Oasi degli Angeli

In 2003 I wrote, “Kurni is on a whole different level of being.” I achieved that level of being this weekend when I opened a bottle of 1999 Oasi degli Angeli Kurni. This micro-estate in Italy’s beautiful Le Marche is the vision and labor-of-love of Eleonora Rossi and Marco Casolanetti. Kurni is a perennial winner of Tre Bicchieri Awards in the Gambero Rosso and has become a true cult wine in Italy. The production of Kurni is measured in bottles instead of cases with a scant 4000 available to grace fine tables. Most of this treasure is grabbed up by Italian restaurants, but some bottles do find their way here. If you see one don’t pass it by because you may never find it again.

Perhaps what is most interesting about this bottle is that it was from a difficult vintage and the wine that broke the string of Tre Bicchieri Awards that Kurni had achieved once again proving that vintage charts and wine ratings leave much to be desired. This 100% Montepulicano from their old vine vineyard is still a dark ruby and sizzles with acidity and deep, dark black fruit flavors. As vivacious as this wine is I think it is ready to drink. This is a wine at its zenith - that moment when bottle age has brought out the maximum complexity, but while the beauty of the fruit from which it was born still remains. The greatness that is Kurni is only achieved with age. In it’s youth it often seems just another oaky fruit bomb. It is only with age that it achieves its promise.

Here is the link to my story on Oasi degli Angeli in 2003:
http://www.winecampblog.com/journal/2006/2/26/oasi-degli-angeli-and-kurni.html


Matt Kramer Drinking out Loud

For a long time it has been clear to me that a subscription to The Wine Spectator is worthwhile if only because you get to read the the thoughtful wine writing of Matt Kramer, America’s wine conscience. Now Kramer has started an online wine column, Drinking out Loud, which is sure to be worth the price of admission. While I have had my issues with The Wine Spectator, any publication willing to print Kramer’s insightful commentary on wine can’t be all bad. 

 

Posted via email from Wine Camp Blog/Posterous Edition

Homage to Homard

IMG_0525.jpg?fileId=5370283 It was time to kill. I’d killed before, just a couple of weeks ago in fact. It was two of them that time, which made killing only one not such a big deal - though that guilt tinge never seems to totally disappear. Sometimes you have to do terrible things to make a great risotto. The ends are worth the means when it comes to lobster risotto. I have to admit, it makes you more connected to the dish, but I digress. This meal and the wine selected went back to our New Year’s Eve lobster feast that was chosen to go with a beautiful magnum of Henriot Blanc de blancs - a wonderful Champagne deserving an equally wonderful meal. Not wanting to waste the shells from those great lobsters, I froze them and, last weekend while I enjoyed the Sunday New York Times, simmered a lobster stock.

At halftime of the Packers/Cardinals play off, I ran down to the outstanding Osprey Fish Market in Napa and picked up today’s victim. Upon arriving home the first thing I did was to dispatch the evenings main course with a sharp blade. While having no qualms, I see no reason to make them wait. As the Packers attempted their comeback, I cooked the just purchased lobster. Cooking a lobster is easy: a big enough pot of boiling water with plenty of heat. Bring the pot to a boil and put in the lobster (head first please if you’ve not dispatched it already), cover to bring it back to a boil fast and cook for 10 minutes for the first pound and about 3 more minutes for each additional pound. Remove the now rosy lobster and drain and enjoy or hold it at room temperature if you’re planning on making the risotto right away.

The broth for the risotto could not be simpler, especially if you’ve just celebrated New Year’s Eve with a couple of beauties. Oddly enough, I don’t recommend the water you cooked the lobster in for a broth. I had frozen the shells from the feast and pulled them out and rinsed them off. Leaving them to defrost for a while, I melted some butter in a cast iron Dutch oven then quickly sauteed the shells for a few minutes being sure not to burn the butter. Then filling the pan with water, I added some sliced carrots, celery and a quartered onion. Next I added several large dollops of Vietnamese Fish Sauce for both salt and flavor and then simmered (not boiled) for an hour, then strained the broth into a clean stock pot, which you should keep at the simmer. Remove one cup of the hot lobster broth and add some saffron threads to steep.

