California, Wine Media, Napa Craig Camp California, Wine Media, Napa Craig Camp

A Fool and His Money...

image.jpg

"Nobody ever went broke underestimating the intelligence of the American public," perhaps H.L. Mencken.

"There's a sucker born every minute," perhaps P.T. Barnum.

These quotes are part of American folklore even though there is every reason to believe they were never uttered by the the two men who are given credit for them by popular culture. However, the basic truth they convey is not in dispute. There always is the fool and his money, a story which goes back to the Bible and before.

These phrases where brought to mind by the recent article in Wine-Searcher titled "The Most Expensive Wines in California." While it is no surprise to find the name Screaming Eagle at the top of the heap the real revelation is that it's not their Cabernet Sauvignon at the pinnacle, but their Sauvignon Blanc.

The Screaming Eagle Sauvignon Blanc is selling on the open market at - wait for it - $3706 a bottle, which importantly at that price, does not include tax. Most people will be shocked that someone would spend that much money on a bottle of Sauvignon Blanc. I am not shocked. I am offended.

I am not offended by the obvious stupidity of such a purchase, I just find such waste an insult to the human race. It is impossible to comprehend how an individual can be so hollow, so vacuous as to spend that much money on a bottle with no history. Perhaps I could understand such a price on a bottle that belonged to Thomas Jefferson, but, come to think of it, those also turned out to be frauds.

In our problem-filled world this kind of wasteful public comsupution is repugnant. You'd think someone could have enough self-discipline to suffer through a measly $700 bottle of Sauvignon Blanc and then still have $3,000 left to do something meaningful for our planet and the beings that live upon it without experiencing undo hardship.

If you're going to to throw money in the trash at least be sure it ends up in a dumpster where someone who really needs it can dig it out of your garbage.

This report follows last weeks article by the always erudite Andrew Jefford in Decanter called "Beyond Best" Notes Jefford, "If a particularly commodity is high-status, sought-after and limited in supply, then ‘the best’ will always be disproportionately more expensive than other quality categories of that commodity, by virtue of nothing more than its rarity."

Indeed these "unicorn" bottles as they have become known are no longer wines, but commodity status symbols to be rolled out in situations that gain the owner the greatest visibility and status. It's no longer about the wine, but about who has the means required to possess the unicorn. Again Jefford gets to the heart of the matter, "In other words, tasting great wine can often be a pre-programmed, ritualised experience. It may be exquisite, but it isn’t necessarily interesting."

I will go along with Jefford in his quest to find the interesting, something which rarely applies to rituals. In its soul wine is a living agricultural product and the production of it is done by people close to the land. Wine is made by winemakers, vineyard workers and nature and the process is dirty, sweaty, exhausting and sometimes dangerous. All to often, especially in places like the Napa Valley the people that own the land are not the ones that work it and make the fruit into wine. The quest for ego gratification has twisted the wine business and the way we make wines. Wine is agriculture not religion.

Someone who spends $3000 on a bottle of Sauvignon Blanc should be the subject of ridicule not adulation. They are the proverbial "sucker born every minute" and their waste should be objects of our scorn.

In the early eighties corporate behemoth Heublein was gulping up wineries and had ingested Napa Valley icons Inglenook and Beaulieu. Each year they would have a national road tour to show off their international portfolio of famous wine names. An upscale hotel ballroom would be lined with tables laden with great bottles from around the world. At the head of the room was a stage where ancient Grand Cru Bordeaux would be offered to the crowds. The line for just a sip of old Lafite or Latour would wind out of the ballroom and down the hall and tasters would wait hours for a thimbleful. This would leave them no time to sample the other treasures in the room and wines from the greatest names in the Rhône, Alsace and the rest of France would go almost unnoticed. In the center of the room were two long tables featuring their new acquisitions Inglenook and Beaulieu. On each of those tables were twenty-year plus verticals of Inglenook Cask and BV Private Reserve going back to the 1950s. Much to my pleasure these tables were ignored by the throngs waiting to get a half ounce of old Bordeaux while I tasted and re-tasted these legends. I never got a sip of the old Claret, but I did get to spend an entire afternoon immersed in those sublime classic Napa Valley Cabernet Sauvignons. That was more than interesting.

