Bryant Family Vineyards

You cannot deny the quality. The color is a perfect ruby. The bouquet is lush, but balanced and complex. No simple blackBryant family fruit flavors here, but layer after layer of nuance. It coats the palate with velvet sporting a bite. Round, but still firm tannins carry the concentrated fruit flavors. The finish just goes on-and-on. An exciting wine with not a fault or shortcoming. The 2001 Byrant Family Cabernet Sauvignon is stunning – to bad its no longer a wine. It is a commodity to be chased after by those with more money than palate. A look through winezap.com reveals pricing raging from $295 to $499 a bottle for this former wine turned negotiable security.

No other category of wine contains more individual great wines than cabernet sauvignon. You can find stunning examples from seemingly every wine growing region of the world. There are literally hundreds of stellar quality cabernet sauvignons available and yet wine prices are driven to the stratosphere for wines like this by those who are addicted to possessing what other can’t have. With all the fine choices available anyone should be embarrassed, not proud to own a Bryant Family. Its a shame that most of this truly fine wine will be consumed by people with palates more attuned to what they spend then how the wine tastes.

With a little luck maybe they’ll invite us to dinner…

Zul on Nero d'Avola

I'm not sure who is pictured here on the right, Dana or Zul. Whatever the case, Zul himself inhabits the world of Enemy Vessel Images(www.enemyvessel.com) and posts on The Wine Therapy Forum, hosted on the Enemy Vessel site. Yes, Enemy Vessel is primarily a wine forum so don’t be put off (I wasn't) by the vitriolic attack on President Bush on the front page. You’ll find the link to the wine forum at the bottom of the page. The Wine Therapy Forum is host to some of the most interesting wine posts on the Internet, although it sometimes seems to be a little club-ish and the personal forum of Joe Dressner. Unlike the over-moderation of most forums, here the patients run the asylum and threads can spin off into off-topic hell – or heaven depending on your point of view.

EvbuttThe best part of this forum are the regular postings of “Zul”, whose insights and knowledge of Italian wine (not to mention the rest of Europe) are worth a paid subscription to read. On a recent thread for example, Zul offers information you would be hard pressed to find in an English language publication. Follow the link below to that thread and keep an eye on The Wine Therapy Forum for his posts. Zul on Nero d'Avola

Chinon and Cabernet Franc

Charles Joguet ChinonThere often is not much to like about cabernet franc. Weedy and thin when over-cropped and unforgiving of cool vintage years, many wine drinkers pay it no mind – and for good reason. In northeastern Italy millions of bottles of unpleasant wine featuring pungent bell pepper flavors and aromas flood grocery stores under the generic “cabernet” label, while in its homeland of Bordeaux it only shows up as a high-tone highlight, except in some outstanding wines in St. Emilion. However, in the hands of a master with just the right vineyards, cabernet franc can touch some very unique points on your palate, if not the 100 point scale.

The domaine Charles Joguet is dedicated to terroir with individual plots fermented and bottled as individuals. As many as eight wines may be produced in a vintage – all 100% cabernet franc and each a distinct creation. The Joguet wines take cabernet franc to a mystical plane. These are intellectual wine that challenge your taste buds to dig into each furtive nuance. The aromatics are truly stunning with delicate layers teasing you nostrils and keeping your nose in you glass for minute-after-minute. The wines of the Loire are so often overlooked in today’s point driven world of wine sales and Chinon from producers such as Joguet will reward the adventurous palate. The hot 2003 vintage produced great wines in the cool Loire and the Joguet wines from this vintage are outstanding across-the-board.

Some current releases from Domaine Charles Joguet:

2003 Cuvée Terroir – An unoaked cuvée made for early drinking, but no simple quaffer. Brilliant purple/ruby with a fresh, zesty bright fruitiness balanced by a touch of mint and earth. You just keep going back for another glup. ($16)

2003 Varennes du Grand Clos — My favorite, this is really a lovely wine. Great complexity with stunningly elegant aromas and flavors. The nose is like a field of wild-flowers with hints of spices and red currents. A few more years of bottle age will create a delicately powerful masterpiece. As refined and silky as this wine is, there is plenty of concentration and backbone. It matched gorgeously with wood over roasted chicken and root vegetables. ($29)

