Worth Reading: Asimov on Too Much Sugar in Alsace

How Sweet - The Pour Blog - NYTimes.com
For years Alsatian wines were my go-to wines on wine lists. They were dry, complex and great values. Over the last decade or so I drank Alsatian wines less-and-less as they got sweeter and sweeter. Many (if not most) Alsatian wines today are strange sweet, flabby alcoholic curiosities that just don’t go well with food. In the article linked to above, Eric Asimov discusses this sad situation in The New York Times.

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Roberto's Rants

I am a big fan of Roberto Rogness’ selections at The Wine Expo in Santa Monica. Thank god I don’t live near his store because I would be spending far more on wine than I do now. Roberto is never afraid to give his opinion and he shares his thoughts on the “Rants” page of The Wine Expo website, which you can find at this link.

If you’re not on The Wine Expo’s mailing list do so as soon as possible as they offer the most exciting selection of Italian and grower Champagnes that you never heard of - and that’s a very good thing. It’s a good thing because Roberto is ferreting out some of the most interesting, authentic wines you’ll ever taste, and to make things even better, they’re often exceptional values as well.

Facing Facts

facing facts If you tell a big lie enough people will begin to believe it. That has been the case with James Suckling of The Wine Spectator who has repeated over and over again his ranking of the 1997 and 2000 vintages in Piemonte as great vintages. The winemakers there averted their eyes when this topic would come up, all to willing to take his PR blessing to help sell these wines at higher prices. On the inside the story was very different with “off the record” comments on how problematic these two hot vintages were. Most producers admitted that these two years produced extreme wines, atypical in character that exhibited overripe flavors and aromas, which overwhelmed the classic characteristics of nebbiolo. In other words the growers themselves didn’t consider these to be great vintages and felt the wines themselves had serious deficiencies. By no stretch of the imagination could 1997 and 2000 vintages have been considered great in Barolo or Barbaresco. Suckling was wrong.

Perhaps now those wines are long sold out, producers are more relaxed and open in their assessment of these two artificially hyped vintages.  In the Grape Radio video linked to below, Danilo Drocco, the excellent winemaker at Fontanafredda in Serralunga d’Alba in Barolo, leads a group through a vertical tasting of his wines and with a refreshing honesty, which is typical of Danilo, comments on the well known faults of these two vintages.

http://www.graperadio.com/podcast/GR-V-ENG-USA-2008-09-01.m4v

Hot vintages that produce big, soft wines that don’t age gracefully are not great vintages. Good vintages sure, but great vintages never. Too hot can have as many problems as too cool. Suckling incorrectly rated these two vintages and should fess up and adjust The Wine Spectator vintage chart to reflect a more accurate and widely held ranking. Ranking the 2000 vintage a perfect 100 points and 1997 an almost perfect 99, while rating more highly regarded vintages lower only damages The Wine Spectator’s credibility.

The reason for these dysfunctional ratings can be seen in Suckling’s own description of the vintages:

  • 2004 - Harmonious, perfumed reds, with fine tannins and lots of freshness (89 to 93 points)
  • 2001 - Aromatic, structured and firm reds with racy character (95 points)
  • 2000 - Rich and opulent reds with round tannins and exciting fruit; perfection in Nebbiolo (100 points)
  • 1997 - Superripe, opulent, flamboyant wines (99 points)

Once again, an American writer is seduced by opulence and flamboyance, while missing the beauty to be found in wines defined by harmony, aromatics and a lively, racy character. You’d be hard put to find a producer in Barolo and Barbaresco that will tell you that 1997 and 2000 are superior nebbiolo vintages to 2004, 2001 and 1996, which most producers believe to be truly great vintages for Barolo and Barbaresco.

Successfully avoiding strike three, Suckling rates 2003, another hot, over the top vintage, only 88 points and comments, “Many unbalanced wines due to an extremely hot growing season, but some nice surprises.” Oddly enough most winemakers, now better trained in how to handle hot vintages after dealing with 1997 and 2000, probably handled the heat in 2003 more deftly then they did in those two previous difficult vintages. You can see why serious collectors of Barolo and Barbaresco have fled The Wine Spectator in search of more reliable advice.

The video above from Grape Radio is a great piece of work and is well worth watching for the graphics and information offered. Danilo Drocco is perhaps one of Piemonte’s most underrated winemakers and he has transformed Fontanafredda into a reliable producer that often makes exciting wines. The Fontanafredda Barolo Serralunga is widely available and has been one of the best values in Barolo for years.

