Photo Camp: Fall colors - Napa November
Smooth. Is there a smoother red wine made than Valpolicella? Add a touch of ripasso richness and you get a great wine bargain. Ripasso, the process of adding the pressed grapes from Amarone to Valpolicella causing it to referment, elevates Valpolicella from a lovely everyday wine to one worthy of special occations.
The 2006 Capitel della Valpolicella Ripasso from Montrasor is such a wine. Ripe, round and velvety without a touch of heaviness, it delivers an excellent wine at a very fair price - under $20.
Girard Winery has taken full advantage of one of these vineyards producing their 2006 Girard Mixed Blacks from a century old vineyard with a mixed planting of syrah, zinfandel, petite sirah, grenache, mourvedre, carignane and a few other varieties whose identity remain a mystery. All the varieties are co-fermented (always an interesting idea) and aged in a blend of French (85%) and American oak for eighteen months. What a wine this is! Loaded with explosive black fruit and layered with earthy touches of porcini and smoked meats, it fills the mouth without being heavy. Girard has avoided the ponderous, one dimensional character of so many “old vine” wines from these varieties. A crisp acid bite keeps this wine alive and it will remind Rhone lovers of a good Cornas or Crozes Hermitage, of course with an added dose of ripe California fruit.
2006 Domaine La Milliere Vieilles Vignes Cotes du Rhone
It’s a waiting game. We’re waiting for “just so”. Simple ripeness is not enough. Everything has to be just right - sugars, acids and phenolics all have to be “just so”. It’s a tough balance to achieve and in many vintages, like Godot, it never arrives. Because nature rarely offers perfection harvest is usually a battle of nerves - ours vs. Mother Nature’s and Mother Nature always wins. For small production wines like Cornerstone it’s all about precision harvesting. We focus all of our attention on small blocks of vineyards and strive to harvest at the moment of perfection when everything is “just so”. This year it seems that Godot himself has actually arrived as each of our vineyards has been coming in at the perfect point. Picking at perfection is only attained by being in the vineyards and knowing your vines. Pictured above, Cornerstone’s winemaker Jeff Keene (left) and consulting winemaker Peter Franus walk our Hardman Road Block in southern Napa near Silverado Country Club. We’ve picked half of our Cabernet Sauvignon now, but this block, a cooler site, is perhaps a week or more away. Indeed things are looking very, very good in Napa.
I was dreaming in Spanish, at least I was dreaming I was dreaming Spanish. As I slowly woke and came back into reality it occured to me I could not be dreaming in Spanish for obvious reasons. Then the lyrical strains of the harmonious Spanish language again floated through my bedroom window. The vineyard outside my bedroom window was alive with pickers in the pre-dawn glow and their happy chatter filled the air. How anybody can be that happy before dawn and facing hours of backbreaking work always amazes me.
That was about ten days ago and those crews were the first wave, picking grapes bound for sparkling wine. However, now those first ripples are getting ready to turn into a tsunami of harvesting as the Napa Valley gets ready for the main event: the Cabernet Sauvignon harvest. There has been scattered activity around the valley as first the grapes for sparkling wine and then some of the white varieties were harvested. We picked the grapes for our Cornerstone Sauvignon Blanc early last week, in perfect conditions. This was our first harvest of Sauvignon Blanc from the Talcott Vineyard just outside of St. Helena (not too far from Taylor’s Refresher), so I was out there at first light to watch the pick. It never ceases to stun me how hard the picking crews work. None of what we do could be possible without them. Every time I watch a harvest crew in action I want to punch Lou Dobbs in the mouth. I’d like to see him survive even a half-hour, while these crews work at breakneck speed hour after hour until the mid-day sun forces the picking to a merciful end.
