks getting a corked bottle every few days. Screw caps are looking better and better.

Melange a Notes

Under $20

• Rosso Conero, Barco, Brunori, 2004  - These Marche wines are great values. This montepluciano/sangiovese blend combines the structure, earthy fruitiness and zesty acidity that is so distinctively Italian. I’m going back and buying a case. Just a great food wine.
• Menetou-Salon, Cuvee Le Charnay, Jean-Max Roger, 2005 - I have been a fan of Roger Sancerre for several decades. In this Menetou-Salon Roger offers a wine that, while just a notch below their Sancerre, is an outrageously good sauvignon blanc at bargain prices. Lean, clean and with a salivating minerality to balance its pungent fruitiness. No cat piss here, just zest and brilliance. I’m going back for more.
• Riesling Halbtrocken, Mosel-Saar-Ruwer, Frieherr von Heddesdorff, 2005  - I’m a halbtrocken fan. All to often trocken wines seem just a bit hollow to me, but not so halbtrocken. This riesling has more body and is dryer than most Kabinett wines (which I adore too), while maintaining that bright fruit sweetness that defines riesling to me.
• Beaujolais, Pierre Chermette, 2005 - Pretty, pretty and pretty again. What a charmer and what a bargain. Drink as much of this lovely flower as you can, as young as you can.

Over $30

• Cerasuolo di Vittoria, Pithos, Azienda Agricola Cos - 60% nero d’avola, 40% frappatto, 2005 - An Cerasuolo from Sicily that goes for over $40? Yup, and it’s quite a wine. Shimmeringly translucent ruby laced with exotic spices and wild strawberry fruit (wild is important, no simpering grocery store strawberry here) blended with touches of earthy tar and and a firm minerality. I wish it was cheaper, but I could say that about a lot of wines. Lovely stuff.
• Coteaux du Languedoc, Terrasses du Larzac, Le Grand Pas, Domaine Le Pas de l’Escalette, 2004 - I have become a huge fan of the wines from Domaine de l’Escalette. This is their top of the line and an outstanding wine it is and I would certainly consider this as a fine cellar investment over the next decade. A robust blend of grenache, carignan and syrah that deftly combines power with complexity, this is the type of wine that has inspired many a Rhone Ranger to attempt to recreate these beautiful southern French wines in America. Worth every dime.
• Barbera d’ Alba, Giacomo Borgono, 2006 - This old estate located in the heart of the village of Barolo constantly improves their wines while staying true to their traditionalist style. This is a brilliant barbera packed with zest, raciness, generous brambly fruit and a perfectly balanced explosion of fruit and character on the palate. An almost perfect food wine that just demands hedonistic gulp after gulp.

Think For Yourself

A big wine tells you what to think, while a more elegant restrained wine forces you to think for yourself. One happens to you, the other involves you; seduces you.

A perfect example of a wine that invites you into such an experience is the 2005 Bourgogne, Vieilles Vignes, Domaine Joseph Voillot. This is a wine that can only be described as vivaciously alive. The drinking of it releases its spirit and that essence flows into you. Is this a great pinot noir? No, but it is a wonderful one and a great value selling for under $30. It is also the perfect entry point for those wondering what all the angst surrounding the crafting of fine pinot noir is all about. Unfortunately all too many consumers are exposed to pinots that taste more like syrah than pinot and after that palate dulling experience can't appreciate the delicate flower that is pinot noir; that characteristic that no other variety can mimic. This is sad both for pinot noir, which is not very good at being big and for syrah, which is very good at it. With confused consumers using pinot noir as a syrah surrogate all too many fine syrah wines are ignored.

The 05 Voillot Bourgogne is a delicate beauty, shy at first, but soon opening its full radiance to you. At a lilting 12.5% alcohol, today's sandblasted palates may not get it, but those whose taste buds still live will discover a myriad of haunting flavors and aromas that linger in a perfect balancing act that expands with every sip.  This is what pinot noir is all about.

Old Hippies

I was under the Eiffel Tower drinking some of the best wine I had ever tasted. It had no brand name other than 12%. It was 1974 and I had picked up the jug in the Parisian version of a corner grocery, where the wine was sold by the level of alcohol, not a brand name. I know it didn’t cost very much because I basically had no money. That bottle was my ticket to lunch as my contribution to the myriad communal meals being shared by small groups of traveling hippies like me scattered on the broad green expanse surrounding the tower. It was great, you just showed up with some wine, bread, cheese or salami and joined into a group meal. I still remember those meals with a certain psychedelically enhanced sentimentality.