There is no shame in making mistakes when rating wines and vintages. With time, wine changes and you have to be willing to change along with it.


Richard Sanford of Alma Rosa

Richard Sanford was one of California’s true pinot pioneers and was one of my first tutors on the great potential of pinot noir in America. I have found his wines to be consistently among America’s finest pinot noirs for decades. Sanford had his namesake winery ripped away from him from one of the Engulf and Devour Corporations of the wine world and today is making outstanding wines at his new winery, Alma Rosa. Richard and his wife Thekla are among the most gentle and artistic souls on the planet and it shows in their wines. I thought this interview with him was well worth sharing:


Real Pinot for Pinot People

biggiohamina

Todd Hamina is an opinionated winemaker. Like all opinionated winemakers he can be controversial. He also happens to be making some outstanding wines. This should not be surprising as the politically correct usually make politically correct wines, which is just as boring in the wine world as it is in the real world. Todd had a solid winemaking foundation moving through important Oregon cellars such as Patton Valley and Maysara before founding his own label, Biggio Hamina, with the 2007 vintage. The results of that education are evident in his new wines.

Those of us who cut our teeth on European wines many decades ago often accept today's supercharged wines with grudging respect and wistful memory of those more elegant, balanced wines of our past. I ran into Todd today and tasted some of his first releases and I can only say that I was blown away by his wines, which took me back to a day when wines lived by verve not power.

I was so impressed with Todd's wines that I bought two bottles almost out of disbelief. When I retasted them with my dinner I liked them even better than I did before. These are genuine wines made without regard to current fashion that were only guided by the vision of the winemaker and nature. Love them or hate them they're Todd's wines, a personal statement.  I loved them.

The 2007 Biggio Hamina Melon de Bourgogne, Deux Vert Vineyard just astounded me.  Firm and bright with zinging minerality and a long clean, truly dry finish, this is the first American Melon that I've tasted that will actually remind wine drinkers of the great wines of Muscadet, where the only really great examples of this variety have been produced. When I tasted this wine, from the excellent Deux Vert vineyard in the Yamhill Carlton AVA, I could only think what a shame it is that these fine grapes have been wasted in previous vintages by less thoughtful winemakers, but I'm thrilled that someone is now finally taking proper care of them. I would confidently show this wine to the most devoted Muscadet drinker.

The 2007 Biggio Hamina Willamette Valley Pinot Noir is nothing short of a profile in winemaking courage as few have the guts to make real pinot these days. This is real pinot noir for real pinot noir drinkers. Those that prefer pinot that tastes more like syrah won't like this wine and should leave it for the those that love pinot for its natural, refined personality. The color is  a delicate, inviting translucent garnet. It's rare to see pinot this color anywhere these days and I applaud Todd's courage to let real pinot characteristics show through in his wines. Pinot does not naturally have a lot of color and you can bet the dark wines you see these days are made by some sort of cheat. Enzymes or other varieties are all to often used to add an unnatural depth of color to pinot noir. If you can't read through a glass of pinot, something is amiss. The nose is lifting and fresh with earthy truffle and orange zest spice layered over lively bitter cherry fruit. The finish is long and clean. I could only think of excellent pinots from lesser Burgundy appellations like Marsannay and Fixin when I drank this beauty.

Both of these wines are an astounding 12.5% alcohol, which makes them almost freaks these days. Tasting wines like this makes you realize what a critical issue alcohol is as you can taste so much more in these wines simply because all the nuance is not overwhelmed by alcohol. For delicate varieties like pinot this issue has gone out of control as high-alcohol pinots are just boring and pointless to drink because they don't taste like pinot anymore. If you want a big wine get something from a big variety like syrah, not a delicate variety like pinot.

Another astounding fact about these wines is that they are also both $20 or less a bottle. I know, like you, I thought such wines did not exist in America. Actually for all practical purposes they don't, but now at least two do. Hopefully, soon there will be a lot more.

Todd will be releasing some single vineyard pinot noirs, syrah and pinot blanc from the 2007 vintage and I can't wait to taste them. If these wines are any indicator they should be something very special indeed.