2003 Clos du Chêne Vert – Deeper more brooding and decidedly more closed than the Varennes du Grand Clos, this is a wine that requires more years in the bottle before it opens. While the Grand Clos is all flowers and spice, the Chêne Vert is earthier and riper. Not to overstate the ripeness as the wine is still very balanced and well-structured. ($29)

Imported by Kermit Lynch

http://www.charlesjoguet.com

Robert Parker is the Enemy

parker.jpgRobert Parker is the enemy. Why on the Wine Therapy forum his name is banned. You can't even type it, as when you type Parker, only the word "censored" appears. The British press blames him for their loss of power and curse him for single handedly destroying their own personal backyard, Bordeaux.  Comments from Parker and his crew (Rovani et al) are met with hails of indignation and threads with hundreds and hundreds of posts drag on in circular arguments on his forum.

 But I think they are all wrong. Robert Parker is not the enemy. If there is an enemy it is The Wine Spectator, a publication with the same journalistic standards as Us magazine.

If there is one characteristic that makes for an excellent critic, it is consistency and no palate I have ever seen is as consistent as Parkers. If he gives a wine 95 points or 88 points I know exactly what it will taste like. It does not matter that personally I will usually prefer his 88 point wine to his 95 point wine, what matters is he successfully communicates the character of a wine to me because he is so consistent in his likes and dislikes. This makes for a great critic. Greatness in a critic does not mean that they agree with you, but that they can guide you towards your likes and dislikes reliably. I don't think anyone does this better than Robert Parker. For this he is worthy of our respect and admiration. He is a finely honed tasting machine.

The attacks on Parker come because he is on the top. Humans just love to pull people down. What Parker offers is his opinion, nothing more and nothing less. The fact that his opinion on certain styles of wines is so reliable makes his opinions useful. 

All of these attacks seems to have created an us-versus-them mentality over at The Wine Advocate and that's too bad as they would be better served by concentrating on what they do so well, instead of getting mired in circular arguments with Steve Plotnicki.  Taking on the persona of a statesman instead of a street fighter is a better strategy.

The Wiki Road to Chardonnay Nirvana

One incredibly good thing has come out of the Parker/Rovani oxidized white Burgundy brouhaha, it is one of the most useful consumer information sites you will ever see. A Wiki site was created to provide a consumer clearing house for information on the good, bad and ugly on the white Burgundy scene. You can find this most useful of Wikis at:

http://oxidised-burgs.wikispaces.com/

The Straight and Narrow

As the debate rages on multiple forums over Pierre Rovani's take on the premature oxidation of white Burgundy, you can't help but be struck by the extremes in the way people perceive wine. Some like it straight ahead and some like a more indirect approach. I see no exact advantage of one school over the other, but one thing for sure is they don't see eye to eye. I suppose its like listening to Miles Davis or Ornette Coleman: they are certainly different, but both are considered great.

There can be little doubt that Robert Parker and his associates are of the straight on, or what I call linear style, of the wine pendulum. That's why there is little debate (on this side of the Atlantic anyway) over The Wine Advocate reviews of Bordeaux and new world cabernet sauvignon, but introduce wines that dance around your pleasure centers like Burgundy or Barolo and a firestorm of controversy breaks loose – even on Parker’s own forum. Cabernet takes a straight line to that pleasure button and creates less of a critical mess.

I think that for wines like Burgundy and Barolo/Barbaresco, the only reliable places to go to are specialists; like Allen Meadow's Burghound or Antonio Galloni's Piedmont Report. Mass publications trying to cover the entire world of wines can not handle the curves thrown by such elusive and constantly changing wines. As reliable as The Wine Advocate is for Napa and the Medoc, the coverage breaks down with it come to non-linear wines, which is just not their specialty. Not that there is anything wrong with that.

Dry Douro

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Over the last decade, Portugal’s Douro producers have tried to get the world to go beyond Oporto and enjoy their dry red wines. However, all to often, these wines tasted more-or-less like dry, unbalanced Oporto.

A group of top estates dedicated to quality came together in 1999 to push the possibilities of dry Douro wines to the limit and the Lavradores de Feitoria was born. The results: excellent wines at very reasonable prices.