Recently I was sitting at the bar of a restaurant in Washington D.C. that I had just wandered into as it was close to my hotel, it was late and I was hungry. It turned out to be swankier than I expected and I, still wearing my standard issue Oregon attire, felt quite underdressed. First one gentleman, than another, joined me at the bar. Both were wearing dark suits, white shirts and red ties, which I now believe are the only items stocked by men’s shops in D.C.. I had ordered the excellent 2004 Giacosa Nebbiolo d’Alba, while the other ordered an expensive Super-Tuscan, which to save a few more oak trees, will remain nameless and as boring as almost that entire genre. The other ordered a bottle suggested to him with great Italian accented flair by the chef. At first we were all quiet, but by the second glasses of wine we had become friends and bottles were passed around. One was in the oil business (Cheney must have been busy that night) and the other was, not surprisingly, a lobbyist.We were all a clearly 50+ bunch, so these guys could have been sharing wines with me under the Eiffel Tower some 33 years ago. Not only had the wines we shared gone up a lot in price over the years, but also increased a lot in alcohol. That 12% wine I bought three decades ago had been the top-of-the-line jug wine, but that D.C. evening’s expense account driven meal did not bring a wine under 13.5% to our glasses. Needless to say we were best friends and exchanged cards and hugs as the evening came to a close. You can’t beat a reunion of old hippies.

The chef had recommended the 2001 Braida di Giacomo Bologna Barbera d’Asti ai Suma to my new best friend. This is a wine that combines eccentricity, exoticness, excess, and expensiveness into the perfect wine for Washington D.C. expense accounts. It’s a late-harvest, barrique-aged barbera that instead of a wine flavors, creates kind of a strange, sweet, raisiny grape stew in your mouth. Like Amarone, it may be a great combination with some delicious, stinky, runny cheeses, but the idea of matching this glob of wine with any kind of refined cooking is not very appetizing. Just to give you an idea of how over-the-top this wine is, Parker gave it 94 points, and you know what that means. I’m not saying this is a terrible drink, but it certainly is nothing to match with a meal.

Those few Francs I paid for that simple French wine in 1973 brought me far more pleasure and luck than this big buck Barbera in 2007 as Nixon resigned while I was drinking that little French wine under the Eiffel Tower. Unfortunately, even with the increased price of the Bologna ai Suma, it brought no such luck in 2007.

Bitterness

The Italian culture is full of bitterness. It's something they've become accustomed to as it seems to run through much of their daily lives. After all there are apertivi and disgestivi that start and end each meal with a bitterness that stimulates the appetite then aids the digestion of all the food that your over-stimulated palate coaxed you into eating. Bitter flavors run through the Italian day with bitter apertivi like Campari, bitter vegetables,greens and amari like Fernet Branca. This is at direct odds with the American sweet tooth in almost everything: even in their "dry" wines.

The American taste for sweet has created a whole range of wines with overripe flavors and significant amounts of residual sugar in wines that pretend to be dry. I'm not talking about riesling or chenin blanc here, but cabernet sauvignon, merlot, zinfandel, pinot noir, syrah and, famously, chardonnay. This preference for sweet means that many Italian wines will seem bitter to the C&H'd American tongue, but not to an Italian who finds bitterness a enlivening flavor sensation.

That bracing bitterness runs through the 2006 Francesco Rinaldi Grignolino d'Asti and it's certainly a wine that will shatter the sugar coating on the palate of  lovers of California merlot or Australian shiraz. Layered with bitter flavors and aromas like licorice root, tar and bitter wild cherry this excellent wine finishes with an acidity that will leave no lingering fat anywhere in your mouth. No velvet or sweet plum or lushness can be found that will get in the way of the characteristics that makes this an extraordinarily good wine at the table. Each sip of this wine wakes your taste buds and inspire them rather than lulling them to sleep.

Bitterness can be a good thing.

Intense Competition

It started out strong, but soon had no chance as the competition overwhelmed it. The 2006 JM Sauvignon Blanc, Klipsun Vineyard was impressive when I took my first sip, but then the unthinkable happened: the food arrived. I was really enjoying the bight, clean and zesty flavors of this wonderfully varietal wine, but what happened next was not fair to any wine, yet is typical on today's menus.