 

Alcopop

Wine world outraged at Channel 4 'Dispatches' doc - decanter.com

Winemakers were apparently offended by this television report referring to industrial produced wines as "alcopop".  Producers like Blossom Hill, Jacob's Creek and Yvon Mau all had their feelings hurt. The thing is that the report was correct. Producers like these are producing a beverage using a recipe designed to produce a specific, repeatable result. The results and the philosophy applied are no different than those used in the production of Coca Cola. To complete the analogy, many of the executives that run these companies and market their wines move freely from beverage company to beverage company moving between companies like Coca Cola, Red Bull and Mondavi with no problem as the production and marketing issues are the same. There's a lot more alcopop being sold in the world than wine.

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The Times They Are a Changin'

Germany astonishes at Decanter World Wine Awards - decanter.com
The Dernauer Pfarrwingert Spätburgunder Grosses Gewächs 2005, Weingut Meyer-Näkel was named the top pinot noir in the world at the Decanter World Wine Awards. It was not so many years ago that German pinot noir, Spätburgunder, was a dark pink curiosity. Times have changed in the world of pinot noir and better and better wines are being produced around the world. A fact that American producers better keep in mind.

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A Pleasant Surprise

Hess Cabernet capsule 011 One of the most consistently disappointing categories of wine is moderately priced California Cabernet. That range from say $15 to $25. Most just have no reason for existence as they have more to do with $10 grocery store cabernet rather than $50 bottles. Not that you can find top quality California Cabernet in the $50 range anymore.  Bordeaux has always had a many Petit Chateau and Cru Bourgeois that delivered excellent value, but nobody in California seems to want to get into the mid-price business. Everybody wants to be Screaming Eagle if they have the grapes or not.

So I tasted the 2006 Hess Cabernet Sauvignon, Mendocino, Lake, Napa with little optimism, but I was in for a pleasant surprise. Certainly not a great cabernet, but it is a very nice one and at $15 is a very good value. While definitely forward and ready to drink, there is just enough tannin to remind you that it is truly cabernet and to let you keep it around for a year or two. The blend is 88% cabernet, 8% syrah and 4% merlot harvested from vineyards in Mendocino, Lake and Napa counties. At 13.5% it’s medium-bodied by American standards. Hess Chef Chad Hendrickson offers this recipe suggestion to pair with this wine:

Herb Marinated Skirt Steak with Point Reyes Blue Cheese and Sweet Onion Relish, Balsamic Reduction

Skirt Steak

1 lb. Skirt steak, cleaned, defatted

½ Tbsp. Thyme, chopped

½ Tbsp. Oregano, chopped

½ Tbsp. Sage, chopped

½ Tbsp. Garlic, chopped

2 Tbsp. Extra virgin olive oil

To taste Salt and Pepper


Point Reyes Blue Cheese and Onion Relish

1 oz. Extra virgin olive oil

1 cup Sweet onions, small dice

½ cup Pt Reyes Blue cheese, crumbled

1 Tbsp. Chives, sliced ¼” bias

1 Tbsp. Balsamic Vinegar Reduction

To taste Salt and Pepper


Method for the skirt steak

Season the skirt steak with salt and pepper. Set aside. Combine the herbs, garlic, and olive oil in a bowl. Add the steak and toss to coat with the herbs. Set aside for 4 hours.


Method for the Sweet Onion Relish

Heat a sauté pan over high; add the oil and onions, season with salt and pepper. Let cook stirring periodically until caramelized. Adjust seasonings and keep warm.

Grill the skirt steak to desired doneness. Let rest for 5 minutes, and then slice ¼ “thick on a bias (against the grain). Fan the steak on a plate.

Heat the onions over medium until warm, toss in the crumbled blue cheese and chives.

Place on top of the skirt steak. Drizzle the balsamic reduction around the plate.

Personal Hygiene

teeth We Americans are afraid of a lot of things. Is your deodorant working? Do your feet stink? Is your breath fresh enough? We have loads of paranoia and loads of products to feed those fears. Now finally someone has created a product to deal with a problem that really matters. Wine Wipes will eliminate that most disgusting of personal hygiene issues, teeth stained by red wines.  Lord knows how embarrassing it is to flash a smile after tasting a few dozen zins. This humbling situation is now a thing of the past as Wine Wipes, packed in a compact complete with a mirror, will wipe away those nasty red wine stains on your teeth. Just knowing that they exist will make me sleep better at night. I better buy them by the case.