Tonight our new Sauvignon Blanc is slowly bubbling away in a cold stainless steel fermemter, while the pickers themselves sleep the sleep that only exhaustion can bring as they prepare to hit the vineyards tomorrow before the morning light illuminates the seemingly endless rows of vines waiting for them. Today we scheduled the pick of our Howell Mountain Cabernet Sauvignon for this coming Tuesday and our Oakville blocks will be right behind. It’s going to be a busy two weeks for us, but it’s nothing compared to the ultra-marathon our pickers have already embarked on.
This is a wine outside of your (and almost everyone’s) comfort zone. Slightly oxidized and dry-as-a-bone, you’d be hard pressed to find a white wine more outside today’s popular profile. First of all it’s from the eastern part of France in the Jura region, home to wines loved by only the geeky-ist of wine geeks, on top of that it’s an oxidized style of wine like the great Fino and Manzanilla wines of Spain’s woefully under-appreciated Sherry region. Unlike those great wines, it is not fortified, which makes it even more confusing as it just does not fit into any easy marketing category.
The 2006 Domaine de la Tournelle Fleur de Savagnin Arbois from vignerons Evelyne et Pascal Clariet is an extraordinary white wine. It is such an interesting and compelling wine that almost everyone you let taste this wine will hate it. However, if like Steve Martin in LA Story you, “let your mind go and your body will follow” - or in this case let your palate go and your body will follow, you will be treated to a wonderful glass of wine. Nutty and layered with endless layers of complexity, the firm dryness of this wine is almost jarring to palates numbed and dumbed by extremely fruity wines or those that claim dryness, but actually have significant residual sugar.
Just in case this wine needed something to confuse the drinker even more it’s made from the Savagnin variety, which as nothing to do with Sauvignon Blanc and may (or may not) be related to the traminer variety, more recently of Gewurz fame.
None of that matters for this is wine at its best: compelling, interesting, delicious and, most of all, unique and distinct to its variety, vineyard and tradition. What else matters?
I’m trying to remember the first year I visited this estate - 82? 83? In those days Einaudi was ultra-traditional and in the 80’s that meant erratic. While those days are often a bit over romanticized, there is no debate that great wines have always been produced by the Einaudi estate - most of the time. Rustic would have been an over-polite way to describe the old Einaudi winery of the early eighties, but today’s Einaudi wines are produced in a sparkling clean modern winery. While some may debate the plusses and minuses of that, you cannot debate the pleasures of their wonderful dolcetto wines and the fact that the ups-and-downs of previous decades are no more. The Dogliani region of Piemonte is well established as a premier dolcetto region and Einaudi’s are among the very best wines from this region. The 2006 Einaudi Dolcetto di Dogliani is as brilliant and brightly fruity as you could hope for, but offers a lot more than that. Under the dense black fruit is a hard edge that comes not only from the electric acidity, but from a delicious warm earthiness that makes this wine reach beyond the simple fruity offered by so many of its siblings. Drink this wine up now before it dries out.
SwiftPageEmail Subject: Wine Enthusiast’s Wine Star Awards Nominees Announced! Let’s think about The Wine Enthusiast’s previous Wine Star Awards and what it means about The Wine Enthusiast:
The 2008 Winners
I am sure you’re dying to pack wine from these companies into your cellar. I think no further comment is required.
Tags: WinePress
While Julie and Julia may be more a puff pastry than a plat principal, it is a light pleasure that no foodie should deprive themselves of indulging in. The main beauty of the movie is that people are actually cooking in it -- thinking about cooking, dreaming about cooking, really cooking and most of all, really eating and eating with gusto. That's a good feeling in an era where people are more likely to spend time watching competitive cooking than actually cooking themselves. I left the movie feeling good and, best of all, hungry. A wonderful feeling that television shows like Iron Chef and its ilk do not leave me with. If the one good thing that comes out of this movie is that a few people actually pick up those copies of Mastering the Art of French Cooking, that are sitting, clean as they day they were purchased, on their bookshelves and actually cook something then it's a great movie.
Never trust someone who calls themselves a foodie whose cookbooks are not stained and worn.