We were dining at Seattle's excellent Dahlia Lounge and the waiter delivered their Sea Bar Sampler, which included; Hamachi sashimi, Dungeness crab with chili paste and tempura crispies, Dahlia smoked salmon with hot mustard, Alaskan halibut ceviche with red chilies and cucumber and Albacore Tuna with sweet onions lemon and ponzu. Everything was delicious, but the first taste of the citrusy ceviche made the formerly crisp sauvignon blanc taste flat, while the rich smoked salmon made it taste thin and so on.  Some fresh bread and butter returned my palate to normal and the JM was perfect with my main course of sauteéd Alaskan halibut with brown butter potatoes (some of the most wonderful potatoes I've tasted anywhere) Brussels sprouts chanterelle mushroom and bacon.

It's probably impossible to select one wine that would be perfect with each part of the Dahlia Lounge's Sea Food Sampler and not necessary as the JM Sauvignon was delicious with almost everything, but it's good to remember that some foods can make very nice wines not taste very good. The only thing I could think of to better handle such a broad range of flavors would have been a just off-dry riesling or a sparkling wine. Perhaps a more important point is that you can't always get a wine that is perfect with the entire meal and that should not be your goal, you can always revert to the water for the mismatched course and return to the lovely wine you've selected when the next course arrives.

Getting to Know You, Getting to Know All About You

I was beat. Harvest is upon us and I can’t exactly remember the last day off I’ve had. While few things are more exhilarating than harvest, few things are more tiring. The thought of cooking tonight was just too much so I grabbed some pizza on the way home. With it I popped open a bottle of 2005 Rosso Piceno Brunori, Torquis. Now I’m a big Marche fan and love the montepulciano/sangiovese blend of Rosso Piceno, but this wine did not thrill me and I considered opening something else. I guess I was just too tired to get up, but that appears have been a good thing. Indeed it was a good idea  I waited for, as I took a sip of my second glass, the wine suddenly changed. What had seemed flabby and uninteresting suddenly transformed itself into a firm, enjoyable wine with good character and backbone. What had changed? It was me. The wine was the same, but a bit of food and wine made me relax after a hectic day and my palate finally woke up enough to appreciate this very nice wine.

So the fault was not with the wine, but with me. You have to take time to get to know a wine and take into account that you may not be at your best. Mario and Giorgio Brunori worked hard to make this wine and I was wrong to judge their work so quickly and at a time I was not at my best. Once again, this reality must make anyone question the validity of the 100 point scale where wines are rated based on rapid fire tastings. Not even a tasting machine like Robert Parker can work at the same level of effectiveness every day and under every condition. This is where the king and I have divergent views on how wines should be evaluated.

Every time you taste a wine you should remember that the faults you find may be more yours than the wine’s.

Melange a Notes

Some recent under $20 tastes:

• 2005 Domaine La Garrigue, Cuvée Romaine, Côtes du Rhône - An excellent bargain from importer Eric Solomon. Rich, earthy and structured with bright, but not simple fruit. Very peppery and spicy with a warm, but firm tannic finish.
• 2005 Dolcetto d’Alba, Lorenzino, Germano Ettore - Brightly rich, fruity and charming, but with an edge you would expect from vineyards in Serralunga d’Alba. Delicious and ready to drink with anything from pizza to a good steak. Very nice.
• 2006 Barbera d’Alba, Germano Ettore - Zesty, fresh and bright. A wonderfully fruity and refreshing barbera that should be drunk young to enjoy all its youthful charms.
• 2006 Dolcetto, Walla Walla Valley, Woodward Canyon - A nice effort, deeply purple in appearance, aroma and flavor and enjoyable to drink. However, you can buy much better dolcetto at a lower price than this from top Italian producers. A curiosity, but a pleasant one.
• 2006 Coteaux du Languedoc, Domaine Le Pas de l’Escalette, Julien Zernott & Delphine Rousseau Vignerons - This wine is just so charming and pleasurable to drink that buying by the case is mandatory. Brilliantly and brightly fruity without simplicity, this is just a great red to have around this house as it’s guaranteed to elevate many a weekday dinner or weekend party.
• 2004 Pinot Gris, Pfleck de Wettolsheim, Domaine Barmès - Yet another oily, over-the-t0p quasi-late harvest wine from Alsace. Thick, sweet and ultimately boring (to me anyway). At 14.5% alcohol avoid driving after dinner.
• 2005 Riesling, Winninger Uhlen Kabinett, Mosel-Saar-Ruwer, Freiherr von Heddesdorff - At 9% alcohol, this wine is the polar opposite of the wine above - thank goodness. Light and delicate without missing any complexity. What a great bargain and so, so easy to drink. With just a touch of sweetness to balance the zesty acidity, this wine is so refreshing a second glass always seems to follow the first.