Über Bargains

05_Barth_Spatlese Riesling is regal. For me there is no doubt it is the greatest white variety. You can debate the reds, pinot or cabernet, but when it comes to great white wine only riesling is king. Yet in a bizarre twist of fate, the greatest white variety is not the most expensive. Vapid pretenders like chardonnay, viognier and sauvignon blanc routinely sell at higher prices. While there are wonderful rieslings coming from Austria, Alsace, Oregon, New York and Washington, the wines of Germany still dominate the category and they are staggering values. Easily the best wine values from any region or variety, German rieslings offer great wines at moderate prices, which is a rarity these days. The only thing holding riesling back is the bizarre resistance of Americans to wines with any sweetness. It's hard to think of a stranger problem in the land of Coca Cola and sweet chardonnay.  On top of that, with alcohol levels topping out at around 12% and often much lower (see below) these are wines that not only taste wonderful at the table, but spare the headache the next day. With its almost perfect balance, if you don't like riesling, I have to think you're really not tasting what you're drinking.

If there's a bottle of riesling in the refrigerator it will always be the bottle I grab. Here are some recent rieslings I have really enjoyed.

Rheingau, Rüdesheimer Magdalenenkreuz Riesling Spätlese, Wiengut Leitz, 2006 (8%) Screwcap finish - A brilliant wine with acidity and sweetness in perfect harmony. Seductive and addictive. Those that out-of-hand reject any sweetness in their wines are totally out of touch with their palates in my opinion. It's all about balance, not statistics. The fruit sweetness in this wine walks a tightrope of acidity. Really gorgeous.

Phalz, Forster Ungeheuer, Riesling Kabinett Trocken (dry), Weingut Lucashof, 2006 (12%) - A laser beam of a wine. Racy, mineral structure with haunting ghosts of ripe peaches. Fresh crab is calling.

Mosel-Saar-Ruwer, Zeltinger Sonnenuhr Riesling Kabinett, Alte Reben (old vines), Wiengut Albert Gessinger, 2004 (8.5%) - A perfect example of the almost spiritual aspects of fine riesling. High toned, intellectually challenging and touched with a precisely balanced sweetness. Each sip demands another.

Mosel-Saar-Ruwer, Wehlener Sonnenuhr, Riesling Kabinett, Estate Bottled, S. A. Prüm, 2005 (9.5%) - This wine is easy to find and reasonably priced. Why is anyone drinking low priced California chardonnay, which has about the same level of sweetness, with none of the acidity. Lush and fruity with racy acidity and that petroleum touch of a great riesling.

Mosel-Saar-Ruwer, Piesporter Gärtchen, Riesling Spätlese Feinherb (off-dry), Weingut Blees Ferber, 2005 (12%) - Feinherb may mean off-dry, but with acidity like this everything is relative. Simultaneously rich and delicate as only dry riesling can be. I kept thinking of fresh rainbow trout with every sip. Note that at 12% alcohol this is considered a full-bodied wine in Germany, but it's a ballerina by American standards. A Truly Fine Wine Selection

Rheingau, Riesling Spätlese Trocken, Weinguth Barth, 2006 (12%) Vino Lok finish - Want to confuse someone who has learned what Spätlese means by reading books? Just give them this wine No sweetness here as the electric acidity races through ripe, stone fruit flavors. How can a wine that smells and tastes so sweet be so dry? A Truly Fine Wine Selection

Save Brunello! A Debate

I received this press release below from noted Italian wine writer and blogger Franco Ziliani, who has been the source of so much good information on the recent "scandal" in Brunello. This should be well worth tuning into as staunch traditionalists Ziliani, Jeremy Parzen and the great Teobaldo Cappellano of Barolo take on hard core modernists Ezio Rivella and Vittorio Fiore. The modernist are lobbying to allow varieties other than sangiovese in Brunello di Montalcino. I shall be heartily rooting for Team Ziliani.

Face to face on Brunello

Controversial views of Ziliani and Rivella’s challenge, are the highlight of the first face to face on Brunello, developed after well-known facts that have involved the most famous Italian wine. The debate will see as protagonists the journalist Franco Ziliani, editor of the wine blog www.vinoalvino.org coupled with Barolo producer, Teobaldo Cappellano, and the oenologist Ezio Rivella, managing director of Villa Banfi for many years, coupled with the oenologist Vittorio Fiore. All it will be moderated by professor Dino Cutolo, teacher at Siena University, anthropologist and wine lover.  The “duelers” will challenge until the last word, supporting their theories, and all will be live broadcasted in streaming on www.intoscana.it and on www.vinarius.itThe rendezvous is on the 3rd of October, at the first floor of Palazzo del Rettorato, Via Banchi di Sotto, 55 in Siena.