Now back to the just cooked lobster, carefully remove the claw and tail meat to keep them whole, while getting every last little bit of meat out of every leg and corner you can find. Divide the tail in two pieces lengthwise.

Now you’re ready to start the risotto, but don’t start until everything is assembled and ready to go and everyone is ready to eat in twenty minutes.

Into a sauté pan add 3 or 4 tablespoons of butter at medium heat. When foaming add one-half finely chopped onion and cook slowly until the onion is translucent, but not browned at all. Slightly increase the heat and add one-and-a-half fistfuls of Carnaroli rice (I have big hands) per person. The recipe here is for two as a main course and four as a first course, plan on one whole 2 pound lobster for two people as a main course. After a minute tossing the rice and butter (no browning!) add a cup or so of dry white wine and, stirring continuously, reduce to almost gone, but still moist. Now add the cup of broth with the saffron. Stirring continuously, but not violently, keep adding ladles of the hot broth as the broth in the pan reduces to the point where the rice is still very wet, but not soupy. After about fifteen minutes repeating these steps start to taste the rice. If it needs salt, add more Fish Sauce or salt. When the rice starts to taste cooked, but still “al dente” meaning it’s not too soft and still has some bite, it’s done. In other words each grain still has a firm texture, but the dish is creamy. Just as the rice comes to “al dente” and is creamy, not soupy, remove the risotto from the heat and add all the small pieces of lobster and 2 tablespoons of butter, swirling it into the rice as it melts. In a separate sauté pan melt several tablespoons of butter and briefly sauté the claw meet and the split tail. Divide the risotto into dishes and top with the claw and tail meat and freshly chopped parsley or chives. No Parmigiano please, not with seafood.

What wine for such luxury? That’s easy, Chablis. A white wine loaded with complexity, but with enough backbone and acidity to stand up to such a rich dish. For our dinner, the 2007 Jean-Marc Brocard, Chablis Domaine Sainte Claire could not have been more perfect. Imported by the always reliable Martine’s Wines, this wine was nothing short of gorgeous. A finer chardonnay you’ll not find for the money and, if you’ve come to hate chardonnay, this is a wine that will make you fall back in love with the variety. The aromas mix fresh green apples, kiwi and a racy minerality that challenges and refreshes both the nose and palate. The firm backbone of acidity carries the intense, but restrained fruit. Finished with a screw-cap, this may be a modern package, but it is a classic Chablis. With rich seafood I like a wine that provide counterpoint and this firm beauty lifted our risotto to new heights.

Chablis is a homage to homard.

Gracing My Table

Grace, elegance, delicacy finesse: wine attributes not much treasured these days. Punch you in the face pointy pounders get all the glossy headlines. In the same way such wines anesthetize my palate, the heavy food required to stand up to these wines with glandular issues bloats us into a a culinary world that Botero would have painted. 

Then along comes a svelte, subtle beauty that reminds you that sometimes the experience of consumption is improved if it requires your brain to become more involved in the process instead of a sedated bystander. Such a wine touched me at a lunch at Chez Panisse recently. This very non-Botero like wine was the 2006 Menetou Salon Rouge of Domaine Philippe Gilbert. Not a place name likely to be familiar to many, but this almost moving wine comes from an area unknown by Americans for its wonderful sauvignon blanc (which I also love), which seems famous compared to its pinot noir, which no one knows they grow. In this relatively obscure Loire region the team of enologist Jean-Phillippe Louis and owner Philippe Gilbert have crafted a true work of art and, only due to the less than famous name, a bargain. This property started bio-dynamic agriculture in 2006 so, as good as this wine is, upcoming vintages must be staggering. 