Doug Salthouse at SmartBuy wines in New Jersey recently sent me a bottle of the 2002 Três Bagos and you will be hard pressed to find a more satisfying wine at under $20.00. No full blast overripe dry port here, but a balanced and brilliantly fruity wine for enjoyment over the next 2 to 3 years. The bright, zesty raspberry fruit is contrasted with good acidity and a moderate (for Douro) 13% alcohol. A real pleasure to drink.

An Oregon Grand Cru

privelogoS.gifPrivé Vineyard, a small patch of pinot noir vines on Oregon’s Chehalem Mountains yields a scant 250 cases between its north and south parcels. The upper section dubbed Le Nord yields only 165 cases, while the lower Le Sud offers a meager 85. There can be no doubt that this vineyard is of “Grand Cru” stature. Privé Vineyard was created by Mark and Tina Hammond and few vines or wines receive more hands-on loving care. The results are wines of stunning balance and complexity.

As you might imagine, quality of this magnitude is no longer a secret and getting on the Hammond’s mailing list is just a bit harder than finding the Holy Grail. I can only tell you to get on the waiting list now for these wines are the real thing.

The current release of 2004 Privé Vineyard, Le Sud, Yamhill County Pinot Noir is simply breathtaking and I feel ashamed to have opened one of the few existing bottles before it attained its full potential. An almost perfect blend of power and restraint, the depth and range of flavors already offered makes one pause and contemplate again and again as you savor every sip.

My other two bottles will wait three or four more years, when I know I will be moved to write about this extraordinary wine again.

Ultimate Geekdom

What must constitute the ultimate example (at least penultimate)  of embarrassing wine geekdom are the members of the Robert Parker Forum -- sorry I always "forget" its called the Mark Squires Forum -- that actually use photos of themselves with Robert Parker as their avatar. Such avatars just scream, "get a life!"  These are the guys you don't want to be stuck sitting next to at wine dinners!

A Light in the Darkness: The wine writing of Joel Payne

The Wine Spectator, The Wine Advocate, The Wine Enthusiast: Crap, crap and crap again. At least that is the popular mantra among many self-confident wine lovers ( 2 out of 3 ain't bad). Certainly all wine writing can't be bad or unreliable: right?. We often spend more time tearing down than building up, a crime of which I too am guilty as charged. Putting something down instead of putting something up is just more sexy and finds decidedly more readers.

Once in awhile a bit of brilliance shows through the crap, but usually is not bright enough to pierce the blinders worn by the general wine drinking public. A bit of that brilliance shows through in a truly wonderful piece of wine journalism in the January/February 2006 (issue 124) edition of Stephen Tanzer's International Wine Cellar. Stephen's newsletter always stands above the crowd for the intelligence of its coverage, although sometimes he bites off more than he can chew by trying to review regions without spending enough time in the cellars and vineyards. This is particularly true of his coverage of Italian wines, a complaint you could apply to many newsletters. Trying to cover the entire world of wines is, perhaps, an overwhelming task for one newsletter. In some regions Tanzer has overcome this dilemma by bringing on experts such as Joel Payne in Germany. For this we owe Stephen a debt of gratitude and a subscription.

This edition of The International Wine Cellar features the article, "Germany '04: A Classic Spätlese Vintage" by Joel B. Payne and you will not find a more informative piece of wine writing. This article is a tour-de-force that should not be missed. Mr. Payne is a resident of Germany and this advantage clearly shows in the incredible depth of knowledge delivered in this article. The scholarship displayed by Mr. Payne is sorely lacking in wine writing in general and should be both a lesson and example for all wine writers. The sad thing about this beautiful article is that it will be read by so few when it offers so much.

Often we ridicule consumers going through wine shops with The Wine Spectator Buying Guide under their arms, but I will have a copy of Mr. Payne's article in my pocket when I visit my favorite wine merchants.

St. Emilion, Chateau Pipeau, Grand Cru 2003

Recommended by the ever reliable wine merchant Doug Salthouse, proprietor of Smart Buy Wines in New Jersey, this Saint Emilion Grand Cru is a tour-de-force combination of all that was, is and what can be exciting about Bordeaux. Rich and smooth without a hint of over-extraction, this wine blends modern knowledge with classic Bordeaux character. I’m ordering a case of this under $30 bargain.