Note: I assume you'll get more out of this if you speak Italian. If not, I'm sure we can depend on Jeremy to have a report in English on his blog, Do Bianchi.

Vignerons Oregon Style

arcane 2006PinotNoirReserve In todays ever more corporate world of winemaking, the old image of the small wine farmer, or as it is called in French, vigneron, seems a quaint part of winemaking history. However, there are still really winemakers crafting small amounts of outstanding wines in somewhat simpler surroundings than the winemaking temples constructed by the big name wineries. In fact, Oregon is full of them.

The green, rolling hillsides of the Willamette Valley are a patchwork of tiny growers and winemakers with productions measured in hundreds of cases instead of thousands.  Buying wines from these small producers can be like walking through a minefield, but when they’re good, they’re very good.

Two such pinot noirs recently tasted are the 2006 Dalla Vina (soon to be re-christened Terra Vina due to a lawsuit) Dundee Hills Pinot Noir (146 cases) and the 2006 Arcane Cellars, Dundee Hills, Kelly Vineyard, Pinot Noir Reserve (105 cases). These excellent wines are spiritual cousins. Both are balanced, elegant wines with a classic, translucent garnet color, a spicy nose layered with black truffles, bright fruit and that essence that the Italians call sottobosco, or undergrowth in the forest. After the hyper-clean fat, cherry fruit style of so many New World pinots, these wines are a real treat. As they are both under 14.5% alcohol, emerson gris you can still actually taste the nuance in these wines.

Great wines from small producers is not limited to red wines as proven by the 2007 Arcane Cellars Del Rio Vineyard Viognier (95 cases) and the 2007 Emerson Vineyards Pinot Gris (only $15 by the way). As someone who has rarely tasted an American viognier that I liked, finding them too blowsy and without backbone, I was stunned by this firm and dry Southern Oregon effort. I’m starting to get the idea that Southern Oregon may be a New World home to viognier. The Emerson Pinot Gris is both refreshing and a refreshing change for its bracing dryness, unlike so many other Oregon pinot gris wines that try to make up for lack of body and flavor with residual sugar. On top of it, it may be the best value in Oregon gris that I’ve tasted.

It’s always risky to buy wines from small producers as often you end up with faulted wines. Yet, the best small producers often make better wines than bigger wineries with better equipment and far greater resources. While buying wines from small producers that you’ve never heard of can be like playing craps, sometimes you win the jackpot.

WBW #49: Tonight the Bottle Let Me Down

wbwlogo "What will you drink to toast the end of the Bush era," is the topic picked by dhonig, author of The 2 Days Per Bottle Blog and host of The 89 Project Blog for September's Wine Blogging Wednesday. For me, it won't be a moment for toasts and celebrations, but a moment of contemplation and remembrance. A moment to remember the thousands of Americans and hundreds of thousands of Iraqis that the Bush era has wiped from the face of the earth in our names. To remember that my country joined the ranks of countries like North Korea, China and Russia, where prisoners are tortured. What happened to the America of my childhood? The night of January 19th will be met with a certain melancholy  due to the weight and sorrow of the the last eight years. This month's topic made me think of what to drink to mark that last night of Bush and my thoughts drifted my last bottle of 1970 Graham's Vintage Port, as perhaps a wine of meditation is more appropriate than a bottle for celebration as we hopefully close one of the saddest eras of American history.

I'll have to reserve my choice for drinking on January 20th, Inauguration Day. If we enter a new era of hope and integrity and Barack Obama is elected I'll reach for the Champagne, and a lot of it. However, if there will be only more of the same, I'm afraid the bottle will let me down.

"Well I've always had a bottle I could turn to
And lately I've been turning every day
But tonight the wine don't take effect the way it used to
And now I'm hurting in an old familiar way
Tonight the bottle let me down
And let your memory come around
The one true friend I thought I'd found
But tonight the bottle let me down"
Merle Haggard

Net Benefits

There can be no doubt that the Internet and the new power of social networking has made the level information available to wine consumers almost incomprehensible. When I think of what is available today compared to when I started learning about wine it is astounding.