This beautiful pinot noir graces your table with its almost exotic floral, spiced aromatics and flavors that touch your palate with the complex thrust and parry of a champion fencer rather than the Braveheart broadsword of so many wines today. If purity is what you want in your pinot noir you’ll find it here - and find it for less than $25.

Death of the Wine Magazine

You walk into the wine shop to buy a bottle of Champagne for New Year's Eve 2011. Greeted by a wall of unfamiliar brands you whip out your iPhone 5Gs and start scanning bar codes on the bottles. Your browser pops open with pages of reviews and commentary about the producer and vintage. There are dozens of reviews on CellarTracker and just as many posts on wine blogs. Quickly you make a selection and head off to the party.

This is not a guess of what's going to happen in the future, it is what is going to happen and is in fact happening now. The technology exists and it's in use. What you won't see on your phone when looking for recommendation will be scores from publications like The Wine Spectator and The Wine Advocate. Their data resides in "walled gardens" and you have to pay to see what they think about that bottle of Champagne you wanted to buy. At some point they will be faced with offering their content for free or, as mentioned in my previous post, sliding into oblivion.

The biggest threat to the point porn of traditional print wine media has to be the model employed by that IT wizard of the wine industry Eric Levine and his CellarTracker website. There some 89,000 users have posted over 1 million wine reviews. Instead of ratings from a "wine expert" those who visit CellarTracker can often get dozens of reviews on a single wine from people who taste wine just like they do. Sure there are worthless notes from people that don't have a clue, but they are overwhelmed by those that take their comments on CellarTracker very seriously. This is a powerful resource that is comprehensive, free and available to anyone, anywhere with an Internet connection or a smart phone in their hand.

Wineries themselves are taking things into their own hands instead of just rolling the dice and hoping for big points in The Wine Spectator or The Wine Advocate. Notably Murphy-Goode with Hardy Wallace and St. Supery with Rick Bakas hired on as full-time new media hired guns have been aggressively following new marketing paradigms. Recent travels by Bakas showed the future of wine marketing as he did "Tweet-ups" around the country gathering small groups of wine lovers together to directly hear the story and taste the wines of St. Supery. Certainly such direct contact generates more consumer brand loyalty than just getting points and placing an ad in a wine magazine. When there's not a good reason for a winery to place an ad in a wine magazine that's big trouble for the wine publishing industry.

This confluence of technology, new marketing techniques and the growth of consumers that prefer to get advice from their "friends" rather than experts upon high spells trouble for the big wine media of today. They are just not needed in the same way anymore - by both the consumer and the producer. It's safe to say that in not so many years the big glossy wine magazines will go the way of Gourmet Magazine. This will happen not because of the quality of their content, but because the market has changed around them.

Oddly enough the 100 point scale, which built these established wine publications may be what they need to abandon to stay alive. Rankings, points and tasting notes will be easy to come by and free. What will be needed, and worth paying for, will be real wine journalism and wine writing. Great reporting and quality writing are things all to rare and people are willing to pay for things that are rare and precious.

Posted via email from Wine Camp Blog/Posterous Edition

Ripasso

Smooth. Is there a smoother red wine made than Valpolicella? Add a touch of ripasso richness and you get a great wine bargain. Ripasso, the process of adding the pressed grapes from Amarone to Valpolicella causing it to referment, elevates Valpolicella from a lovely everyday wine to one worthy of special occations.

The 2006 Capitel della Valpolicella Ripasso from Montrasor is such a wine. Ripe, round and velvety without a touch of heaviness, it delivers an excellent wine at a very fair price - under $20.

Mixed Blacks

 

Mixed blacks, an old term that used to be the backbone of wines like Gallo’s Hearty Burgundy. It was a catch all phrase for varieties that did not command a premium like those that could be bottled under their own name. It also referred to a very old way of planting as farmers would plant many different varieties in their vineyards so they wouldn’t have all their grapes in one basket - if one variety had a bad year perhaps the others would do better. The ‘mixed blacks’ were the bottom of the totem pole and got bottom dollar for the farmer. Today that’s turned on its head as these old mixed planting vineyards have become a national treasure of old vines and interesting varieties.