” Located just 3 kilometers from Saint Emilion, Chateau Pipeau is a perfectly situated vineyard with great exposition (sun exposure). The vineyard has been in the Mestreguilhem family since 1929, thus there is now three generations of experience that has sought to constantly improve this wine. This blend of 80% Merlot, 10% Cabernet Sauvignon and 10% Cabernet Franc come from vineyards situated on soils composed of gravel, sand and clay. Fermentation is carried out at low temperatures over a period of 4 – 5 weeks. Following fermentation, the wine is matured in oak casks, one third of which are new.” - from the Smart Buy Wines newsletter

Pinot Noir, Belle Pente, Carlton-Yamhill District 2003

Here is an estate that embodies the potential for greatness in Oregon pinot noir. With this wine they blow away the stereotypes about the ultra-ripe 2003 Oregon vintage and produce a rarity - an under 14% alcohol 2003 Willamette Valley Pinot Noir. While may pinots of this vintage taste of raspberries with a burn at the end, Belle Pente has produced a lovely balanced wine that tastes only of pinot noir and Willakenzie soil. There is no jammy, hot pinot here.  Everything wine at Belle Pente exceptional and complex. Certainly not wines for the masses considering the quantity and style, but in my opinion an exceptional winery in all facets and this wine is clearly one of the best 2003 Oregon pinots produced.

Hot, Hot, Hot

longoria2.jpgHot, Hot, Hot. Eva Longoria could not be hotter: literally, figuratively, professionally and any "ly" you can come up with these days. Her picture graces every scandal sheet and tacky celebrity magazine lining the check out counters of every supermarket in the country. They are empty headed magazines for people without a life of their own. So what is Her Hot-ness Eva doing on the cover of The Wine Enthusiast?

The breathless cover story feature in The Wine Enthusiast goes on to document the fact that as good as she looks, Ms Longoria doesn't know a thing about wine other than the fact that she adores pinot grigio and really loves French wines although she doesn't know the names - Desperate Housewifes must be showing on French television. It's hard to imagine a more embarrassing article in a magazine pretending to be a source of expertise. The article is not embarrassing for her, but for the editors of the magazine its hard to imagine anything much worse.

What I suppose I am most amazed about is that considering that The Wine Enthusiast is little more than a bad  imitation of The Wine Spectator,  is that it is able to survive at all. Why in the world would anyone lay out good money for a second rate version of the People magazine of the wine world? Publications like these survive because there are millions of dollars funneled into advertising by big money wine beverage producers. The Wine Enthusiast issue featuring the sophisticated palate of Ms Longoria was paid for by wines that she would love.

 The Wine Enthusiast,  as it is published now, has no reason for existing except to suck in money from the Coca Cola side of the wine industry, so save your five bucks and stick to The Wine Spectator for celebrity updates.

Whirlwinds

Whirlwinds of work and a nasty bout with the flu have kept me away from Wine Camp over the last weeks and it feels good to be back at the keyboard. These everyday realities remind one deeply about the time and mental commitment of creating a meaningful journal.

I an pleased to announce that the beginnings of the Wine Camp eMagazine are starting to take shape. What is planned to be a quarterly e-publication will have its premier this spring, but I invite you to watch and better yet, take part, in the creation of an new wine resource. Everyone is invited to submit articles for inclusion - the more-the-merrier. All topics related to wine, spirits, beer, cuisine and culinary travel are welcome.  If you have questions or an article to submit please write me at craigcamp@winecampblog.com. While blogs are focused on shorter pieces and thoughts, it is the goal of The Wine Camp eMagazine to feature longer, more in-depth features.

Please visit www.winecampblog.com to get a look at this work-in-progress. 

Cutting Edges- Produttori dei Barbaresco

Dinner last evening provided a good excuse for nebbiolo - not that excuses are required. Portland's (OR) Caffe Mingo offers particularly satisfying Italian inspired comfort food -- just the thing required for the cutting edge provided by traditionally-styled nebbiolo wines. Owner Michael Cronin has assembled a short, but well chosen wine list to accompany his flavorful fare and the moderately priced 1996 Produttori dei Barbaresco Riserva Montestefano immediately tingled my palate.  These Produttori Riservas are not only a great value, they are a time machine, as they take you back to the way Baroli and Barbaresci tasted decades ago. While many claim the "traditional" description, the Produttori are one of the few who actually practice it authentically. These are wines full of cutting edges and modern-day descriptors of ripe cherries/blueberries/blackberries do not come to mind.  The 96 Montestefano on its own was still lean, tight and unyielding (it needs another 5 or 6 years), but Cronin's food and an hour of decanter time created a true symbiosis as the edges of the Montestefano balanced complexity brought alive the richly warm cuisine.

