Burgundy, California, Pinot Noir Craig Camp Burgundy, California, Pinot Noir Craig Camp

Syrah In My Pinot

The recent brouhaha over at Palate Press starting with an offhand Twitter comment by wine blogger Remy Charest and ending (maybe) with an article by winemaker Adam Lee of Siduri called up the frequent under-the-breath reference insinuating many California Pinot Noirs are so big due a dollop of syrah. It’s rather a silly idea if you think about it. Why? It’s already there, no not the syrah, but the syrah character. No additions are necessary.

All of this just shows the misconceptions of both writers and winemakers. Writers think California Pinot is so big because they put syrah in it while winemakers think they need to put syrah in their pinot to make it big enough to make the writers happy. The wonders the 100 point scale has brought us.

Just because you are the first does not mean that you’re the one and only. Burgundy is not the only correct example of pinot noir in the world. It is only one expression of that variety. It’s always interesting to me that the most ardent defenders of terroir are the ones most loudly damning the robust character of California Pinot Noir. Perhaps they should consider that powerful character is the terroir of pinot noir in California. There is a difference in claiming that a wine does not have terroir and not liking the style of a terroir. Successful California Pinot does not and should not taste exactly like Burgundy. That is only one standard and only one of the many expressions of pinot. California Pinot Noir is supposed to taste like California Pinot Noir.

In his excellent article, Syrah in My Pinot? A Winemaker Responds, Adam Siduri makes many good points, but one stands out. It all his years of winemaking he has never known any serious pinot noir producer to add syrah to their wine unless they openly admit it on their label or sales materials. I’ll add my own thirty years of experience to that and I too have never known any winemaker aspiring to make great pinot noir that added syrah to their blend without being upfront about it. The example of Castle Rock adding syrah to their pinot is simply a producer making a better wine. At that price point you can’t make a decent pinot noir without some help. If you insist on buying pinot noir under $15 your palate should be grateful they blended a bit of syrah in. The strange thing about consumers is that if they just bought a $15 syrah they’d get a great wine at a bargain price instead of insisting on pinot noir that needs to be “corrected” to make it pleasurable to drink. Excellent pinot noir is not for bargain hunters.

This does not mean that pinot noir cannot be manipulated out of showing its terroir as it so often is in California and, for that matter, throughout the world. Just because the natural character of California Pinot Noir is substantial does not mean that all extremes are acceptable. The essential character of pinot noir is its transparency, that unique ability to show the personality of the vineyard where it was grown. This transparency can show itself in wines of many different weights and concentrations. This is clearly seen within Burgundy itself.  Vineyard and winery manipulations that obliterate that transparency eliminate the reason to grow and make pinot noir in the first place. If you want to make massive, powerful wines there are a lot better varieties to work with.

The only reason to blend syrah with pinot noir is that you actually wanted to make a syrah to begin with. If you’re a winemaker and want to blend syrah with your pinot you’ve chosen to make the wrong variety. If you’re a wine writer and you want your pinot noir to taste like syrah you’re drinking the wrong variety.

Square pegs in round holes don’t work any better than they used to.

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Humbled

$25, That’s right only $25 for a beautiful pinot noir. Nothing yet exists in new world pinot noir like the 2007 Côte de Nuits-Villages from Domaine Gachot-Monot. Pure and electric this is a wine that lifts both your intellect and the meal. Certainly this would be $50 if it where from Oregon or California. We have a lot to learn and need to be a little more humble as winemakers here on the west coast. What struck me was the almost compelling urge I had to have a third glass.

It’s a bit depressing to me that I’ve not figured out to make a wine like this in America yet, but I refuse to quit trying. In the meantime, drink this beauty over the next three to four years.

Not surprisingly, imported by Kermit Lynch.


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Gracing My Table

Grace, elegance, delicacy finesse: wine attributes not much treasured these days. Punch you in the face pointy pounders get all the glossy headlines. In the same way such wines anesthetize my palate, the heavy food required to stand up to these wines with glandular issues bloats us into a a culinary world that Botero would have painted. 