Girard Winery has taken full advantage of one of these vineyards producing their 2006 Girard Mixed Blacks from a century old vineyard with a mixed planting of syrah, zinfandel, petite sirah, grenache, mourvedre, carignane and a few other varieties whose identity remain a mystery. All the varieties are co-fermented (always an interesting idea) and aged in a blend of French (85%) and American oak for eighteen months. What a wine this is! Loaded with explosive black fruit and layered with earthy touches of porcini and smoked meats, it fills the mouth without being heavy. Girard has avoided the ponderous, one dimensional character of so many “old vine” wines from these varieties. A crisp acid bite keeps this wine alive and it will remind Rhone lovers of a good Cornas or Crozes Hermitage, of course with an added dose of ripe California fruit. 

Too few of these great old vineyards survived the rush to plant more fashionable varieties. It’s great to see a winery give such an old treasure its due.

Posted via email from craigcamp’s posterous

Chave Bargains

 

Chave and bargain don’t usually go together and indeed this is one of the most expensive Cotes du Rhone wines you’ll find, but it’s worth every dime. I found the 2004 Chave Mon Coeur Cotes du Rhone tucked away on a back shelf for $20 and it was indeed a bargain. The extra few years in bottle has amplified its personality, which is rich with brooding notes of bacon, butcher shop and black pepper layered over lush, intense black fruit. It’s wonderful when great winemakers like Chave use their considerable skills to produce not only great wines, but affordable ones.

Posted via email from craigcamp’s posterous

Vielles Vignes under $20

 2006 Domaine La Milliere Vieilles Vignes Cotes du Rhone

Old vines, not filtered, under $20 and delicious, what more could you want? Actually this wine is more than delicious offering real complexity and flavor and no simple fruity stuff either, but earthy, warm complex fruit with a structured backbone that makes this wine exceptional with food. How do they do it? They have to grow and make the wine, ship it to the USA, put a importers markup on it followed by a wholesalers then a retailers markup and it still costs under $20 or $30 in a restaurant. It’s damn embarrassing for us American winemakers. Grab cases of this beauty and enjoy.

 

Posted via email from craigcamp’s posterous

Waiting For "Just So"

It’s a waiting game. We’re waiting for “just so”. Simple ripeness is not enough. Everything has to be just right - sugars, acids and phenolics all have to be “just so”. It’s a tough balance to achieve and in many vintages, like Godot, it never arrives. Because nature rarely offers perfection harvest is usually a battle of nerves - ours vs. Mother Nature’s and Mother Nature always wins. For small production wines like Cornerstone it’s all about precision harvesting. We focus all of our attention on small blocks of vineyards and strive to harvest at the moment of perfection when everything is “just so”. This year it seems that Godot himself has actually arrived as each of our vineyards has been coming in at the perfect point. Picking at perfection is only attained by being in the vineyards and knowing your vines. Pictured above, Cornerstone’s winemaker Jeff Keene (left) and consulting winemaker Peter Franus walk our Hardman Road Block in southern Napa near Silverado Country Club. We’ve picked half of our Cabernet Sauvignon now, but this block, a cooler site, is perhaps a week or more away. Indeed things are looking very, very good in Napa.

Posted via email from craigcamp’s posterous

Turley on Acid

Cinsault? From Lodi? A bright, zesty high acid sub-14% wine from Turley? I guess wonders never end. Cinsault, one of the work horse varieties of southern France, rarely gets the spotlight - usually for good reason. However, like so many of the lesser known Mediterranean varieties, in the hands of dedicated vintners with good vineyards, they can produce some exceptional wines. This wine may not be exceptional, but it is delicious. In some ways this wine is more reminiscent of southern Italian wine than California with its biting acidity and earthy fruit flavors. On top of that its under $20. I plan to grab all I can find for homemade pizza this winter. 

Posted via email from craigcamp's posterous