These days the attention always seems to be on a wine's front, while ignoring its edges. However on the edges is often where the real complexity hides.  The Produttori dei Barbaresco wines may have little front, but they have dramatically satisfying edges.

 

Barbaresco Rabajà Giuseppe Cortese

The incline of the hill is steep and every speck of the grayish soil bakes in the hot sun. The entire slope is a wave of vines and the southwest/south exposure means not a leaf misses a moment of sunshine. This is the famed Rabajà vineyard located just outside of the town of Barbaresco. Certainly this vineyard was created to produce exceptional nebbiolo and a vineyard of similar potential in Burgundy would be considered a Grand Cru. However, there is no such official breakdown of vineyards in Langhe; just an informal acknowledgement among those in the trade as to what the great vineyards are - an acknowledgment clearly defined in the selling price of the wines, grapes and land.

The sun drenched calcareous and clay-heavy soils of Rabajà produces Barbaresco wines with a unique combination of power and elegance that makes them approachable in their youth, but rewards those who cellar their bottles with wines of great complexity and refinement.

From vines in the very heart of this special vineyard come the Barbaresco wines of Giuseppe Cortese, a small producer making a fine range of wines only from their own grapes. In addition to Barbaresco Rabajà, Cortese produces the excellent Barbera d’Alba Morassina and Dolcetto d’Alba Trifolera  from a vineyard area just to the south of Rabajà. The wines of Cortese have been improving consistently for years and in recent vintages they have been releasing some very fine wines. Giuseppe Cortese, after decades working as an agronomist for other top producers, founded his own estate and now with the next generation - son and daughter Pier Carlo, an enologist, and Tiziana - they are making this estate a must for collectors of traditionally styled wines from the Barbaresco zone. While the fermentations have a slight modern touch, their Barbaresco does not see a small barrel, spending the years in large casks of 17 to 25 hectolitres ranging in age from new to nine year old. Only the Barbera Morassina sees barrique and with excellent results, once again showing the affinity of the high acid/low tannin barbera for small French oak barrels in controlled doses.

Barbaresco Rabajà Riserva, G. Cortese, 1996 ($75) Bright light ruby with garnet. Quite translucent. Exotic earthy nose with ripe plums, burnt orange, porcini and tar. On the palate it is complex, powerful and still very tight. The finish is very long with layer after layer of tar, ripe plum and bitter chocolate tied together by the substantial tannin. A stunning wine in a classic style that is a worthy addition to any collection, this wine needs five or more years to open even though it spent three years in cask and another three in bottle before release.

Barbaresco Rabajà, G. Cortese, 2001 ($45) Bright light ruby with orange and garnet hints. Quite translucent. Elegant, floral nose with rose petals and violets blended with a buttery tar. Full structure on the palate with layers of complex flavors: dried leaves, tar, orange spice, warm tar and ripe plum flavors all of which continue into the long finish that has a touch of cassis to balance the considerable tannin. A wine with excellent aging potential. 

Milano in Marche

Ampelio Bucci seems to embody the elegance and style of Milan. Yet, he is making an impact in that most un-Milan of places, the rugged hills, mountains and coastlines of Le Marche. Since the 1700's the Bucci family has lorded over their estate in Le Marche, but despite the long family history, only under the current generation have their vineyards been raised to greatness. The aptly named Ampelio (coming from ampelos, ancient Greek for vine) has transformed this estate into one of Italy's most interesting white wine producers and a leading producer of Rosso Piceno.