Then along comes a svelte, subtle beauty that reminds you that sometimes the experience of consumption is improved if it requires your brain to become more involved in the process instead of a sedated bystander. Such a wine touched me at a lunch at Chez Panisse recently. This very non-Botero like wine was the 2006 Menetou Salon Rouge of Domaine Philippe Gilbert. Not a place name likely to be familiar to many, but this almost moving wine comes from an area unknown by Americans for its wonderful sauvignon blanc (which I also love), which seems famous compared to its pinot noir, which no one knows they grow. In this relatively obscure Loire region the team of enologist Jean-Phillippe Louis and owner Philippe Gilbert have crafted a true work of art and, only due to the less than famous name, a bargain. This property started bio-dynamic agriculture in 2006 so, as good as this wine is, upcoming vintages must be staggering. 

This beautiful pinot noir graces your table with its almost exotic floral, spiced aromatics and flavors that touch your palate with the complex thrust and parry of a champion fencer rather than the Braveheart broadsword of so many wines today. If purity is what you want in your pinot noir you’ll find it here - and find it for less than $25.

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Marvelous Mendocino

Lots of places on the West Coast think of themselves as pinot prima donna, but there is a very real possibility that the least pretentious of all will claim the throne. Sideways loved the Central Coast. Oregon assumes (a little to quickly) the crown is theirs. Yet it seems time after time the most exciting pinots I’ve been tasting are from Mendocino’s rugged Anderson Valley.

Yesterday’s Taste of Mendocino was packed with enthusiastic tasters and expressive pinots. What's most exciting is, strangely enough, what these Mendocino pinot noirs lack. They are moderate in alcohol, missing a big price tag and offer more pleasure than attitude. They are brilliantly light in color, fragrantly lacy, exotically delicate and long on the palate. Pinot noir from Anderson Valley tastes like pinot noir - a claim many pinots from Oregon and the rest of California cannot claim. You'll not confuse a Anderson Valley pinot noir with a syrah.

We can only hope their increasing fame does not lead these growers down the path taken by so many Oregon producers who have given up the elegance that their cool climate can bestow on their wines in the headlong pursuit of points over purity of variety.

Some highly recommended Mendocino pinot noir wines from the tasting:



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90 Cases - Not Points

image1911299362.jpgA short note about a wine you can’t buy, but should be trying your best to find. I hate to write about wines that are essentially unobtainable, but for those that care about really distinctive wines you should get on this mailing list. La Fenêtre is a project by Joshua Klapper at Timeless Palates Wine.

His 2006 La Fenêtre Cargasacchi Jalama Pinot Noir is a marvel. A lovely garnet color with touches of brown, no purple is to be seen. The nose is high toned with hints of porcini, leather and hard, stony cherry pit fruit. At a 13.5% alcohol you can still taste the wine and the terroir. Damn this is a good wine and anybody that can make a wine like this is worth watching.

They were serving this by the glass at LA’s Water Grill, who said they got twenty of the ninety cases produced. What a great idea for a such a tiny production as far more people got to taste this lovely wine than if it had all gone out through their mailing list by the bottle.

Keep up the good work Josh.

Mobile Blogging from here.

[Posted with iBlogger from my iPhone]

 

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Skating With The Love Puppets

We're sometimes marionettes when it comes to food and wine matching, but Love Puppets and skate can cut those strings. Skate wing is one of my favorite fish dishes and meaty, rich fish like this sometimes go better with red than white wines. Especially the way I cooked it, quickly floured and sauteed, then served with a beurre rouge - in this case accented with some pancetta and capers. Easy and delicious.

What better to go with skate wing and a red wine sauce than Love Puppets. The Love Puppets here (I'm not sure what you were thinking of) is a lovely Oregon pinot noir from Brandborg Vineyards. The 2006 Brandborg Vineyards Love Puppets Pinot Noir catches all the romance that is pinot noir. Very spicy, brightly fruity and charming, but with just a touch of the earthy, wild mushrooms notes that always highlight the best pinots this is a wine you can drink now or over the next several years. The San Francisco Chronicle placed it in their top 100 wines of 2008 and I can see why. Besides that, it's a bargain at only $30.

The real love puppets are the husband and wife team of Terry and Sue Brandborg who make this excellent pinot and a host of other wines from cool climate varieties in their decidedly very cool climate in the the Umpqua Valley in southern Oregon, which they are so successfully pioneering.