I can’t think of a better example of this information bonanza than Bill Nanson’s Burgundy Report. Nanson passionately and precisely covers that most difficult of wine regions and it’s all free. If you follow Bill’s recommendations you will never doubt the greatness of Burgundy again.

Another gift of the Internet for wine lovers is the rise of small, dedicated online retailers that offer selections based on their own palates rather than someone else’s. In other words, they’re real wine merchants in the old sense. Two examples of this new type of retailer are Wild Walla Walla Wine Woman from wine blogger Catie McIntyre Walker and Domaine 547 from yet another blogger, Jill Bernheimer. Catie is offering small production Walla Walla wines that you’re unlikely to find outside the Northwest and Jill is creating a new type of wine retailer that, while she ships nationwide, has also developed a loyal local following to whom she delivers direct.

Innovators like these are making real cracks in the American three tier distribution system (of which the traditional wine press is often a silent fourth tier) and educating consumers on wines that they would never hear about as big American distributors, press and retailers just aren’t interested in them. If you are seeking distinctive, small producer wines, writers and retailers like these are where to look.

Eat Local? Drink Local!

sustainability_spheres Portland Oregon is a famously green city. Named the most sustainable city in the United States, the city even boasts an Office of Sustainable Development. The city’s restaurant scene also follows the sustainable mantra with a passion. The number of restaurants featuring sustainable, locally grown ingredients makes Portland a foodie nirvana. Considering that Portland sits at the head of the verdant Willamette Valley, the supply and diversity of sustainably grown meat, fruit and vegetables available to local chefs is almost overwhelming. Indeed Portland is in, “A golden age of dining and drinking,” as Eric Asimov wrote in The New York Times.

Not much more than a half hour drive from this hotbed of sustainable restaurants owned by chefs obsessed with the freshest local produce sits one of the world’s most highly regarded wine regions, the Willamette Valley. The same rich diversity of soil types and microclimates that provide the endless sustainable pantry for local chefs also offers world-class wines, which are now sought after by the best sommeliers and fine wine shops. No serious wine list in New York, Chicago or other major American city would feel it had a complete wine list without a significant selection of Oregon Pinot Noir. Just a few hours away are the great vineyards of the Columbia Valley and the emerging regions of Southern Oregon. Portland restaurants are literally surrounded by outstanding wine regions, which grow the full range of the world’s finest wine varieties.

Like Portland, Oregon is arguably the greenest wine growing region on the planet. The movement towards sustainable winegrowing in Oregon seemed to develop its own natural (appropriately enough) momentum based on the personality and beliefs of the people that came here to grow grapes. It makes perfect sense that winegrowers who came here to grow Pinot Noir—the most terroir driven of grape varieties—would have a closeness to the earth itself that would inevitably lead them to be good stewards of the land and move away from conventional agriculture to the various sustainable disciplines.

In Oregon, there are a variety of sustainable certifications and, as usual, practitioners of each discipline assert the superiority of their methods, but of most importance is the unique commitment among Oregon wine growers to use methods that have minimum impact on the environment. While environmental aspects have helped fuel the greening of the Oregon wine industry, there are two indisputable factors that are driving this growth. First is the obvious fact that grapes farmed by any of these methods make better wine. All of the top wineries in Oregon use one of these methods. The simple truth: To achieve any of these certifications, you have to spend more time in your vineyards and that contact inevitably leads to better fruit, which always means better wine. The second reason for the explosion in sustainably certified vineyards is a little less altruistic, but is important nonetheless. Being green means more than bettering the environment, as certified wines command more greenbacks. Green makes for good marketing and has, in fact, become a marketing focal point for the Oregon Wine Board, which has now introduced its own certification, Oregon Certified Sustainable.

So we have a match made in heaven: a hot sustainable food scene in Portland surrounded by dedicated sustainable winegrowers producing wines in an incredible range of styles from every important wine grape variety in the world. Unfortunately, and with a logic I cannot follow, this is a match that hasn’t happened. I have never seen a city so close to major wine regions that is so disconnected from its local wines. If people eat in Bordeaux, they drink Bordeaux, in Alba they drink Barolo, in Dijon they drink Burgundy, in San Francisco they drink California; but in Portland, you are more likely to find wines grown 5,000 miles away rather than 50.

There is a disconnect between Portland and its regional wines. It is common to dine at a restaurant that prides itself on serving the freshest local provenance while featuring wines from France and Spain with only a nod to the wines of the Northwest. Unfortunately, that also goes for the city’s fine wine shops, on whose shelves Northwest wines are often second-class citizens.