The large property, almost 1,000 acres, not only produces fine wines, but sugar beets, corn, wheat, sunflowers and an extraordinary extra virgin olive oil from the ancient Carbonella olive. Since 2002 all the crops on the estate have been officially certified as organic by the EEU. Ampelio has taken extreme care in his vineyards, refusing to tear up old vines even though their production is severely reduced meaning his yields are less than half that allowed by the DOC. Old vines from extraordinary vineyards farmed with great care of course produce exceptional grapes and Ampelio is to be highly commended for choosing a winemaking approach that brings these essences from the vine to the bottle. No barriques, only large well-used barrels touch his wines. The resulting verdicchio wines literally sing with complexity, richness and fresh acidity. His efforts clearly show the potential of verdicchio from the right vineyards in the right hands and decidedly make the point that barriques and their resulting oak flavors add only confusion to the richly honeyed flavors of verdicchio.

While the labels are similar, wines labeled only Bucci are the regular cuvees (and lovely they are), while wines labeled Villa Bucci are reserve wines from the oldest vines and best vineyards.

As excellent as the red wines of this property are, it is their exceptional and age-worthy Verdicchio dei Castelli di Jesi Classico wines that make them stand out in the crowded world of wines. Their unique flavors, textures and complexity make delicious companions to the finest meals. They are among the world's finest white wines.

2000 Villa Bucci Riserva, Verdicchio dei Castelli di Jesi Classico Superiore ($35)
Bright light gold. Smooth crème brulee aromas open into toasted hazelnut, vanilla with touches of ripe oranges. Rich, yet firmly bitter on the palate. Creamy, nutty flavors blend with a lively touch of bitter orange and ripe mangos. The firm flavors dominate the full, but structured finish. An extremely balanced and complex wine that I recommend aging a few more years to allow all the components to grow and blend.

2002 Villa Bucci Rosso Piceno($35)
Bright light ruby, just translucent. An elegant, layered complex nose with touches of bitter and sweet plum, black cherry, blood oranges, spices and fresh mint. Exceptional balance and refinement on the palate as bitter cherry flavors dance with chocolate, sweet plums, spices and cranberries. The finish is long, and lively with each of the aromas and flavors repeating themselves. A lovely wine that is ready to drink now and over the next 5 or 6 years. Villa Bucci Rosso Piceno wine is 70% montepulciano and 30% sangiovese.

Stemming the Rise of Greasy Wine Glasses

A couple sits down next to me at an elegant wine bar and order a zinfandel and a merlot. The waiter returns with two huge balloon Riedel glasses. The women reaches out with long, painted and manicured fingernails and grabs the entire bowl of the gigantic glass with her small hand. Protruding strangely from her fingers is the long and untouched stem, which sticking out in this fashion threatens the chin of her companion. After a few sips the once glistening glass is now covered with fingerprints that, combined with the lipstick marks on the lip, make the elegant glass dirty and dingy.

 What is this phenomenon? In this era of glasses the size of decanters why do so many people still insist on grabbing the entire glass and ignoring the stem? This is like carrying your suitcase in your arms instead of using the handle. It seems so clear that the stem is connected to a wine glass so you can hold it, it seems very odd that so many people still insist on grabbing the bowl with their entire hand. With the size of todays glassware you need a big hand to successfully hold the entire bowl with comfort.

There are reasons for the stem on a glass besides the elegant look. By handling only the stem the glassware remains sparking clean so that you can enjoy the appearance of the wine and using the stem keeps the heat of your hands away from the wine. 

I know this fits into the unimportant pet-peeve category, but no one seems to be able to explain this behavior. Perhaps Riedel "O" glasses will take over the market. 

The Schnook Side of Wine - Joe Dressner

“Let’s be reasonable. We have a three tier system here (in the U.S.A.). A wine that costs $9.99 retail usually leaves the vigneron’s cellar at $3.00 to $3.50. A producer wants to make $5.00 and everyone in the American trade considers him a thief! So the inclination in the trade is to buy from the cheapest sourcing out there to keep the prices low in the market and to turnover inventory. OK, wine distribution is not a non-profit business and we are looking to make money. But isn’t part of our responsibility to explain to our customers and to the public why it is worth paying something extra for good and great wine? Hopefully, the time will come when the buying public buys a wine for the quality of the wine and not for the perceived reputation of the AOC. Until that time, the abuse of the majority will dominate the vineyards of France and restrict what we are able to get into the hands of consumers. Let’s work together to try to turn this situation around.” — Joe Dressner

Joe Dressner sells wine. Obviously, he is not a normal wine salesman.