All to often we seek romance in winemaking, but rarely find it in these days of corporate wine factories, but the Brandborgs are the real thing and you can taste their passion for both wine and each other in the wonderful wines of Brandborg Vineyards.
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Stellar Cellars

chateau-petrus

I was a guest, which is by far the best way to attend tastings like this, although as this was a dinner, it might be better to call it a drinking. Be assured I didn’t spit once. It never crossed my mind. One thing drinking old wines confirms is they don’t make’em like they used to. For better or worse, they’re different – more delicate and less alcoholic. It was a great evening with outstanding food, wine and company. What else is great wine for? Many thanks to Dr. Mike Dragutsky for inviting me to join in. Below are the wines with some short comments.

1990 Cristal Brut, Magnum – A reminder of how great Cristal used to be. Toasty, creamy, long and very complex. Cristal today is a mere shadow of this wine.

1985 Kistler Chardonnay, Carneros – Rich and powerful, but a bit passed its prime.

1995 Puligny Montrachet, Enseigners, Verget, Magnum – Unfortunately showing quite a bit of oxidation already, but still quite exciting with a firm mineral backbone and great length. Drink up soon.

2005 Sea Smoke Pinot Noir, Ten, Santa Rita Hills – A powerhouse pinot with a lot of new oak.

1988 Bonnes Mares, Comte de Vogue – Not showing well at first, this bottle ended up by my place so I got to go back to it several times. By the end of the evening it opened into a graceful beauty with layers and layers of length and personality.

1997 Chateau Pichon Lalande, Pauillac, Magnum and 1997 Chateau Lynch Bages, Pauillac – I’ll comment on these two lovely, elegant and totally mature wines together as they dramatically illustrated how much better wines age in magnum. The Pichon Lalande was much fresher with brighter fruit and depth. These wines show how pretty wines can be from lighter years.

1989 Chateau Pichon Baron, Pauillac – Still velvety and rich with an expansive bouquet and a long seductive finish. Twenty years old is a great place for classic Bordeaux from excellent vintages.

1988 Chatau Guraud Larose, St. Julien – Silky, delicate and perfumed. Really lovely with an almost caressing texture. Drink up now while it’s so pretty.

1961 Chateau Bouscaut, Graves (Pessac-Leognan now) – Just a beautiful old wine that is still showing a touch of fruit freshness amid all the coffee, porcini and spice. With that nice touch of that earthy minerality that defines Graves. Long and graceful.

1988 Petrus, Pomerol – Wine of the night. An elegant, graceful wonder. Svelte and incredibly long and complex. A wonderful wine.

1979 Chateau Lafite Rothschild, Pauillac – The definition of elegance. A perfectly proportioned wine. Subtly complex and endlessly interesting. As usual, a perfect Bordeaux.

1977 Taylor, Oporto – Will this wine ever mature? Still young, fruity, dark, sweet and powerful. Just plain great Port that will age forever.

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Richard Sanford of Alma Rosa

Richard Sanford was one of California’s true pinot pioneers and was one of my first tutors on the great potential of pinot noir in America. I have found his wines to be consistently among America’s finest pinot noirs for decades. Sanford had his namesake winery ripped away from him from one of the Engulf and Devour Corporations of the wine world and today is making outstanding wines at his new winery, Alma Rosa. Richard and his wife Thekla are among the most gentle and artistic souls on the planet and it shows in their wines. I thought this interview with him was well worth sharing:


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Real Pinot for Pinot People

biggiohamina

Todd Hamina is an opinionated winemaker. Like all opinionated winemakers he can be controversial. He also happens to be making some outstanding wines. This should not be surprising as the politically correct usually make politically correct wines, which is just as boring in the wine world as it is in the real world. Todd had a solid winemaking foundation moving through important Oregon cellars such as Patton Valley and Maysara before founding his own label, Biggio Hamina, with the 2007 vintage. The results of that education are evident in his new wines.

Those of us who cut our teeth on European wines many decades ago often accept today's supercharged wines with grudging respect and wistful memory of those more elegant, balanced wines of our past. I ran into Todd today and tasted some of his first releases and I can only say that I was blown away by his wines, which took me back to a day when wines lived by verve not power.