It always appears that the great wines are the ones at that head table, in the spotlight, but like most sleight-of-hand that's an illusion. The most interesting wines are rarely the most expensive.

For some reason it almost always seems to be men who drop these outrageous sums on these extreme unicorn wines. I wonder what they are trying to buy? One thing for sure, it's certainly not wine.

Note: The price on the Screaming Eagle Sauvignon Blanc is not what the winery charged, but the resale price set by people reselling the wine.

Read More

Giving Thanks: Napa Cab, Willamette Pinot

November in Oregon's Willamette Valley

Just in time for Thanksgiving I’m excited to share my new Cornerstone Oregon releases with you. Certainly there is no better match for the traditional cuisine of this American holiday than wines from America’s premiere pinot noir and chardonnay region: Oregon. With the 2014 vintage I passed my first decade making wine in Oregon and I am more convinced than ever that it is here in the United States that pinot and chardonnay can best show their true personality.

For this reason at Cornerstone Cellars we do not make any chardonnay or pinot in California as, while there are a few examples of wines that are true to these varieties, the vast majority of wines produced in California from pinot and chardonnay speak far more of winemaking than terroir. I believe in pinot and chardonnay grown in the Willamette Valley just as fervently as I do in cabernets, merlot, syrah and sauvignon blanc grown in the Napa Valley.

Very soon Cornerstone Oregon will be at the same production level as Cornerstone Cellars in the Napa Valley (about 5,000 cases each) and so these wines are of the highest priority to me.

As from the beginning of Cornerstone Oregon in 2007, our wines are a collaboration between myself and my friend and the Northwest’s premiere winemaker, Tony Rynders. The style of Cornerstone Oregon reflects my over three decade immersion in the wines of Burgundy and Tony’s two decades in the Northwest, which includes stints as the red wine winemaker at Hogue and a decade as winemaker at Domaine Serene. The wines of Cornerstone Oregon are a synthesis of our perspectives and together we are crafting wines with a classic structure intertwined with a vibrant New World personality. As always, all of the wines of Cornerstone Oregon are grown, produced and bottled in Oregon.

This Thanksgiving I am giving thanks for the privlege of making cabernet in the Napa Valley and pinot noir and chardonnay in the Willamette Valley. Certainly this is having the best of both worlds.

Read More
Burgundy, California, Pinot Noir Craig Camp Burgundy, California, Pinot Noir Craig Camp

Syrah In My Pinot

The recent brouhaha over at Palate Press starting with an offhand Twitter comment by wine blogger Remy Charest and ending (maybe) with an article by winemaker Adam Lee of Siduri called up the frequent under-the-breath reference insinuating many California Pinot Noirs are so big due a dollop of syrah. It’s rather a silly idea if you think about it. Why? It’s already there, no not the syrah, but the syrah character. No additions are necessary.

All of this just shows the misconceptions of both writers and winemakers. Writers think California Pinot is so big because they put syrah in it while winemakers think they need to put syrah in their pinot to make it big enough to make the writers happy. The wonders the 100 point scale has brought us.

Just because you are the first does not mean that you’re the one and only. Burgundy is not the only correct example of pinot noir in the world. It is only one expression of that variety. It’s always interesting to me that the most ardent defenders of terroir are the ones most loudly damning the robust character of California Pinot Noir. Perhaps they should consider that powerful character is the terroir of pinot noir in California. There is a difference in claiming that a wine does not have terroir and not liking the style of a terroir. Successful California Pinot does not and should not taste exactly like Burgundy. That is only one standard and only one of the many expressions of pinot. California Pinot Noir is supposed to taste like California Pinot Noir.

In his excellent article, Syrah in My Pinot? A Winemaker Responds, Adam Siduri makes many good points, but one stands out. It all his years of winemaking he has never known any serious pinot noir producer to add syrah to their wine unless they openly admit it on their label or sales materials. I’ll add my own thirty years of experience to that and I too have never known any winemaker aspiring to make great pinot noir that added syrah to their blend without being upfront about it. The example of Castle Rock adding syrah to their pinot is simply a producer making a better wine. At that price point you can’t make a decent pinot noir without some help. If you insist on buying pinot noir under $15 your palate should be grateful they blended a bit of syrah in. The strange thing about consumers is that if they just bought a $15 syrah they’d get a great wine at a bargain price instead of insisting on pinot noir that needs to be “corrected” to make it pleasurable to drink. Excellent pinot noir is not for bargain hunters.