Within a four-hour drive of Portland, some of the world’s most sought-after, respected wines are grown. Great Cabernet Sauvignon, Merlot, Pinot Noir, Sangiovese, Chardonnay, Pinot Gris, Riesling, Tempranillo, Syrah and many other varieties, along with exceptional Champagne-method sparkling wines and dessert wines, are produced in Washington and Oregon. This fact leaves local restaurants little excuse for not offering interesting wine lists based on local wines. That’s certainly not to say there’s no room for the world’s other wines, but a food community that believes in a sustainable model and does not take full advantage of the exciting wines grown in its own backyard is only paying lip-service to sustainability. This, of course, means more work for restaurateurs who must spend more time in wine country, tasting and finding wines from producers who make wines that they find exciting with their food, but that’s how chefs working in the world’s other wine regions do it.

The concept of sustainability is important to Portland’s restaurateurs, winegrowers and their customers. Serving local wines in local restaurants is a part of the sustainability model that should not be overlooked. Putting wine on a ship, then on a truck and transporting it thousands of miles leaves a big carbon footprint hard to ignore.

In 2005, the “Eat Local” challenge (www.eatlocal.net ) was launched by the Ecotrust, Portland Farmers Market and the Portland Chapter of the Chefs Collaborative to educate consumers on the benefits of eating locally grown food. Perhaps it’s time we launch a “Drink Local” project with the same goal. Eating locally and drinking locally cannot be separated when you live in the heart of a great wine region.

This article originally appeared in The Oregon Wine Press

Striking a Match

matchbook Several decades ago I met an enthusiastic young couple with a new winery located in the Dunnigan Hills of California's Yolo County. No one had heard of Yolo County in those days or, for that matter, these days. Yet, that young couple, John and Lane Giguiere, built their new winery, R.H. Phillips, into a national brand that reached 750,000 cases in sales by the time they sold the brand in the year 2000. What made the Giguieres so successful was that they made wines that were great values and then took them to market in some of the most fun, innovative packaging in the industry. The labels got people to try the wines, but once they tasted what was inside they were hooked because of the quality. Having not tasted the Phillips brands after their departure, I have no idea if that tradition has been continued.

Like most entrepreneurs, once they attained their success, they longed to get back to what got them into the business in the first place. For the Giguieres this meant getting back to, "making wine again, instead of making sales forecasts." Their new venture, Crew Wine Company, is taking them back to their winemaking roots in the Dunnigan Hills, with some side trips to the Russian River and Mendocino. The several brands under the Crew umbrella include: Mossback, which features pinot and chardonnay from the Russian River; Sawbuck, which offers chardonnay, cabernet and malbec for around $10; and Matchbook, that is built on the Giguiere's estate vineyards in the Dunnigan Hills.

There is a growing buzz for Spain's most important variety, tempranillo, up-and-down the West Coast. Oregon's Abacela Vineyards has been making an outstanding tempranillo for years and there's even a new trade association for tempranillo producers called the Tempranillo Advocates Producers and Amigos Society or TAPAS, which just had their first convention last August in Napa, where more than thirty American tempranillo producers shared their wines and exchanged ideas. The Giguieres and their Matchbook wines are in the forefront of this New World tempranillo revolution offering two excellent wines from this variety that, as you would expect from them, are also good values.

Their 2006 Matchbook Dunnigan Hills Tempranillo is just simply delicious. Round, deeply fruity with just enough tannin to hold its edge, this is a wine that just draws you in and invites another sip. There's big fruit here, but it's no simple fruit bomb. At only $15 a bottle, this tempranillo is a great bargain. The 2005 Matchbook Dunnigan Hills Tinto Rey (43% syrah, 40% tempranillo, 7% malbec and 6% petit verdot) is a bigger, more powerful wine with the syrah showing through in the gamy, butcher shop highlights in the nose and on the palate. It's deep and rich with a bitter chocolate backbone to balance the extracted, ripe blackberry fruit. While these wines are big, they're not monsters. Both are under 14% alcohol and are the better for it as these are two wines you can really enjoy with food. Match these wines with chops, steaks and sausages hot off the grill.

The name Matchbook came from John Giguiere's childhood tendency to play with matches. With their new brand Matchbook he may have started another fire.