I was so impressed with Todd's wines that I bought two bottles almost out of disbelief. When I retasted them with my dinner I liked them even better than I did before. These are genuine wines made without regard to current fashion that were only guided by the vision of the winemaker and nature. Love them or hate them they're Todd's wines, a personal statement.  I loved them.

The 2007 Biggio Hamina Melon de Bourgogne, Deux Vert Vineyard just astounded me.  Firm and bright with zinging minerality and a long clean, truly dry finish, this is the first American Melon that I've tasted that will actually remind wine drinkers of the great wines of Muscadet, where the only really great examples of this variety have been produced. When I tasted this wine, from the excellent Deux Vert vineyard in the Yamhill Carlton AVA, I could only think what a shame it is that these fine grapes have been wasted in previous vintages by less thoughtful winemakers, but I'm thrilled that someone is now finally taking proper care of them. I would confidently show this wine to the most devoted Muscadet drinker.

The 2007 Biggio Hamina Willamette Valley Pinot Noir is nothing short of a profile in winemaking courage as few have the guts to make real pinot these days. This is real pinot noir for real pinot noir drinkers. Those that prefer pinot that tastes more like syrah won't like this wine and should leave it for the those that love pinot for its natural, refined personality. The color is  a delicate, inviting translucent garnet. It's rare to see pinot this color anywhere these days and I applaud Todd's courage to let real pinot characteristics show through in his wines. Pinot does not naturally have a lot of color and you can bet the dark wines you see these days are made by some sort of cheat. Enzymes or other varieties are all to often used to add an unnatural depth of color to pinot noir. If you can't read through a glass of pinot, something is amiss. The nose is lifting and fresh with earthy truffle and orange zest spice layered over lively bitter cherry fruit. The finish is long and clean. I could only think of excellent pinots from lesser Burgundy appellations like Marsannay and Fixin when I drank this beauty.

Both of these wines are an astounding 12.5% alcohol, which makes them almost freaks these days. Tasting wines like this makes you realize what a critical issue alcohol is as you can taste so much more in these wines simply because all the nuance is not overwhelmed by alcohol. For delicate varieties like pinot this issue has gone out of control as high-alcohol pinots are just boring and pointless to drink because they don't taste like pinot anymore. If you want a big wine get something from a big variety like syrah, not a delicate variety like pinot.

Another astounding fact about these wines is that they are also both $20 or less a bottle. I know, like you, I thought such wines did not exist in America. Actually for all practical purposes they don't, but now at least two do. Hopefully, soon there will be a lot more.

Todd will be releasing some single vineyard pinot noirs, syrah and pinot blanc from the 2007 vintage and I can't wait to taste them. If these wines are any indicator they should be something very special indeed.

 

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Vignerons Oregon Style

arcane 2006PinotNoirReserve In todays ever more corporate world of winemaking, the old image of the small wine farmer, or as it is called in French, vigneron, seems a quaint part of winemaking history. However, there are still really winemakers crafting small amounts of outstanding wines in somewhat simpler surroundings than the winemaking temples constructed by the big name wineries. In fact, Oregon is full of them.

The green, rolling hillsides of the Willamette Valley are a patchwork of tiny growers and winemakers with productions measured in hundreds of cases instead of thousands.  Buying wines from these small producers can be like walking through a minefield, but when they’re good, they’re very good.

Two such pinot noirs recently tasted are the 2006 Dalla Vina (soon to be re-christened Terra Vina due to a lawsuit) Dundee Hills Pinot Noir (146 cases) and the 2006 Arcane Cellars, Dundee Hills, Kelly Vineyard, Pinot Noir Reserve (105 cases). These excellent wines are spiritual cousins. Both are balanced, elegant wines with a classic, translucent garnet color, a spicy nose layered with black truffles, bright fruit and that essence that the Italians call sottobosco, or undergrowth in the forest. After the hyper-clean fat, cherry fruit style of so many New World pinots, these wines are a real treat. As they are both under 14.5% alcohol, emerson gris you can still actually taste the nuance in these wines.