This does not mean that pinot noir cannot be manipulated out of showing its terroir as it so often is in California and, for that matter, throughout the world. Just because the natural character of California Pinot Noir is substantial does not mean that all extremes are acceptable. The essential character of pinot noir is its transparency, that unique ability to show the personality of the vineyard where it was grown. This transparency can show itself in wines of many different weights and concentrations. This is clearly seen within Burgundy itself.  Vineyard and winery manipulations that obliterate that transparency eliminate the reason to grow and make pinot noir in the first place. If you want to make massive, powerful wines there are a lot better varieties to work with.

The only reason to blend syrah with pinot noir is that you actually wanted to make a syrah to begin with. If you’re a winemaker and want to blend syrah with your pinot you’ve chosen to make the wrong variety. If you’re a wine writer and you want your pinot noir to taste like syrah you’re drinking the wrong variety.

Square pegs in round holes don’t work any better than they used to.

Read More
California, wine and Food Craig Camp California, wine and Food Craig Camp

Warning Label

I like to experiment with wines so I’m always trying new things. That’s always a risk and sometimes I get burned. Burned was what I got when I ordered the Herman’s Story, On the Road, Santa Barbara Grenache 2007. I was not burned by the wine, after all a winemaker has the right to make the wine they see fit. The wine itself was well made and interesting, but it clocked in at 16.1% alcohol on the label. A little warning of such an extreme would have been nice.

In Italy Amarone has for generations been a revered wine and it routinely sports alcohol levels of 16% and more. The problem with this Grenache was not the alcohol level, but that there was no way to know what was coming to your table unless you read the label before the cork was pulled. When you see Amarone on a wine list you know what to expect. With New World wines you have no clue. It seems to me the restaurants should make an effort to guide us a bit considering the markup they take. As with Amarone, wines like the Herman’s Story Grenache are not really table wines to compliment dinner, but “meditation wines” to be sipped with cheeses and nuts to finish a meal or while you read a book before the fireplace. When a restaurant tosses such wines into the wine list without comment they do their customers a disservice. It’s like putting a bottle of Graham’s Oporto into the wine list with the rest of the red wines - except that everyone knows Port is sweet.

A wine at 16.1% alcohol is an extreme wine for special circumstances and the wine list should note this fact.

The Herman’s Story, On the Road, Santa Barbara Grenache 2007 itself is an outstanding wine for the finest full flavored cheese you can find. Washed rind and blue cheeses will find a perfect counter point in this powerful, warm and richly fruity wine. The intense fruit and the high alcohol give an impression of sweetness on the palate that marries well with the the pungent saltiness of such cheeses. As there was no chance we could finish this wine with a meal, we brought the bottle home and tomorrow night a cheese course will be waiting for it. I think 24 hours of air won’t hurt a bit either.


Read More
California, Napa, Wine Notes Craig Camp California, Napa, Wine Notes Craig Camp

Mixed Blacks

 

Mixed blacks, an old term that used to be the backbone of wines like Gallo’s Hearty Burgundy. It was a catch all phrase for varieties that did not command a premium like those that could be bottled under their own name. It also referred to a very old way of planting as farmers would plant many different varieties in their vineyards so they wouldn’t have all their grapes in one basket - if one variety had a bad year perhaps the others would do better. The ‘mixed blacks’ were the bottom of the totem pole and got bottom dollar for the farmer. Today that’s turned on its head as these old mixed planting vineyards have become a national treasure of old vines and interesting varieties.