In his almost famous, “Three Tier Schnook System”, Dressner writes:

“My Thursday’s salesmanship highlight, was trying to convince two dead men who buy wine for an important retailer in Maryland to buy the Clos Roche Blanche Sauvignon Blanc. Despite the numerous amusing anecdotes I told the dead men about the vignerons, they rejected the wine on the grounds it was too acidic. But they greatly enjoyed the Corbieres Chateau la Baronne Rouge 1999 and immediately ordered a large quantity that will be case stacked at their important store. The dead is a market segment I want to learn more about in the future, as I see my firm has enormous growth possibilities with this important group. On the other hand, we are not doing well amongst the far more numerous Schnooks.”

Most wine-sales types would consider such public comments tantamount to suicide. Maybe Dressner has chosen a suicidal route, as he has chosen to commit himself to two things: selecting wines defined by the essence of their terroir, and telling the truth no matter how much it hurts.

It seems that Joe has a problem when it comes to business: he only likes exceptional wines. “I have to work harder, but so what,” says Joe Dressner four coronary bypasses later.

Joe Dressner is partners with his wife, Denyse Louis (a native Burgundian), and Kevin McKenna. Together they comprise Louis/Dressner Selections, the New York-based importer of French estate wines that matter. Contrary to what most people think, Louis Dressner is not a person. “I have had people come up to me and say I bought wine from your father Louis,” says Joe.

As Dressner calls it they sell real wine. Real wine is made by the following principles:

  • Wild yeast fermentation
  • Hand harvesting
  • Low yields
  • Natural viticulture
  • No or minimal chaptalization
  • No filtration
  • Non-interventionist winemaking
  • Quality control

While these may seem like the basic rules in fine winemaking to you and me, they border on lunacy in the case-driven world of wine sales. The result of this “consumer bill of rights” is that the wines of Louis/Dressner are individualistic wines with a dynamic personality — just like Joe. Sometimes they may rub people the wrong way, but they are never boring.

The Muscadet from Domaine de la Pepiere is an excellent example of the wines Dressner selects. “Marc Ollivier has 40- to 90-year-old vineyards, top vineyard spots, perfect geology, he does not over-fertilize — he is the guardian of a natural resource. When Marc is on, these are the top wines of the AOC — wines that are not only delicious young, but that can also age 10, 20, or 30 years,” says Dressner. A claim that will raise the eyebrows of many who assume Muscadet can at best produces a tart wine to wash down oysters.

Dressner has a deep commitment to the wines of the Loire, offering no less than a dozen producers — and that’s only AOC Touraine. This is not a strategy that would be followed by many importers. In all, Louis/Dressner imports over 60 French estates each producing wines with a distinct individuality made by a producer committed to quality.

With so many small, artistically driven producers it is likely that from time to time they’ll come up with a unique barrel that cries to be bottled in its own right. That’s where “Cuvee Buster” comes into the picture. “I didn’t want a pretentious name so we called it after our dog — he’s funny looking and I wanted to poke a little fun at grandiose labeling,” observed Dressner. If you find a Cuvee Buster Selection, grab it. They are special bottlings of selections of less than 50 cases and they give the consumer a unique taste of what’s possible when economic concerns are thrown to the wind.

Louis/Dressner offers consumers an informative Web site at www.louisdressner.com, but true to his nature, Joe Dressner takes it one step further by offering his own personal site where he can offer observations and insights that would be perhaps politically incorrect on the official company site. At The Wine Importer (www.datamantic.com/joedressner) Joe offers up some of the wittiest observations on the wine industry you’ll find anywhere. Sometimes he even offers contests for readers, with free cases of wine or baseball tickets for the callers with the right answers — sort of an Internet take on radio promos.

While all this seems fun and lighthearted, there can be no doubting the seriousness of Joe Dressner’s commitment to growers that are dedicated to quality and to finding ways to bring those wines to American consumers. Louis /Dressner selections are worth a search.

Oh, there is one last thing Louis/Dressner requires of wines: “Enjoyment! Lastly, our most important ‘principle.’ Because the overblown world of overdone wines is fundamentally tiresome. We’re not looking for tasting specimens, but for wines that are great fun, and a great pleasure to drink.”

Mission accomplished.