Great wines from small producers is not limited to red wines as proven by the 2007 Arcane Cellars Del Rio Vineyard Viognier (95 cases) and the 2007 Emerson Vineyards Pinot Gris (only $15 by the way). As someone who has rarely tasted an American viognier that I liked, finding them too blowsy and without backbone, I was stunned by this firm and dry Southern Oregon effort. I’m starting to get the idea that Southern Oregon may be a New World home to viognier. The Emerson Pinot Gris is both refreshing and a refreshing change for its bracing dryness, unlike so many other Oregon pinot gris wines that try to make up for lack of body and flavor with residual sugar. On top of it, it may be the best value in Oregon gris that I’ve tasted.

It’s always risky to buy wines from small producers as often you end up with faulted wines. Yet, the best small producers often make better wines than bigger wineries with better equipment and far greater resources. While buying wines from small producers that you’ve never heard of can be like playing craps, sometimes you win the jackpot.

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Tualatin Treasure Hunt

wvv There seems to be an accepted treasure map for pinot noir. You follow the clues and the dotted line and, arrive at the "X" and the treasure will be yours, with a little digging. The components of the map are simple and the endpoint is always a small, artisanal producer. However, it seems this map can sometimes blind us to treasures somewhat easier to attain.

So it was with only moderate expectations that I opened a bottle of pinot noir from one of Oregon's largest producers. After all, big guys don't make great pinot noir: right? Apparently that's just plain wrong as the 2006 Willamette Valley Vineyards Pinot Noir, Tualatin Estate Vineyard, is easily one of the very best Oregon pinot noirs I have tasted from the difficult 2006 vintage, or any other recent vintage for that matter. This is an exceptional American pinot noir that, unlike most, doesn't just offer simple rich dark cherry fruit, but exhibits real complexity. Starting with a perfect pinot hue of translucent ruby and the slightest touch of garnet, it then offers that most seductive of pinot noir noses: smooth wild strawberry fruit is laced with those funky, earthy aromas like mushrooms, truffles, dried leaves and, yes, a bit of the merde the French so lovingly refer to when discussing the nuances of Burgundy. What this wine is, most of all, is interesting as it's not dominated by simple ripe fruit, alcohol or wood, but the terroir of their Tualatin Estate Vineyard. The wine is unique because the vineyard is unique and, most of all, because winemaker Forrest Klaffke lets it retain its distinctive personality. This is an outstanding Oregon pinot noir that will please those that cut their teeth on Burgundy instead of California.

The 2006 vintage was difficult for Oregon's winemakers with all-to-many making wines exhibiting candied fruit characteristics and unbalanced alcohol levels. This wine is an exciting exception to that rule.

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Oregon Wine, Pinot Noir, Riesling, Wine Notes Craig Camp Oregon Wine, Pinot Noir, Riesling, Wine Notes Craig Camp

Picnic Pair

willamettevv Somebody just asked me what I was doing on Labor Day. I thought it strange they ask so far in advance, then glancing at the calendar realized it's this coming Monday. How did that happen? Where did summer go?

As we approach the last picnics of the season, I just tasted two wines that are picture perfect picnic wines. Both are from the 2007 vintage and produced by Oregon's Willamette Valley Vineyards. Better yet, they're both priced less than $20. Their clean, crisp and just off-dry Riesling is an absolute charmer. Flowery with a tart citrus bite balanced by a hint of sweetness, this is a wine you can drink with almost anything - or nothing for that matter. At only 10% alcohol, you can actually enjoy a few glasses without worry. Their Whole Cluster Pinot Noir always makes me wonder why more producers don't make this style of wine, which is clearly inspired by the bright, fresh wines of Beaujolais. Using whole clusters of grapes fermented by carbonic maceration, Willamette Valley Vineyards has produced an explosively fruity, silky fruit-forward wine. This is no fruit-bomb, but a zesty, refreshing pinot noir that lends itself to gulps instead of concentration.

In a world where everyone seems to be trying to make Romanée Conti and sell wines priced in the stratosphere, its great to see wineries like Willamette Valley Vineyards pay equal attention to simpler, pleasure-driven wines that can be enjoyed on an everyday basis.