Girard Winery has taken full advantage of one of these vineyards producing their 2006 Girard Mixed Blacks from a century old vineyard with a mixed planting of syrah, zinfandel, petite sirah, grenache, mourvedre, carignane and a few other varieties whose identity remain a mystery. All the varieties are co-fermented (always an interesting idea) and aged in a blend of French (85%) and American oak for eighteen months. What a wine this is! Loaded with explosive black fruit and layered with earthy touches of porcini and smoked meats, it fills the mouth without being heavy. Girard has avoided the ponderous, one dimensional character of so many “old vine” wines from these varieties. A crisp acid bite keeps this wine alive and it will remind Rhone lovers of a good Cornas or Crozes Hermitage, of course with an added dose of ripe California fruit. 

Too few of these great old vineyards survived the rush to plant more fashionable varieties. It’s great to see a winery give such an old treasure its due.

Posted via email from craigcamp’s posterous

Read More
California, Napa Craig Camp California, Napa Craig Camp

The People That PIck


DSC_0057.JPG I was dreaming in Spanish, at least I was dreaming I was dreaming Spanish. As I slowly woke and came back into reality it occured to me I could not be dreaming in Spanish for obvious reasons. Then the lyrical strains of the harmonious Spanish language again floated through my bedroom window. The vineyard outside my bedroom window was alive with pickers in the pre-dawn glow and their happy chatter filled the air. How anybody can be that happy before dawn and facing hours of backbreaking work always amazes me.

That was about ten days ago and those crews were the first wave, picking grapes bound for sparkling wine. However, now those first ripples are getting ready to turn into a tsunami of harvesting as the Napa Valley gets ready for the main event: the Cabernet Sauvignon harvest. There has been scattered activity around the valley as first the grapes for sparkling wine and then some of the white varieties were harvested. We picked the grapes for our Cornerstone Sauvignon Blanc early last week, in perfect conditions. This was our first harvest of Sauvignon Blanc from the Talcott Vineyard just outside of St. Helena (not too far from Taylor’s Refresher), so I was out there at first light to watch the pick. It never ceases to stun me how hard the picking crews work. None of what we do could be possible without them. Every time I watch a harvest crew in action I want to punch Lou Dobbs in the mouth. I’d like to see him survive even a half-hour, while these crews work at breakneck speed hour after hour until the mid-day sun forces the picking to a merciful end.

Tonight our new Sauvignon Blanc is slowly bubbling away in a cold stainless steel fermemter, while the pickers themselves sleep the sleep that only exhaustion can bring as they prepare to hit the vineyards tomorrow before the morning light illuminates the seemingly endless rows of vines waiting for them. Today we scheduled the pick of our Howell Mountain Cabernet Sauvignon for this coming Tuesday and our Oakville blocks will be right behind. It’s going to be a busy two weeks for us, but it’s nothing compared to the ultra-marathon our pickers have already embarked on.

Read More
California, Wine Country Photos Craig Camp California, Wine Country Photos Craig Camp

Getting Ready for Harvest

 

 

 

 

 

 

 

 

 

Soon the grapes for California bubbly will start being picked. They’re always the first as they’re more interested in acidity than sugar and flavor. Here signs at the gates of Domaine Chandon are ready to direct the fleet of trucks that will soon be arriving.

Read More
California, Napa, cabernet sauvignon Craig Camp California, Napa, cabernet sauvignon Craig Camp

Veraison Starts In Napa

image1779733867.jpgJust a few bunches have started, but veraison is on its way. This is some Cabernet near Yountville.

Mobile Blogging from here.
Read More
California Craig Camp California Craig Camp

Wine MSG

While tasting through barrels of our 2008 cabernet sauvignon today, I kept thinking as good as they were they needed a little lift - a little cabernet franc. I love the minty brightness with a vegetal punch that the mouth watering cabernet franc wines of the Loire deliver - often at bargain prices. I think just of touch of that cabernet franc lift would be perfect in our powerful Napa cabernet.

Like soy sauce, Parmigiano and truffles, cabernet franc is packed with umami, that distinctive savory essence that that makes flavors just explode in your mouth. Certainly cabernet franc can be delicious on its own, as in the wonderful reds of the Loire Valley, but its "umami" effect on cabernet sauvignon cannot be overstated. A dollop of cabernet franc "lifts" the nose and expands the finish on many a cabernet and, in my opinion, this variety is under-utilized in Napa where power is easy, but high tones are not.

An absolutely seductive example of California cabernet franc at its best is the 2005 Keenan Napa Valley Cabernet Franc, Spring Mountain District. Rich and powerful without being overwhelming, this is one of the finest American cabernet francs I've tasted. Deep in color, with an expansive, bright nose and a fresh, salivating finish, a telling point about this wine is that while I drank this bottle over three days, the wine never got tired. This very fine cabernet franc is a great education on what is possible from this variety in California.


Read More

Brilliant Gray

Gray Pinot (pinot gris) sounds pretty drab and 9 times out of 10 the name fits the wine. Yet in the hands of some winemakers this variety can sing. Joining the ranks of delicious and interesting wines from this variety, including wines like Jermann, Chehalem, Albert Mann among others, is the Horse and Plow 2008 Pinot Gris,, Filigreen Farm, Anderson Valley. Crisp, refreshing, but in no way light and simple, it is loaded with creamy fresh pear and white peach flavors all accented by a tangy minerality and firm acidity. This wine was barrel fermented in neutral oak, which shows in the lovely texture and a yeasty whisper on the nose. A whopping 350 cases were produced so Santa Margharita Pinot Grigio has as much to worry about as it has flavor.

Read More
California, Napa, Wine Country Photos Craig Camp California, Napa, Wine Country Photos Craig Camp

New Bunches - June 13

Read More
California, Wine Notes Craig Camp California, Wine Notes Craig Camp

Stain Free

200905290824.jpg

I’ve been drinking some California chardonnay lately - believe me it surprises me as much as it does you. It’s not that I wasn’t drinking any chardonnay as Chablis, Macon Villages, St. Veran and Pouilly Fuisse have always been some of my favorite wines. California Chardonnay was another matter with its heavy oak and more than a little residual sugar. The cheaper the California chardonnay the sweeter it seemed to be. For my taste, sweet and oaky does not go very well with food.

200905290815.jpg

So why am a drinking chardonnay again? Here and there there are emerging a few chardonnays that see no oak aging or fermentation. They spend their time before bottling only in stainless steel. Best of all, the California wines in this category are usually fermented to dryness. Often referred to as “unoaked” they are the exception to the rule as the vast majority of California Chardonnay is either aged in oak barrels or “oak alternatives” (oak chips, oak dust and so on) are added to give that sweet, vanilla oak characteristic that has replaced chardonnay varietal character as the defining characteristic of chardonnay for most wine drinkers. Not that there are not many exceptional wines produced from chardonnay aged in oak barrels (no exceptional ones come from wines made with “oak alternatives”), but the fact that most consumers think that the taste of oak is the taste of chardonnay few producers choose the “unoaked” path.

These “unoaked” wines are everything their oaky siblings are not. They are fresh and bright with clean, firm mineral flavors that are lightly laced with touches of white peaches and key limes. With a touch of refreshing tartness to balance their beautiful California fruit, they are perfect food wines. As another plus they tend to be cheaper than their more rotund oaky counterparts.

Two of my favorite “unoaked” California Chardonnays are:

2007 Iron Horse Vineyards Unoaked Chardonnay, Sonoma County-Green Valley - Firm and bright with a lovely, lively freshness throughout you can tell as you drink this wine that the Sterling family cut their teeth on French wines. While having a lot in common with a fine Chablis or Pouilly Fuisse, the California personality of this wine shows through in the fresh hints of ripe tropical fruit that rides on a firm backbone of acidity and minerality. What a wonderful thing to do with chardonnay grown in the cool Green Valley.

2006 Elisabeth Spencer, Chardonnay Napa Valley, Special Cuvée - Deeper and more powerful than the Iron Horse, but still crisp and firm. Creamy with bright fresh citrus on the nose with and those characteristics flow through the entire wine. Firm mineral flavors are balanced by round pure apple and pear fruit flavors, which are all lifted by the crisp acidity. Very long on the finish, here is proof positive you don’t have to age chardonnay in oak to get complexity.

Read More

Flowering Begins in Napa

Here they come. Although only a tiny percentage so far, the vines are starting to flower. This is a cabernet vine near Yountville.

Read More

Atlas Peak Dawn

Read More

Spring Wildflowers - Yountville

Read More