 

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Heart of Stone

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Scott and Lisa Neal are lost on a windy, dusty gravel road in the foothills of Oregon’s Coast Range. They didn’t mind being lost as they were more explorers than tourists. Fate was with them as they soon chanced upon a for sale sign behind which spread out what they were looking for: a place to plant a vineyard. It was a promising site with rolling hills, a rainbow of soil types and the warm protection of the lovely, inappropriately named, Muddy Valley. So in 1998 Scott and Lisa started to plant their vineyard. They didn’t yet have a name, but fate was soon to step in again. During a walk on their new property Lisa spotted a large boulder that, with closer examination, revealed its unique heart shape. So Coeur de Terre Vineyard was born and an appropriate name it is as everything about Scott and Lisa’s vineyards and wines truly come from their hearts and the earth on which they live.

Coeur de Terre is one of the undiscovered gems of Oregon winemaking. The passion and precision with which the Neals are pursuing their dream of making great wine is impressive to say the least. In my opinion they have the potential to be one of Oregon’s most interesting and distinctive wine producers. From their lovely new winery and tasting room to their vineyards, which are planted in blocks by soil type and exposure, everything at Coeur de Terre shows their deep connections to the art, nature and science of winemaking.

One of the most promising things about Coeur de Terre is their decision to expand their plantings based on a massal selection. Today, most wineries buy all new vine stocks based on clone and rootstock from commercial nurseries who start the vines and do the grafts. However, despite all the attention to individual clones of pinot noir, most winemakers agree that site always trumps clone. In other words, each clone reacts differently to each site, which makes some sort of an exact clonal stew recipe for great pinot noir a ridiculous fantasy. What you have to do is observe each individual vine, regardless of clone, to see which ones love the micro-climate of your site. A massal selection means that you take cuttings from the most successful vines on your site instead of relying on individual clones purchased from a nursery that may or may not be right for your vineyard. It seems obvious that it would be best to plant your vineyards based on individual vines, regardless of clone, that clearly thrive on the unique micro-climate of your vineyard, but very few vineyards choose this course. This is the laborious process that the Neals have selected to propagate the best vines for their unique site throughout their Coeur de Terre Vineyard. It should be noted while this practice is rare in the new world, it’s not exactly cutting edge as it is the traditional method of propagating wines in Burgundy, a region that has made more than a few exceptional pinot noirs over the centuries.

coeur The current releases from Coeur de Terre are all excellent wines that are well worth laying down as they will certainly improve with bottle age. By today’s standards they are moderately priced and good values. The 2006 Riesling has excellent structure and a brightly fruity dryness. Notes of petrol are just starting to peek out behind the young, fresh citrus aromas and flavors. I think this will develop into an outstanding riesling with a few years in the bottle. The 2006 Estate Pinot Noir is one of the better balanced 06 Oregon pinots you’ll find. It is rich, but firmly structured as you would expect from the McMinnville AVA. Its bigger brother, the 2006 Renelle’s Block Pinot Noir, is a bolder, more powerful version of the 2006 Estate. Both show ripe black fruit with hints of cassis layered over coffee and bitter chocolate highlights. The Renelle’s Block is still a bit closed and brooding and really requires two or three more years of bottle age to show all it has to offer. The 2006 Estate is certainly enjoyable now, but will be much better in a year. It should be noted that production of all of these wines is in the hundreds of cases, not thousands, so supplies are limited and you can expect them to sell out.

Scott describes their wines as, “time and place in a bottle.” I would add soul to that list, for Scott and Lisa have also put their souls into their wines.

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The Three Faces of Pinot Noir

3facesofeve Poor pinot noir. As the variety most transparent to terroir and the hand of the winemaker it has become a schizophrenic variety producing a full rainbow of styles from all corners of the planet. The staggering range of wines produced makes it impossible and pointless to define which personality is the best expression of the variety.  As usual, lovers of any particular style are absolutely convinced of the superiority of their preferred style.

Most pinot noir aficionados are drawn to the variety because of its capability to produce the most terroir-driven of wines. Vineyards mere meters apart produce astoundingly different wines. Strangely enough, this same love of the wonderful diversity and endless fascination with the nuances of terroir seems to put blinders on many tasters. Instead of being willing to experience the myriad of styles offered by the terroir-sity (take that Colbert), that is the hallmark of this variety, they become stuck in a narrow range of styles with a disdain bordering on the violent for wines produced in other styles, or perhaps more accurately, other terroirs. It seems to be quickly forgotten that the very reason we love pinot noir means by definition that the wines will be, and should be, very different when grown in different places.

It's important to taste wines for what they are, not what we wish they were.  You cannot will a Sonoma Coast pinot noir to taste like Pommard 1er Cru because not only shouldn't it taste like a Pommard, but why would you want it to? The interesting part of pinot noir, and, for that matter all varieties, are these very differences. Of course everyone will have their own personal preferences, but personal preference in taste is not the same as superiority.

Having recently immersed myself (almost literally) in pinot noir for three days during the International Pinot Noir Celebration I could not help but be struck by the wonderful diversity and the exceptionally high level of winemaking that exists in the world of pinot noir these days. Four wines highlighted the range of this golden age of pinot we're living in: the brooding, powerful Littorai Wines, Mays Canyon Vineyard, 2006 from California; the firm, spicy Sokol Blosser Winery, Dundee Hills Estate Cuvée, 2005 from Oregon; the explosively fruity, black current flavors of the Felton Road 2007 from New Zealand; and the closed, biting youth of the Volnay, Vendanges Sélectionnées, Domaine Michel Lafarge, 2005 from Burgundy. These four wines could not be more different or more delicious in their own right. It is their very differences that make them so exciting and make them, well, so pinot noir.

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IPNC 2008: Sparkling Soter

ipnc 08 soter vineyard james leads tour 7-25-2008 1-52-23 PM Twenty or thirty years ago Champagne was a sure bet. All the Grand Marques made great wines and it was only a matter of whose style you liked the best. Those days are long gone and now the big brand Champagnes are some of the worst wines deals you can buy. During this same period a bubbly revolution occurred worldwide and today Champagne is no longer the only source for the finest quality sparkling wines. Now American brands like Iron Horse, Gruet and Argyle offer wines that out-sparkle most of the big Champagne brands in both price and quality. You can now add Oregon's Soter Vineyards to that list.

Last Saturday my group at the International Pinot Noir Celebration found themselves at Soter Vineyards for lunch and a seminar on sustainable agriculture. Every morning of IPNC a fleet of buses spreads out over the Willamette Valley taking groups to seminars and sumptuous lunches, but you don't know where your going until you get there. Your destination really doesn't matter as every event is exceptional.  Our lunch was prepared by Chef Peter Birk of Seattle's famed Ray's Boathouse and served in Soter Vineyard's beautiful new entertainment center with a spectacular view of the Yamhill-Carlton AVA and the Coast Range.

Gouda wafers and smoked sablefish

  • Soter Vineyards Blanc de blancs, Beacon Hill Vineyard, 1997 - Yes, you read the vintage correctly. Soter is releasing this wine after ten years en tirage. This is simply a stunning sparkling wine. Rich and creamy with a deep toasty complexity and a never ending finish. A classic selling for an almost unbelievable $55 a bottle making it an outrageous value, but you'd better hurry with only 190 cases produced.

Alaskan weathervane scallops, arugula, strawberries, fresh corn

  • Soter Vineyards Brut Rosé, Yamhill-Carlton District, Beacon Hill Vineyard, 2003- Close your eyes and think you're tasting a beautiful, light delicate pinot noir. Now add bubbles and you have this seductively fruity wine. Rich and assertively pinot in character with a mouth-filling, juicy fruitiness layered with a light toasty/yeasty highlight. This wine was so delicious our table begged our waiters for more (and more and more...).

 Sockeye salmon, black tea custard, roasted plums

 Oregon chukar, confit of Walla Walla onions and local mushrooms

  • Soter Vineyards Pinot Noir, Mineral Springs Vineyard, Yamhill Carlton District, 2006 - A preview of the yet to be released 2006 Mineral Springs. As you would expect from the vintage, this wine is very fruit-forward with an expansive, deep red fruit character and gentle, silky tannins. A generous and satisfying pinot noir that should develop into a lovely wine over the next several years. You can drink this charmer while you're waiting for the 2005 to mature.mineral springs vineyard 7-25-2008 2-31-56 PM

 Summer fruit tart (made with berries picked on the estate by the Soter family that morning)

  • More of the Brut Rosé, graciously supplied to our table by Megan Moffat, sommelier at Café Soriah in Eugene, which, by the way, was wonderful with the fresh berry tart.

 

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